- Taschenbuch: 256 Seiten
- Verlag: Pocket; Auflage: Reissue (29. Oktober 2002)
- Sprache: Englisch
- ISBN-10: 0743463056
- ISBN-13: 978-0743463058
- Größe und/oder Gewicht: 17,1 x 11,5 x 1,8 cm
- Amazon Bestseller-Rang: Nr. 458.008 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktinformation |
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Produktbeschreibungen
Kurzbeschreibung
Three books in the }87th Precinct{ series. Crime fiction from the winner of the Cartier Diamond Dagger Award. "McBain delivers his complex story with panache and real zest" }Observer{.
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Über den Autor
Ed McBain, a recipient of the Mystery Writers of America's coveted Grand Master Award, was also the first American to receive the Diamond Dagger, the British Crime Writers Association's highest award. His books have sold more than one hundred million copies, ranging from the more than fifty titles in the 87th Precinct series (including the Edgar Award-nominated Money, Money, Money) to the bestselling novels written under his own name, Evan Hunter -- including The Blackboard Jungle (now in a 50th anniversary edition from Pocket Books) and Criminal Conversation. Fiddlers, his final 87th Precinct novel, was recently published in hardcover. Writing as both Ed McBain and Evan Hunter, he broke new ground with Candyland, a novel in two parts. He also wrote the screenplay for Alfred Hitchcock's The Birds. He died in 2005.
Visit www.edmcbain.com.
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WINTER CAME IN like an anarchist with a bomb. Lesen Sie die erste Seite
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WINTER CAME IN like an anarchist with a bomb. Lesen Sie die erste Seite
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7 Rezensionen
7 von 7 Kunden fanden die folgende Rezension hilfreich
YOU SHOULD PUSH TO READ "PUSHER"!!!!!
9. Januar 2002
Format:Taschenbuch
Another great book by Ed McBain. Have just started reading this series and have a long way to go, but I am really looking forward to it if they are all like this one. Steve Carella and Bert Kling are back. They make a great team. They are trying to find who killed a young man, then others are killed to cover up the first killing. I don't want to name names as would take away from the book. The ending is good. McBain can make you feel like you are there. You can nearly feel the the thoughts and actions as they take place. A fairly short book that is quick to read. A very good mystery.
7 von 8 Kunden fanden die folgende Rezension hilfreich
He Who Hesitates
9. November 2002
Format:Taschenbuch
Of McBain's 70 to 80 books, this is without a doubt his best. This is what storytelling is all about. Simple characters, doing simple things and making it impossible to put the book down . I'm curious to know whether Evan Hunter is still alive or just retired from writing.
4 von 4 Kunden fanden die folgende Rezension hilfreich
Crime Fiction that stands up to the test of time...
22. Oktober 2007
Format:Taschenbuch
The third book in the 87th Precinct series is a more standard entry into the police procedural genre. But at the same time, it manages to reach an emotional depth somewhat unusual for the time period.
The plot is pretty straight forward. A pair of patrolmen stumble upon a apparent junkie suicide. But sometimes things aren't as easy as they seem, and the suicide squeal quickly turns into a multiple homicide investigation that threatens to become blackmail when Lt. Byrnes son becomes linked to the drug scene. The bulls at the 87th are relegated mainly to the footwork, as most of the behind the scenes action involves Byrnes as he struggles with his son's involvement. Byrnes goes as far as to fill Carella in on the situation, a decision that almost proves to be fatal.
Apart from some of the dated aspects one would expect from a well-reserched police drama from the fifties, the bulk of the novel is your typical expose on the brutal world of the street level drug trade. But as usual, McBain delves into the emotional causes and ramifications of the Heroin users and dealers. The most revealing of these is the personal and professional termoil faced by Lt. Byrnes with the revelation that his son is a Heroin addict. Adding to the emotional doubt of where he has gone wrong with his son, and the constant battle between anger and compassion, is the dilemma of whether or not to cover up his son's possible involvement in a crime, especially when a mysterious third party with knowledge of his son's connection attempts to blackmail him for police protection.
McBain doesn't just focus on the 87th detectives. Glimpses into the lives of low key players in the drug scene shows the many facets of human frailty and desperation and prevents the broad generalizations that many crime dramas easily fall into. Even the closer look at Carella's relationship with stoolie Danny the Gimp is both touching and revealing. But to McBain's credit, none of this detailed attention to the human element detracts from the gritty realism that is typical of this series.
The plot is pretty straight forward. A pair of patrolmen stumble upon a apparent junkie suicide. But sometimes things aren't as easy as they seem, and the suicide squeal quickly turns into a multiple homicide investigation that threatens to become blackmail when Lt. Byrnes son becomes linked to the drug scene. The bulls at the 87th are relegated mainly to the footwork, as most of the behind the scenes action involves Byrnes as he struggles with his son's involvement. Byrnes goes as far as to fill Carella in on the situation, a decision that almost proves to be fatal.
Apart from some of the dated aspects one would expect from a well-reserched police drama from the fifties, the bulk of the novel is your typical expose on the brutal world of the street level drug trade. But as usual, McBain delves into the emotional causes and ramifications of the Heroin users and dealers. The most revealing of these is the personal and professional termoil faced by Lt. Byrnes with the revelation that his son is a Heroin addict. Adding to the emotional doubt of where he has gone wrong with his son, and the constant battle between anger and compassion, is the dilemma of whether or not to cover up his son's possible involvement in a crime, especially when a mysterious third party with knowledge of his son's connection attempts to blackmail him for police protection.
McBain doesn't just focus on the 87th detectives. Glimpses into the lives of low key players in the drug scene shows the many facets of human frailty and desperation and prevents the broad generalizations that many crime dramas easily fall into. Even the closer look at Carella's relationship with stoolie Danny the Gimp is both touching and revealing. But to McBain's credit, none of this detailed attention to the human element detracts from the gritty realism that is typical of this series.
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