- Taschenbuch: 400 Seiten
- Verlag: Vintage Books; Auflage: New Ed (27. Juni 2000)
- Sprache: Englisch
- ISBN-10: 0099274728
- ISBN-13: 978-0099274728
- Größe und/oder Gewicht: 12,9 x 2,5 x 19,7 cm
- Amazon Bestseller-Rang: Nr. 232.874 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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The Mighty Walzer
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Amazon.co.uk
Howard Jacobson has been described as "one of the funniest writers alive", his fiction a masterpiece of comedy. "At its best", writes Mary Loudon, "it simply tears you apart." Following the success of No More Mr Nice Guy in 1998--Jacobson's foul and funny rendition of the sex war--The Mighty Walzer moves into the strange, and passionate, world of ping pong to tell the life of one Oliver Walzer. "Grandiosity was in the family," Oliver announces at the very beginning of his account of a childhood in Manchester in the 1950s. "On my father's side. Normally, when I speak of "the family" I seem to mean my father's side. Make what you like of that." It's a challenge which runs throughout the book. We can make what we like of this "history of embarrassments" and the family--"from some sucking bog outside Proskurov"--which supports it.
"One disillusionment at a time" is the principle behind Jacobson's telling of a youth suspended between ping pong and masturbation, mortification and omnipotence, anti- Semitism and the Akiva gang. At the Akiva club, Walzer comes into his own: he's a natural, with the makings of a "star" (even if he is stoned by the "prefab boys" on his way there). At home, he's caught between the flamboyance of his market-trader father--the "swag", and swagger, he wants to pass on to his son--and his mother's famous "reserve". Balancing the split legacy--win or lose? laugh or cry? put up or shut up?--is part of the pain, and pleasure, of the book. No surprise, perhaps, that Walzer is unwilling to make a clear distinction between the two. When it comes to sex and friendship, family and history, life and ping pong, The Mighty Walzer is a brilliant story of one man's journey to the realm of "pain fun": the pleasure of a life spent losing and learning what you can ask for. --Vicky Lebeau -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Pressestimmen
"The most dangerously funny writer in the English language." - Sunday Times
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3 von 3 Kunden fanden die folgende Rezension hilfreich
Philip Roth Squared
12. Juli 2011
Format:Taschenbuch
The Mighty Walzer is a coming-of-age novel served to American readers with a whole lot of backspin. That is because Oliver Walzer, hero of Howard Jacobson's The Mighty Walzer, did his growing up in 1950s Manchester, England - specifically in a part of Manchester predominately populated by Jewish families like his own.
If shyness could kill, Oliver Walzer would never have reached puberty. That he did reach puberty, although he did not do a whole lot with the opportunities inherent to that stage of life, and go on to have a fairly "normal" life almost seems like an accident now, even to Oliver. The first accident was that he found a competition-grade Ping-Pong ball and brought it home with him one day. The second, was his discovery, by banging that ball off a wall with his hardbound copy of Dr. Jekyll and Mr. Hyde, that he was a Ping-Pong natural.
Ping-Pong, and his father's insistence that Oliver use his unusual skills to meet other players ( as a way of forcing him out of the house for his own good), would be Oliver's ticket to the rest of his life. Suddenly, he was among like-minded people who came to accept him as one of their own; he had teammates; he learned to at least talk a good game about women, even though he seldom practiced his skills in that arena; and he had a goal: to become a world champion Ping-Pong player. Well, that's the good news, because I'm making Oliver's transition to adulthood sound a whole lot easier than it was.
The odds were against Oliver from the start. Surrounded by a gaggle of sexually repressed aunts who loved to give him baths, it is little wonder that the little boy would himself be sexually confused. Witness his habit of cutting headshots of his aunts and pasting them onto the bodies of women in the risqué photos he spent hours visiting in the family's one bathroom. But grow into a man Oliver does, and Howard Jacobson makes it an interesting, if somewhat frustrating transition (even for the reader, who is likely to want to shake some common sense into Oliver, or other family members, on more than one occasion).
That Jacobson often uses 1950s British slang and Yiddish references in the conversation between his characters might be off-putting to some, but this adds an authenticity to the conversations that would otherwise be missing - and it becomes easier and easier on the reader as he develops an "ear" for unusual words and phrases. Imagine Philip Roth "squared" and you will have the right first impression of The Mighty Walzer.
If shyness could kill, Oliver Walzer would never have reached puberty. That he did reach puberty, although he did not do a whole lot with the opportunities inherent to that stage of life, and go on to have a fairly "normal" life almost seems like an accident now, even to Oliver. The first accident was that he found a competition-grade Ping-Pong ball and brought it home with him one day. The second, was his discovery, by banging that ball off a wall with his hardbound copy of Dr. Jekyll and Mr. Hyde, that he was a Ping-Pong natural.
Ping-Pong, and his father's insistence that Oliver use his unusual skills to meet other players ( as a way of forcing him out of the house for his own good), would be Oliver's ticket to the rest of his life. Suddenly, he was among like-minded people who came to accept him as one of their own; he had teammates; he learned to at least talk a good game about women, even though he seldom practiced his skills in that arena; and he had a goal: to become a world champion Ping-Pong player. Well, that's the good news, because I'm making Oliver's transition to adulthood sound a whole lot easier than it was.
The odds were against Oliver from the start. Surrounded by a gaggle of sexually repressed aunts who loved to give him baths, it is little wonder that the little boy would himself be sexually confused. Witness his habit of cutting headshots of his aunts and pasting them onto the bodies of women in the risqué photos he spent hours visiting in the family's one bathroom. But grow into a man Oliver does, and Howard Jacobson makes it an interesting, if somewhat frustrating transition (even for the reader, who is likely to want to shake some common sense into Oliver, or other family members, on more than one occasion).
That Jacobson often uses 1950s British slang and Yiddish references in the conversation between his characters might be off-putting to some, but this adds an authenticity to the conversations that would otherwise be missing - and it becomes easier and easier on the reader as he develops an "ear" for unusual words and phrases. Imagine Philip Roth "squared" and you will have the right first impression of The Mighty Walzer.
12 von 16 Kunden fanden die folgende Rezension hilfreich
Jacobson Smash
22. September 2000
Format:Gebundene Ausgabe
I defy you to keep silent while reading this acerbic, very auto-biographical book. My wife nearly divorced me on the spot for all the sighing and laughing. Very funny, very moving - but if you're anti-Semitic or at all prudish, forget it. There's something of Portnoy in here, of course - how else, he implies, do table tennis players make those wristy shots work so well? Jacobson's great achievement is to make the prosaic but strangely magnificent sport of table tennis the stuff of great literature. (And unless being ridiculously funny means that a book can't count as great, this is high quality material.) You don't have to be coked up like Patsy in Ab Fab to find the whole procedure irresistible. Highly recommended.
1 von 1 Kunden fanden die folgende Rezension hilfreich
Brilliant, hilarious, profane
3. November 2011
Format:Taschenbuch
The Mighty Walzer is a comic coming-of-age novel about a Jewish boy growing up in Manchester, UK, in the 1950s and 1960s. It is written in the first person and has a confessional tone, since the hero is a sex-obsessed and bashful boy. It is dangerously funny -- had to put it aside to catch my breath from laughter on many occasions -- but also sometimes quite moving. It is so studded with Yiddish terms (British versions) that footnotes or a glossary would have been helpful, though the context made most of them at least guessable. Jacobson is a dazzingly gifted novelist. I feel some frustration because the raucous vulgarity of his material prevents me from recommending the book to everyone I know. If you can get past the outrageous grubby adolescent male absorption with Sex (!) that is at least the context for much of the story, however, the wonderful cast of characters and the sheer brilliance of the writing make this a marvelous read.
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