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In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interested in capturing the physical manifestation of Death but who instead captures the King of Dreams. By Gaiman's own admission there's a lot in this first collection that is awkward and ungainly--which is not to say there are not frequent moments of greatness here. The chapter "24 Hours" is worth the price of the book alone; it stands as one of the most chilling examples of horror in comics. And let's not underestimate Gaiman's achievement of personifying Death as a perky, overly cheery, cute goth girl! All in all, I greatly prefer the roguish breaking of new ground in this book to the often dull precision of the concluding volumes of the Sandman series. --Jim Pascoe -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
New York Times best-selling author Neil Gaiman's transcendent series SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling. Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision.
In PRELUDES & NOCTURNES, an occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70 year imprisonment and eventual escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power. On his arduous journey Morpheus encounters Lucifer, John Constantine, and an all-powerful madman.
This book also includes the story "The Sound of Her Wings," which introduces us to the pragmatic and perky goth girl Death.
Includes issues 1-8 of the original series with completely new coloring, approved by the author.
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The art is a bit iffy. Sam Kieth wasn't the best match for SANDMAN and he admitted as much when he left. But once Mike Dringenberg and Malcolm Jones III come on board, the art gets noticeably better and, well, more SANDMAN-esque. Look at the difference between Dr. Dee in "Passengers," where he looks like a pathetic little psycho, and the same character in "24 Hours" and "Sound and Fury," where he is a truly frightening presence (especially on p. 175, panel 4, "Because I can"). Not to mention the first appearance of Death at the end of the book (though this may have been removed depending on which edition you find -- it was never meant to be included at the tail end of this volume; in any event, it continues to be available in the second volume).
I'd also praise Neil Gaiman but what is there to say that hasn't already been said a million times?
Okay, Preludes isn't as strong as some others, yada yada yada - SO WHAT? It's Sandman. It's the first issue. You have to read it, and you can't have a complete collection without it.
I just finished reading World's End, and the last panel of issue 8 remains the defining image of the Sandman for me. There is a lot of powerful stuff in here, and I would suggest it to anyone who genuinely loves comics, mythology, or intelligent writing.
I am not going to waste words trying to explain why Neil Gaiman's "Sandman" is the... Lesen Sie weiter...
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