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Despite the all-encompassing title, The Psychology of the Internet only deals with technologies that enable Net users to communicate directly: e-mail, newsgroups, chat and MUD-type environments (virtual worlds where people can experiment with alternative personas). The Web gets mentioned in passing, chiefly as a repository for personal home pages, but if you are a Web designer wanting to know how people feel about colour schemes or navigation tools, you've come to the wrong book.
Wallace starts by looking at on-line identities and group dynamics, then considers specific activities such as flaming (arguments), romance, addiction and altruism. A chapter on pornography avoids sensationalism, but ends weakly with, "We know too little about pornography on the Internet--who uses it and how it affects them--to draw any firm conclusions yet". There is also a chapter on gender issues.
You don't need a background in psychology or a wealth of technical expertise to get something from this book. It will make you think twice about the next e-mail you type and throw some light on your experiences, but there are no great revelations. Wallace just tells it as it is, moderately and sensibly. --Mary Lojkine -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Starting with a useful breakdown of the variety of Internet experiences (chat spaces, newsgroups, home pages, auction sites), Wallace moves on to examine the many ways these settings can influence the ways we act and feel. Such hot-button topics as flame wars, online gender-bending, cyberporn, and Internet "addiction" (as well as subtler matters like online impression formation and group dynamics) here get a levelheaded look, anchored in studies not only of the phenomena themselves but of human behavior in general. Wallace writes in a brisk, simple style--employing an easy blend of anecdote and science--and the conclusion that gradually emerges is just as straightforward: Contrary to popular mythology, people online aren't any more or less twisted than people offline. They just twist a little differently, is all. --Julian Dibbell -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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