As a young woman, Marina worked as a museum guide at the Hermitage in Leningrad. When war broke out and the Germans invaded the city, Marina and her comrades were tasked with removing the museum's priceless treasures and storing them safely away. During the 900 days of siege, the city residents faced devastation, starvation, and cold. The Hermitage's basement became Marina's refuge. The empty picture frames gracing its exhibition halls contained echoes of its former art, providing a distraction that helped Marina survive the horrors of war. Now living in Seattle, Marina is an elderly woman who is sinking into dementia. About to attend her granddaughter's wedding, her past overtakes the present and she is living in a muddled world of war, beauty, and the struggle for survival.
"The Madonnas of Leningrad" is a beautifully written and richly layered debut novel. Author Debra Dean achieves the daunting task of juxtaposing the horrors of war with the timeless beauty of art. She seamlessly interweaves Marina's flashbacks with present-day family activities. The descriptions of the deteriorating living conditions and the slow erosion of hope turning to despair are so realistic that the reader is transported to the besieged city to suffer along with its residents. There are touching scenes of grown children struggling to cope with the infirmities of their aging parents. This is also a story of love between Marina and Dmitri; it's a love that spans the years, from their youthful separation during the war to their golden years, when Dmitri must cope with Marina's declining mental faculties. There is even a touch of humor here and there too, such as when Marina reflects on the official Communist Party verbiage used to describe the bourgeois society depicted in the art masterpieces. With such a wide variety of themes and imagery here, all expertly crafted into a modest-sized story, this book is a must-read.
Eileen Rieback