and a horrible tempest: this shall be the portion of their cup."
Psalms: 11:6
Walter Mosley's latest book, "The Tempest Tales", is "[d]edicated to the memory of Langston Hughes". The story, in form and content, pays homage to Jesse B Semple, the great character created by Langston Hughes in his Simple Stories. The Early Simple Stories (Collected Works of Langston Hughes) and The Later Simple Stories (Collected Works of Langston Hughes)
Set in Harlem, Tempest Landry is gunned down `accidentally' by the police for a robbery he did not commit. He was in the wrong place at the wrong time. As the story opens we see him standing in a terminally long line, waiting for St. Peter to pass judgment. Tempest is a bit upset, to say the least, when St. Peter advises Tempest that his sins outweigh his good deeds and he is condemned to damnation. But Tempest does not go quietly. He refuses to accept the judgment and this causes no end of consternation in heaven. No soul has ever refused to accept St. Peter's judgment and Tempest soon finds out that he cannot be compelled to damnation without his consent. The rules, such as they are, require that Tempest accept the judgment that has been passed on him. St. Peter decides to send Tempest back down to earth along with a guardian angel who is is tasked with the job of convincing Tempest to accept St. Peter's judgment. Tempest (now in another soul's body) and the guardian angel end up back in Harlem. The rest of the story focuses on the relationship between Tempest and the guardian angel.
Mosley does a great job presenting Tempest as a man tasked with defending his life. St. Peter and the guardian angel live with a moral compass that it fixed, sure, and not subject to earthly claims of relative good an evil. In heavenly terms, good and bad are moral absolutes and not subject to bargaining or mitigation. But Tempest, basically on trial for his immortal soul, does a magnificent job of arguing, or trying to explain, to his angel that life on earth, particularly life for a black man in Harlem, creates enough magnetic or social `interference' to render that moral compass less than an absolute guide to sin or salvation. What Mosley does here, and to great effect, is to look at a man's life from an earthly perspective, where decisions are not nor perhaps cannot always be made in terms of absolute good and evil. Mosley manages to do this without slipping into the sort of moral relativism that makes excuses for any bad choices made by people here on earth. He does not advocate absolute relativism as a superior concept to moral precepts of right and wrong. My impress was that Mosley suggests that when we take the measure of a man's life that we look beyond a mere ledger of rights and wrongs.
"Tempest Tales" would not have worked if Mosley had not created such fine characters. Tempest, his angel and the characters that people "Tempest Tales" are painted with depth and nuance. Mosley is a fine, entertaining writer and "Tempest Tales" was yet another Mosley story that I found hard to put down. As noted earlier, "Tempest Tales" is something of homage to Langston Hughes. Its Harlem setting and the type of characters that populate the book really do evoke the wonderful stories of Hughes. Mosley, however, does not slavishly imitate Hughes the way an Elvis impersonator might don a white jump suit and do a third-rate note-by-note, gyration-by-gyration impersonation of the old Elvis. Rather, Mosley has created characters and created dialogue that are unique to Mosley and not pale imitations of Simple and his friends. That seems to me to be the best sort of homage. Highly recommended. L. Fleisig