Chimamanda is a very accessible writer. She presents a beautiful collection of tales, with African women, especially Igbo women, at the centre of the tales.
Her style is free-flowing, highly redolent of one who has mastered the art of story telling.Her diction is not too facile or incomprehensible. This serves to engage the reader fully, and one gets to appreciate the plainness, simplicity, strength, and beauty of her prose.
The story I loved the most was "Ghosts", followed by "The Headstrong Historian".Most of the other stories were good but some did not resonate well with me.I felt they were a bit weak in content, and the themes were lost on me.However this is not to take away any credit from Chimamanda.
She pits Western ideals against traditional Igbo values, and leaves the reader to judge which is better. However, in some instances,I believe she tacitly admits that the Igbo norms and cultures are superior to Western ways with their detachment from communal norms, a lack of respect for age, religious morality etc.The African is presented most times in the best possible light,but this does not mean an abdication of blame in the ills that forever plague us in the developing parts of the world.In some stories, the inane practices of pre-existing traditional societies is mentioned e.g curbing promiscuity by insertion of herbs into the female.It would have been nice to see a condemnation of such practices.However, that was not the point of that particular story.
There is an overt feminist tone in most of the stories, which is quite understandable .And I commend her depiction of strong, feminine characters, the situations they encounter, and how they are dealt with in every facet of daily existence.
As an African, and Nigerian, I am proud of Chimamanda's achievements so far, and hope that her success will open the doors for other young, fledgling writers in Nigeria, who are seeking an avenue to be read by the rest of the world.Indeed, there are more stories in that part of the African continenet waiting to be told.