Despite the controversial and critical reviews of this book, I found it useful in learning about some of the history and background of grandmaster Cabales, and also the techniques of Cabales Escrima. I can't comment on the criticisms posted here on Wiley's book, as I'm not primarily an escrimador, being mainly a karate, kobudo, and iaido practitioner. However, I've trained in the Philippine stick arts too and I was just looking for a book that could provide some basic history on the art in addition to what I already knew.
The first few chapters are a brief bio of master Cabales, from his boyhood in the Philippines to his eventual arrival in the states, and his opening up the first Escrima school in the U.S. It was interesting to read about master Cabales's early training experiences and his teacher, F. Dizon, the origins of the first Doce Pares organization (which Wiley claims precedes by over a hundred years the current organization under the Canete family), and other interesting bits of history. After many years of working odd jobs everywhere from the Tondo docks in Manila to Alaska, master Cabales finally settled in Stockton, where he stayed the rest his life, founded the first Escrima school, and saw his art spread from a small inland valley school in California to dozens of countries and thousands of students around the world.
The following chapters are written by students and instructors who were close to master Cabales and who relate their training experiences with him, and the last half of the book is devoted to actual techniques. These show the basic strikes, blocks, disarms, and wrist and armlocks. I enjoyed these chapters too, although the problem with books on the martial arts these days is that you can get video tapes that are excellent on literally hundreds of martial arts which show the art far better than the static photos in books. I myself have dozens of tapes by a number of masters on various styles of Escrima and other Pacific Rim arts that are far better than the photos in any book. Nevertheless, since the book basically combines a brief history and biography of the master, a number of personal memoirs of the master, and a presentation of the basic technical aspects of the art, I didn't mind that too much.
Now not only is Cabales Escrima well established in the U.S. but a number of other Pacific Rim arts as well, including Filipino and Indonesian Kuntao, other Filipino styles and arts such as Pekiti Tersia, Lameco Escrima, Kali Illustrisimo, Kaji Kali, Bakbakan Kali, Arnis, Panajakman, Panantukan, Sikaran, and a number of styles of Indonesian Pentjak-Silat, such as Serak or Sera, Tongkat, Cikalong, Cidepok, Mande Muda, Bukti-Negara, several styles of Cimande, Suci Hati, Perisai Diri, and some others I'm no doubt forgetting. I've studied Kali Ilustrisimo, Inayan Escrima, Ted LucayLucay's style of escrima, Serak Silat, and Wagi Kali Silat myself, and enjoy them very much although they're not my main focus as a martial artist, as I said. But I've certainly learned to appreciate the Philippine and Indonesian arts more, which are truly great martial arts themselves, and I think it's great they're finally getting the recognition they deserve, although it looks like the Escrima world has the same political problems as the rest of the martial arts.
However the controversy surrounding this book plays out, it's amazing to consider that a once obscure art only about 20 years ago is now an international phenomenon with hundreds of instructors in the U.S. and many more overseas. Angel Cabales's Serrada Escrima has perhaps had the greatest influence of all and I hope his and the many other fine Filipino stick arts continue to grow and prosper.