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Kurzbeschreibung
The second revision in sixty years, this sublime collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.
For this new twenty-first-century edition, devoted admirers can be sure to find their favorite verse and stories. But a variety of fresh material has also been added to create a fuller, more authentic picture of her life's work. There are some stories new to the Portable, "Such a Pretty Little Picture," along with a selection of articles written for such disparate publications as Vogue, McCall's, House and Garden, and New Masses. Two of these pieces concern home decorating, a subject not usually associated with Mrs. Parker. At the heart of her serious work lies her political writings-racial, labor, international-and so "Soldiers of the Republic" is joined by reprints of "Not Enough" and "Sophisticated Poetry-And the Hell With It," both of which first appeared in New Masses. "A Dorothy Parker Sampler" blends the sublime and the silly with the terrifying, a sort of tasting menu of verse, stories, essays, political journalism, a speech on writing, plus a catchy off-the-cuff rhyme she never thought to write down.
The introduction of two new sections is intended to provide the richest possible sense of Parker herself. "Self-Portrait" reprints an interview she did in 1956 with The Paris Review, part of a famed ongoing series of conversations ("Writers at Work") that the literary journal conducted with the best of twentieth-century writers. What makes the interviews so interesting is that they were permitted to edit their transcripts before publication, resulting in miniature autobiographies.
"Letters: 1905-1962," which might be subtitled "Mrs. Parker Completely Uncensored," presents correspondence written over the period of a half century, beginning in 1905 when twelve-year-old Dottie wrote her father during a summer vacation on Long Island, and concluding with a 1962 missive from Hollywood describing her fondness for Marilyn Monroe.
- A Penguin Classics Deluxe Edition with French flaps, rough front, and luxurious packaging
- Features an introduction from Marion Meade and cover illustrations by renowned graphic artist Seth, creator of the comic series Palooka-ville
Über den Autor
Dorothy Parker, geboren am 22. August 1893 als Dorothy Rothschild in West End/ New Jersey, war Korrespondentin im Spanischen Bürgerkrieg und arbeitete als Theater- und Literaturkritikerin u.a. für Vanity Fair, Esquire und den New Yorker. Daneben schrieb sie zahlreiche Gedichte, Kurzgeschichten, Theaterstücke und Drehbücher. Parker zählte zu den bedeutendsten Schriftstellerinnen ihrer Zeit und galt ihrer unvergleichlichen Schlagfertigkeit und ihres beißenden Spotts wegen als Königin der legendären Algonquin-Runde, eines legendären Literatenzirkels, der nach 1925 die intellektuelle Ausstrahlung Amerikas ein gutes Jahrzehnt lang maßgeblich mitprägte. Am 7. Juni 1967 starb Dorothy Parker in New York an den Folgen eines Herzinfarkts.
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83 von 86 Kunden fanden die folgende Rezension hilfreich
The Bible for Dorothy Parker Devotees
1. Juni 2006
Format:Taschenbuch
Penguin Classics has honored the "Portable Dorothy Parker" with the attention it deserves. A new editor: Marion Meade, author of the bestselling Parker biography, "What Fresh Hell is This?" (Villard, 1988). She tossed out the old Brendan Gill introduction and crafted a new one: "We do not care that she failed to write the Great American novel," Meade wrote, "Or the Great American Poem because we value her writing for its uniqueness. Her work has never been out of print, an extraordinary accomplishment in itself. Readers of all ages, including those who have no particular interest in the 1920s, continue to find her stories irresistible."
Meade also carefully pared down the back third of the book, excising numerous superfluous bits and adding in new Parker material. Gone are book reviews of tomes even ardent bibliophiles never heard of; gone are drama reviews that seemed a bit dust-covered.
But Penguin Classics has gone a step further. They tapped one of the best illustrators in the business, the single-moniker cartoonist Seth, to create a knock-out jacket. This brilliant jacket art goes beyond the cover, it encompasses an illustrated spine, back cover, and flaps on the inside (front and rear). He packs in witty, charming and humorous comic strip panels starring Dottie Parker. Imagine if Charles Schulz had let Lucy and Peppermint Patty walk into the Algonquin Hotel, this is how they would turn out. Readers will want to own the book just to enjoy Seth's artwork. If they give out prizes for best book jackets -- and certainly they must in the book industry -- Penguin better nominate Seth. And if he doesn't win, I'll come looking for the panel of judges.
This is the edition that Parker fans will want to own. They will want to buy it and press it on friends they are eager to convert to the Parker Faithful. The book looks gorgeous and the editing decisions have shaped a much-improved edition. In addition, hats off to the publisher for resetting the entire book in a fresh-looking typeface.
It isn't often that one can write about a beloved book and say that a publisher has made it better. But in this instance, the newly revised "Portable Dorothy Parker" is a book that all Parker fans simply must own, must give to friends, and must display in the front windows of their homes and apartments.
Meade also carefully pared down the back third of the book, excising numerous superfluous bits and adding in new Parker material. Gone are book reviews of tomes even ardent bibliophiles never heard of; gone are drama reviews that seemed a bit dust-covered.
But Penguin Classics has gone a step further. They tapped one of the best illustrators in the business, the single-moniker cartoonist Seth, to create a knock-out jacket. This brilliant jacket art goes beyond the cover, it encompasses an illustrated spine, back cover, and flaps on the inside (front and rear). He packs in witty, charming and humorous comic strip panels starring Dottie Parker. Imagine if Charles Schulz had let Lucy and Peppermint Patty walk into the Algonquin Hotel, this is how they would turn out. Readers will want to own the book just to enjoy Seth's artwork. If they give out prizes for best book jackets -- and certainly they must in the book industry -- Penguin better nominate Seth. And if he doesn't win, I'll come looking for the panel of judges.
This is the edition that Parker fans will want to own. They will want to buy it and press it on friends they are eager to convert to the Parker Faithful. The book looks gorgeous and the editing decisions have shaped a much-improved edition. In addition, hats off to the publisher for resetting the entire book in a fresh-looking typeface.
It isn't often that one can write about a beloved book and say that a publisher has made it better. But in this instance, the newly revised "Portable Dorothy Parker" is a book that all Parker fans simply must own, must give to friends, and must display in the front windows of their homes and apartments.
35 von 35 Kunden fanden die folgende Rezension hilfreich
Fantastic!
23. Juli 2006
Format:Taschenbuch
Before I bought this book, I admit that I (like most people) knew of Dorothy Parker only through her pithy one-liners and wisecracks (i.e. "men don't make passes at girls who wear glasses", or commenting that a performance of Katherine Hepburn "runs the gamut of emotions from A to B"). However, this wonderful compendium shows a much more versatile, prolific Dorothy Parker - she truly is much more than the bitter joker most people think.
Although her short stories (including the oft-anthologized 'Big Blonde', as well as lesser-known gems such as 'Too Bad') formed the main part of the original 'Portable Dorothy Parker', this newly revised version includes those stories but also a wide variety of dramatic and literary criticisms (including a very enjoyable, incisive review of a performance of Oscar Wilde's play 'An Ideal Husband'), poetry, and letters. I found the letters to be especially fascinating - even when Parker was writing to her family and closest friends, she was still remarkably witty and erudite.
In addition to the content by Parker herself, I thoroughly enjoyed the introduction by Marion Meade, the author of the Dorothy Parker biography "Dorothy Parker: What Fresh Hell Is This?" Although I have not read the previous edition of 'The Portable Dorothy Parker', I have heard that the introduction was very unpleasant because the writer seemed to not like Ms. Parker. Luckily, that is certainly not the case with Marion Meade's introduction - she obviously greatly respects Ms. Parker's body of work, and the introduction (which is really a 15-page biographical sketch of Parker) gives an positive impression of Ms. Parker overall, without glossing over the more unsavoury aspects of her life (such as her alcohol and sedative addictions).
One inclusion in this version of the 'Portable' which I found especially intriguing as a transcript of an interview Dorothy Parker did with 'The Paris Review' in 1956. It really gives a sense of Ms. Parker's personality, and shows her views on a number of topics (including her own description of the famed 'Algonquin Round Table', of which she was a member).
Lastly, the cover art for this version of the 'Portable' is absolutely fantastic. The cover is fanciful withough being needlessly silly, and the inner flaps and the back cover use whimsically retro line-drawings to illustrate, among other things, the major happenings in Dorothy Parker's life. The illustrator (Seth) has really done a great job making sure the work of Ms. Parker doesn't look too stodgy to the casual eye.
I urge everyone to pick up a copy of this book, and discover the genius of Dorothy Parker for themselves - my words simply cannot do it justice.
Although her short stories (including the oft-anthologized 'Big Blonde', as well as lesser-known gems such as 'Too Bad') formed the main part of the original 'Portable Dorothy Parker', this newly revised version includes those stories but also a wide variety of dramatic and literary criticisms (including a very enjoyable, incisive review of a performance of Oscar Wilde's play 'An Ideal Husband'), poetry, and letters. I found the letters to be especially fascinating - even when Parker was writing to her family and closest friends, she was still remarkably witty and erudite.
In addition to the content by Parker herself, I thoroughly enjoyed the introduction by Marion Meade, the author of the Dorothy Parker biography "Dorothy Parker: What Fresh Hell Is This?" Although I have not read the previous edition of 'The Portable Dorothy Parker', I have heard that the introduction was very unpleasant because the writer seemed to not like Ms. Parker. Luckily, that is certainly not the case with Marion Meade's introduction - she obviously greatly respects Ms. Parker's body of work, and the introduction (which is really a 15-page biographical sketch of Parker) gives an positive impression of Ms. Parker overall, without glossing over the more unsavoury aspects of her life (such as her alcohol and sedative addictions).
One inclusion in this version of the 'Portable' which I found especially intriguing as a transcript of an interview Dorothy Parker did with 'The Paris Review' in 1956. It really gives a sense of Ms. Parker's personality, and shows her views on a number of topics (including her own description of the famed 'Algonquin Round Table', of which she was a member).
Lastly, the cover art for this version of the 'Portable' is absolutely fantastic. The cover is fanciful withough being needlessly silly, and the inner flaps and the back cover use whimsically retro line-drawings to illustrate, among other things, the major happenings in Dorothy Parker's life. The illustrator (Seth) has really done a great job making sure the work of Ms. Parker doesn't look too stodgy to the casual eye.
I urge everyone to pick up a copy of this book, and discover the genius of Dorothy Parker for themselves - my words simply cannot do it justice.
20 von 21 Kunden fanden die folgende Rezension hilfreich
Get the earlier edition, if you can find it
16. August 2007
Format:Taschenbuch
I'm one of those who, like some other reviewers, has worn out at least three copies of the earlier edition and found this one to be the only new one available. It's not as good as the earlier one.
Although some of the new materials are welcome, many of the insightful and very funny reviews from the last third of the book are missing in this version. What happened to the review of Sinclair Lewis's _The Man Who Knew Coolidge_, "Mr. Lewis Lays It on with a Trowel," which gives a portrait of the age as well as an accurate, if savage, picture of the book? Or the hilarious review of Lou Tellegen's _Women Have Been Kind_? ("Mr. Tellegen is one who kisses, among other things, and tells.")
Those aren't reviews of "dusty tomes," as one reviewer put it, but significant articles for those interested in Parker or twentieth-century literature.
In short, some of the strongest material has been deleted. Those who want to see the real genius of Parker's work need to purchase the earlier edition, too.
Edited to correct an error: The statement attributed to Tellegen above, which I'd included from memory, is actually from "An American Du Barry," a review of Warren G. Harding's mistress Nan Britton's account of her affair with Harding.
From the review: "The book bears the subtitle _Revealing the Love-Secret of President Harding_, which is but a mild statement. For when Miss Britton gets around to revealing, Lord, how she does reveal. She is one who kisses, among other things, and tells. An attempt was made to suppress the book. The author states, in one of her prefaces, that 'six burly policemen' (on the day that that man bites that dog, another front-age item is going to concern a policeman who is not burly) 'and John S. Sumner, agent for the Society for the Suppression of Vice, armed with a 'Warrant of Search and Seizure,' entered the printing plant where the making of the book was in process. They seized and carried off the plates and printed sheets.' 'Lady,' you want to say to the author, 'those weren't policemen; they were critics of literature dressed up.'"
Although some of the new materials are welcome, many of the insightful and very funny reviews from the last third of the book are missing in this version. What happened to the review of Sinclair Lewis's _The Man Who Knew Coolidge_, "Mr. Lewis Lays It on with a Trowel," which gives a portrait of the age as well as an accurate, if savage, picture of the book? Or the hilarious review of Lou Tellegen's _Women Have Been Kind_? ("Mr. Tellegen is one who kisses, among other things, and tells.")
Those aren't reviews of "dusty tomes," as one reviewer put it, but significant articles for those interested in Parker or twentieth-century literature.
In short, some of the strongest material has been deleted. Those who want to see the real genius of Parker's work need to purchase the earlier edition, too.
Edited to correct an error: The statement attributed to Tellegen above, which I'd included from memory, is actually from "An American Du Barry," a review of Warren G. Harding's mistress Nan Britton's account of her affair with Harding.
From the review: "The book bears the subtitle _Revealing the Love-Secret of President Harding_, which is but a mild statement. For when Miss Britton gets around to revealing, Lord, how she does reveal. She is one who kisses, among other things, and tells. An attempt was made to suppress the book. The author states, in one of her prefaces, that 'six burly policemen' (on the day that that man bites that dog, another front-age item is going to concern a policeman who is not burly) 'and John S. Sumner, agent for the Society for the Suppression of Vice, armed with a 'Warrant of Search and Seizure,' entered the printing plant where the making of the book was in process. They seized and carried off the plates and printed sheets.' 'Lady,' you want to say to the author, 'those weren't policemen; they were critics of literature dressed up.'"
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