Praise for The Tiger’s Wife:New York Times – 5 Best books (fiction) of 2011 New York Times – Michiko’s top 10 books of 2011 New York Times – 100 Notable Books of 2011 NPR / All Things Considered – Alan Cheuse’s top 5 novels of 2011 O, the Oprah Magazine – 2011 Best Books Entertainment Weekly – Top 10 books (Fiction) of 2011 Esquire – 2011 round-up The Economist – 2011 Best of Books Vogue.com – 2011 Best of Books list Slate.com – 2011 Best of Books list Christian Science Monitor – Top 10 books (Fiction) of 2011 Publishers Weekly – Top 100 books of year Library Journal – top 10 books of 2011 Seattle Times – 32 of the Year’s Best Books Kansas City Star – Top 10 Books of 2011 “Of the books I read this year by people I’ve never laid eyes on, the most peculiar and brilliant may have been
The Tiger’s Wife, by Téa Obreht. Constructed from anecdote and fable, it is sometimes written in a kind of medical poetry, its main characters being doctors whose attention to the permeable line between life and death suits the tales of old and new Yugoslavia that Obreht wishes to tell.” —Lorrie Moore,
New Yorker online
“Stunning…Obreht writes with an angel's pen on this tiger's tale within the novel, and on myriad other matters, from birth, death and immortality, creating a skein of descriptive passages flush with brilliant detail and ringing with lyrical diction.”—NPR.org, Alan Cheuse's Top 5 Fiction Picks of 2011
“Attention all book groups:
The Tiger's Wife is an ideal book for discussion, and not only because of the handy reader's guide included, or because of the nifty conversation between Pulitzer Prize winner Jennifer Egan and Tea Obreht…A beguiling blend of realism, myth and legend, this novel possesses a presence and force, essential ingredients for a novel that is very much rooted in reality yet transcends time.” —Elizabeth Taylor,
Chicago Tribune Editor’s Choice
“Sentence by sentence, no fictional debut in 2011 was more arresting than this novel.” –
Cleveland Plain Dealer Holiday Books Round-up
“[A] brilliant debut…[Téa] Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure.”–
Publishers Weekly, starred review
“Not even Obreht’s place on
The New Yorker’s current “20 Under 40” list of exceptional writers will prepare readers for the transporting richness and surprise of this gripping novel of legends and loss…[Contains] moments of breathtaking magic, wildness and beauty…Every word, every scene, every thought is blazingly alive in this many-faceted, spellbinding, and rending novel of death, succor, and remembrance.” –
Booklist, starred review
“Dizzyingly nuanced yet crisp, [and] muscularly written…This complex, humbling, and beautifully crafted debut from one of
The New Yorker's 20 Under 40 is highly recommended for anyone seriously interested in contemporary fiction.”
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Library Journal, starred review
“A cracking, complex, gorgeously wrought saga that resonates as a meditation on life, love…and our responsibility to the stories we inherit from our grandparents…Obreht is a natural literary descendant of Isaac Bashevis Singer and Gabriel Garcia Marquez….
The Tiger’s Wife is an original and wonderful novel…It makes for a thrilling beginning to what will certainly be a great literary career.” – Kate Christensen,
Elle “Deftly walks the line between the realistic and the fantastical…In Obreht’s expert hands, the novel’s mythology, while rooted in a foreign world, comes to seem somehow familiar, like the dark fairy tales of our own youth, the kind that spooked us into reading them again and again…[Reveals] oddly comforting truths about death, belief in the impossible, and the art of letting go.” –
O: The Oprah Magazine“Téa Obreht is the most thrilling literary discovery in years.” —Colum McCann
“A novel of surpassing beauty, exquisitely wrought and magical. Téa Obreht is a towering new talent.”—T. C. Boyle
“A marvel of beauty and imagination. Téa Obreht is a tremendously talented writer.”—Ann Patchett
“It is difficult, maybe impossible, when reading a hotly anticipated first novel by a celebrated 25-year-old-writer, not to think about her age, to subconsciously search for evidence of callowness, inexperience and showiness…I opened
The Tiger’s Wife prepared to empathize with [Téa] Obreht’s youth, and to temper my reaction if the novel didn’t, as a whole, stand up to the expectations and hype. Because, really how could it? But the book does, and then some. Obreht is a natural literary descendant of Isaac Bashevis Singer and Gabriel García Marquez…After a few pages I forgot her age entirely except to marvel at the precocity of her work’s vast intelligence, at the beauty of her descriptive prose, at her authoritative voice, and her controlled mastery of a complex narrative…
The Tiger’s Wife is an original and wonderful novel…It makes for a thrilling beginning to what will certainly be a great literary career.” – Kate Christensen, reviewing for
Elle “One of the most extraordinary debut novels of recent memory…A gorgeous farrago of stories in which realism collides with myth, superstition with empirical fact, and allegory with history…Obreht elides the sentimental Chagall villages that other writers have made of Eastern Europe, crafting instead something far more ambitious, and universal: an apotheosis of storytelling as a bulwark against brutality – and a balm for grief.” –
Vogue “Written in a wry, classical, luxuriant style reminiscent of Tolstoy… [
The Tiger’s Wife] would be a spectacular accomplishment under any circumstance, but the fact that Obreht is only 25 years old makes the whole thing downright supernatural.” –
Marie Claire “Deftly walks the line between the realistic and the fantastical…In Obreht’s expert hands, the novel’s mythology, while rooted in a foreign world, comes to seem somehow familiar, like the dark fairy tales of our own youth, the kind that spooked us into reading them again and again…[Reveals] oddly comforting truths about death, belief in the impossible, and the art of letting go.” –
O: The Oprah Magazine “This stunning debut novel reads like a Balkan
Arabian Nights.”
– Good Housekeeping“Téa Obreht’s stunning debut novel,
The Tiger’s Wife, is a hugely ambitious, audaciously written work…[She] writes with remarkable authority and eloquence, and she demonstrates an uncommon ability to move seamlessly between the gritty realm of the real and the more primary-colored world of the fable…It’s not so much magical realism in the tradition of Gabriel García Marquez or Günter Grass as it is an extraordinarily limber exploration of allegory and myth…A richly textured and searing novel.”
– Michiko Kakutani,
The New York Times “Téa Obreht’s
The Tiger’s Wife comes freighted with more critical anticipation than any debut novel in recent memory…That sort of unearned, pre-emptive prestige spurs both impossible expectations and skeptical readings – a burden that would doom most first novels. Yet
The Tiger’s Wife, in its solemn beauty and unerring execution, fully justifies the accolades that Ms. Obreht’s short fiction inspired. She has a talent for subtle plotting that eludes most writers twice her age, and her descriptive powers suggest a kind of channeled genius. No novel this year has seemed more likely to disappoint; no novel has been more satisfying.”
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The Wall Street Journal “[A] spectacular debut novel…[Obreht] spins a tale of such marvel and magic in a literary voice so enchanting the mesmerized reader wants her never to stop….Obreht will make headlines as one of the most exciting new writers of her generation, a young artist with the maturity and grace that comes of knowing where one is from, and of honoring those who came before.”
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Entertainment Weekly (Grade: A)
“So rich with themes of love, legends and mortality that every novel that comes after it this year is in peril of falling short in comparison with its uncanny beauty…Not since Zadie Smith has a young writer arrived with such power and grace….“[An] astounding debut novel.”
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Time Magazine “Ingeniously, Obr...
