Hardcover,283 pages of text-including a short "Where are they now?" section,and a complete set-list of performers at Woodstock. There is also an index and source section,not included in the above page count. There are twenty-four pages of black and white photographs which lend a good,though limited,visual idea of the festival.
This is another good book about the three day event in 1969,which centers a lot on Michael Lang,which is fine. His partner,Artie Kornfeld, was crucial in helping distill Lang's ideas into something approaching a workable plan,especially in the beginning,for which he should be remembered. Between the two of them,they arrived at the idea of holding a music festival to pay for a recording studio set-up they envisioned in the Woodstock area,an area where a lot of musicians either "hung out" or lived nearby.
The book,written in a combination of first person and historical style,begins with a short overview of Lang's youth in Brooklyn,and continues with his college-age days and beyond in Florida. He talks about his "headshop" and producing the Miami Pop (with five dollar admission) Festival. After moving to Woodstock N.Y.,is when the studio complex/living area idea began to crystallize (no pun intended) in his head. Talking it over with Kornfeld (an A&R man in the music business) they thought people would love the bucolic surroundings and come into the area to live and record.
The story is also told through other people involved in the venture and through a number of performers at the event. This is where the "meat" of this book is found. The viewpoints of the many people (Chip Monck,Pete Townshend (among many performers),Wavy Gravy,John Roberts,et al) really tell the story in an immediate,"I was there" way. The story is told chronologically from the very beginning until the three day event came to a close. The small vignettes and viewpoints told by various attendees is what holds this book together and makes it worthwhile. The book's epilogue finishes with information on Lang and post-Woodstock activities. This is a real "insiders" look into how this festival came to fruition,and the narrative moves along at a good pace.
With a number of books being published on this,the fortieth anniversary of Woodstock,it's nice to have this book which combines not only Lang's thoughts and views from his perspective,but many others involved as well. The text is clearly written and makes for an entertaining and interesting read,no doubt with the help of writer Holly George-Warren. This book,together with two other recent books (WOODSTOCK REVISITED,Susan Reynolds,editor and BACK TO THE GARDEN by Pete Fornatale) the first of which tells about the three day festival through the eyes of the "average" person who attended or tried to attend,and the second,which combines historical and narrative styles,is a good overview of what went on at the festival (even though the author mistakenly has CREEDENCE CLEARWATER REVIVAL's Stu Cook on drums and Doug "Cosmo" Clifford on bass) through the experiences of the performers. Together,these will give as much information and insight into the event that most readers will need.
The combination of Lang's "nuts and bolts,from the start" build-up,on through the festival,gives a good picture of how this event came to pass. In the end,THE ROAD TO WOODSTOCK will make most readers wish they,too,could have traveled to this pasture land for this once in a lifetime event. If you grew up in the sixties-here's a chance to relive a part of your youth. If you weren't around to remember the times-this book will help you understand it a bit better. This book gives insight into the "sixties" era,and the mind-set of the time-a time and event that will never happen again.