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Produktinformation
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Bradbury's quiet exploration of a future that looks so much like the past is sprinkled with lighter material. In "The Silent Towns," the last man on Mars hears the phone ring and ends up on a comical blind date. But in most of these stories, Bradbury holds up a mirror to humanity that reflects a shameful treatment of "the other," yielding, time after time, a harvest of loneliness and isolation. Yet the collection ends with hope for renewal, as a colonist family turns away from the demise of the Earth towards a new future on Mars. Bradbury is a master fantasist and The Martian Chronicles are an unforgettable work of art. --Blaise Selby -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
The book is extremely sexist. Nearly every single male (Earthling or Martian) is either stupid, gullible, easy to anger or ready to kill. With only one exception (the old man in The Martian) the only ones that show any compassion are crazed lunatics (also doing killing). All of the Women are presented as docile, subservient and nonviolent (lets get real). Even
assuming that Bradbury was writing the book as a warning as to what the world may become and how we may ultimately destroy ourselves, a more realistic range of personalities would have made the book more believable and, therefore, more effective.
With that said, there are several stories in the book that are very well done in their own right. They were released as short stories before inclusion into the book showing that they can stand on their own. Usher II is definitely the highlight of the book. Another is, There Will Come Soft Rains.
I gave the book three stars because, in spite of my objections, I think the book is readable and does have an important message.
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