The Self Made Tapestry: Pattern Formation in Nature: Amazon.de: Philip Ball: Englische Bücher

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The patterns of nature have fascinated humans for millennia. From spirals carved into rock during Neolithic times to the sand patterns of "executive" toys, we respond to and often replicate the underlying "order" of nature. The mathematical regularity of logarithmic spiral patterns in plant growth, such as seen in the florets of sunflowers and cauliflowers, was first characterised in 1202 by the Italian, Leonardo of Pisa, nicknamed Fibonacci. Since then technological and mathematical advances have allowed us to see patterning on all scales from spiral galaxies to vortices, waves and turbulence in the atmosphere and oceans and down into the packing of atoms and Mandelbrot fractal patterns of growth in all sorts of materials. So close do the worlds of the organic and inorganic become that they can be hard to tell apart. As Philip Ball asks: "Surely we can...tell a crystal from a living creature, an insect from a rock?"

British science writer Philip Ball joins an illustrious band of scientists and writers who have been stimulated to try and make sense of all this patterning which surrounds us. He particularly follows in the footsteps of D'Arcy Wentworth Thompson, whose 1917 book On Growth and Form has been enormously influential. Generations of scientists have been inspired to look more closely at the relationships between organisms and the way they use materials for constructing their skeletons and homes from individual shells to whole cities. Equally, artists have been reminded to look again at nature, just as their Renaissance forbears, such as Leonardo Da Vinci, did. Modern architects looked again at the logarithmic spiral and the Golden Section derived from it, as did the superlative architects of classical Greece, to proportion their buildings.

Thompson's classic work is a particularly hard "act" to follow but Ball acquits himself very well. From his position as an editor at premier science journal Nature, Ball is particularly well placed to survey the enormous range of contemporary scientific investigation which reveals the extraordinary extent of nature's patterning. Using a wealth of illustration, Ball attempts to go beyond the niceties of a host of attractive examples, in order to "map many of nature's tapestries into some universal blueprints, in which the specifics cease to matter". The physics, mathematics and chemistry are well handled for the lay reader. A good bibliography, index and "home experiments" (not for the uninitiated) help those who want to explore further. After reading this book you will find yourself looking anew at cracked windows, fingerprints, dissolving coffee grains, boiling water, leaf veins... --Douglas Palmer -- Dieser Text bezieht sich auf eine vergriffene oder nicht verf�gbare Ausgabe dieses Titels.

Amazon.com

Seashells are often spirals, just like water going down the drain. There must be a connection, right? Our intuition scoffs at such a notion, but maybe they are related, writes Nature editor Philip Ball in The Self-Made Tapestry: Pattern Formation in Nature. This deep, beautiful exploration of the recurring patterns that we find both in the living and inanimate worlds will change how you think about everything from evolution to earthquakes. Not by any means a simple book, it is still completely engaging; even the occasional forays into mathematics and the abstractions of hydrodynamics are endurable, tucked as they are between Ball's bright prose and his hundreds of carefully selected illustrations.

When speaking of the living world, Ball seeks to go beyond the theory of natural selection, which explains why we see certain characteristics (height, shape, camouflage), to find mechanisms that can explain how such characteristics come to be. Again, this is no easy task, but for those willing to follow his discussion, the elegance of nature is laid out in zebras' stripes, ivy leaves, and butterfly wings. Moving on to find the same patterns at work in the clouds of Jupiter and the cracks in the San Andreas fault give strength to the feeling that there are self-composing structures that guide everything in the universe toward a kind of order. The Self-Made Tapestry is a challenging look at the biggest issues in science, and well worth a thorough read. --Rob Lightner -- Dieser Text bezieht sich auf eine vergriffene oder nicht verf�gbare Ausgabe dieses Titels.

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A brilliant overview of a complex sublect 27. April 2000

Von Michael J Edelman

Format:Gebundene Ausgabe

From the very begiing of rational inquiry, a small number of philosophers and scientific researchers in different fields have asked a rather large question: What are the characteristics of the physical world that drive the creation of complex structures? This is a question that goes beyond simply asking why shells spiral, or why snowflakes have symmetry; it asks instead why do tree branches, root systems and the dendritic structures of nerve cells all share a common structure?

I've been curious about this question since my early grad school days, but for a long time the topic was thought at a minimum to be a rather eccentric one; many thought it simply unproductive, or even unscientific.

But the last twenty years has seen an explosion in the areas of complexity, chaos and other studies that go to the heart of asking why the world is structured (on a macroscopic scale) the way it is, and why there are so many parallels of structure between seemingly unrelated entities.

While there have been a great many books in recent years looking at that very question, "The Self-Made Tapestry" is this first really complete overview of the field and its history, and it's quite an accomplishment. Profusely illustrated, engagingly written, and marvelously clear, it's not only a wonderful reference book, it's marvelously entertaining to read as well.

If you've found yourself in recent times pouring over Glieck's "Chaos", or perhaps Stuart Kauffman's books on self-organization, or Waldrop's "Complexity", you'll delight in this book. It's a good reference for the academic, a fine introduction for the interested layman, and a treat for every interested reader.

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Very good introduction to study of pattern formation 4. Februar 2000

Von Joris

I'm a theoretical biologist who has studied (some) of the subjects in this book. Although some of the details may sometimes be wrong, overall this book gives a superb introduction to the field. Pattern formation is one of the hot topics in biology now. This book assumes no previous knowledge, but it does require an intelligent reader who want to know- or someone who just likes to marvel at beatutiful pictures. I gave it to a lot of my friends to introduce them to `my' subject, and I certainly recommend it over any of the other `popular' approaches to pattern studies. JJW

A MAGNIFICENT WORK 6. Oktober 1999

Von Patrick Gunkel

Ball's "The Self-Made Tapestry" is a book of great distinction, undoubtably the finest produced in this field (the science of natural [morphological] patterns, both universal and specific, and their geneses), amid a sea of others, over the last few decades.

- Patrick Gunkel

Woods Hole, Massachusetts