Were you a fan of tattoing who had been stranded on that proverbial desert isle and allowed only half dozen favorite musical discs and but one or two books, it's a good bet that you would want Steve Gilbert's "Tattoo History: A Source Book" to keep you company.
A somewhat uneven quality of writing and of academic documentation mark this book. Even so, "Tattoo History: A Source Book" is an impressive work that reflects serious research, and it is a tour de force in comfortably handling material that ranges widely over time and space. On a subject that is so often dominated by photographs and essays that emphasize above all Japanese-style tattooing, it is a delight to learn as well of the long tradition of tattooing in the Pacific Isles, of the role tattoos played in the ancient Middle East, and of early 20th-century tattooing in the West. Gilbert's extensive use of source material--efectively translated from many languages--lends the book its gravitas and contributes significantly to his success in instilling in the reader an increased sense of respect for the tattoo arts.
Finally I should note that even if this book did not open new vistas for the reader, the essays which bookend "Tattoo History" would alone be worth the price of admission. Gilbert's opener, "Confessions of a Tattoo Addict," although but two pages in length, is an evocative essay that relates a fascination with tattoos to his coming of age in the 1940s. Meanwhile, the lengthier closing essay by Don Ed Hardy documents the resurgence of tattooing over the past several decades, the cultural cross-fertilization that has occurred, and the slow but growing acceptance of tattooing as a legitimate art form by the more conventional arts world.