The Political Speechwriter's Companion: A Guide for Writers and Speakers [Englisch] [Taschenbuch]

Bob Lehrman has more than three decades experience writing speeches. He has written for politicians, celebrities, nonprofits and corporate CEOs. He worked as Chief Speechwriter in the White House to Vice President Al Gore. He's currently an adjunct professor at the American University in Washington, DC where he teaches, together with political humorist Eric Schnure, a well-regarded graduate-level speechwriting course.

This is the texbook for their course. It's an invaluable resource for writers and speakers in the political and corporate worlds.

Lehrman's writing career began as a novelist who studied with Kurt Vonnegut at the Iowa Writers Workshop. He still enjoys the balance between writing under his own name and putting words into the mouths of the powerful.

Lehrman is the author of four novels and numerous op-ed's. But it's the experience gained as a speechwriter in both houses of Congress, as well as the White House, that is the source of the lessons he shares in the classroom and his book.

Bob and Eric teach two semesters a year. Many of their students have wanted to be speechwriters since middle school, when they became hooked on episodes of The West Wing. A common question he's asked is "How do I get a job as a political speechwriter?" He points out that with 200,000 candidates running for 60,000 elected positions in America every two years there's no shortage of work for anyone who can stand the long hours and low pay. He reminds students that political speechwriting is hard work. Ten hour days, six days a week, are common. Corporate speechwriters make three times the salary and can go home to their family. But corporate speeches are often information dumps built around PowerPoint. Those who want to influence public policy, to express ideas their bosses want to make into law, are drawn to politics.

It's obvious from his background that Lehrman is a staunch Democrat. But he teaches the techniques of persuasion to supporters of any political party. In fact, his willingness to draw lessons from speeches delivered by both sides is a refreshing surprise in our increasingly polarized world. Testimonials inside the front cover of his book come from both Republicans and Democrats.

The book took him two years to write. However, some of the lessons it contains were those he first shared with interns in the Clinton White House in the 1990's. Don't be misled by the title. Lehrman claims that 90% of the content is useful for speechwriters outside politics, including those of us who write for the corporate world.
Lessons include:

- Realizing that the beliefs and values of the secondary audience might be more important than the people who are actually in the room when the speech is delivered;
- Why it's important not only to research facts and figures, but also spend time researching the stories and poetry that makes a speech sing;
- Why Monroe's Motivated Sequence is the best way to structure a political speech;
- Ways to make a speech memorable and move the audience to action, including checklists for everything from speech structure and supporting arguments to problems that are relevant to the audience and plausible solutions.

The challenge, he reminds us, is mastering the nuts and bolts while keeping the text of many political speeches at a 7th grade reading level so the majority of the audience can follow along.

Lehrman's book illustrates, with links to dozens of speeches, how some of the best writers practice their craft. He takes us behind the scenes with colleagues such as Clinton speechwriters' David Kusnet and Lissa Muscatine and George W. Bush speechwriter David Frum.

Bob Lehrman is aware that the fundamentals of speechwriting have not changed since Aristotle. His systematic approach to teaching the craft, as outlined in this book, gives us all the opportunity to learn new ways to improve.

As a full-time speechwriter (and even as a formerly part-time one) this is the Bible I'd sought for years to help give me frameworks, avoid infelicities and generally get it right.

Mine is dog-eared beyond belief and its bite-sized offerings are easy to grab in a rush - there is no need to find a quiet library to understand its chapters.

Whether avoiding cliche and formulaism, finding literary techniques to elevate ordinary prose or just wanting to shake yourself from your stump speech, keep this book close and you'll find winning phrases with ease.

I teach public speaking and have written many speeches for an elected official. This book has been a constant reference since I received a review copy and I plan to use it in a class in the future.