- Taschenbuch: 320 Seiten
- Verlag: Univ of Illinois Pr; Auflage: Reprint (28. August 2000)
- Sprache: Englisch
- ISBN-10: 0252068882
- ISBN-13: 978-0252068881
- Größe und/oder Gewicht: 22,4 x 15 x 2,5 cm
- Amazon Bestseller-Rang: Nr. 1.181.840 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Pressestimmen
"Not since Ken Kesey's One Flew Over the Cuckoo's Nest has the literature of madness emitted such a powerful anti-institutional cry." -- Washington Post ADVANCE PRAISE "The forced incarceration, the mental anguish, and the sheer humiliation of 'going mad' are made real in Millett's detailed and passionate narrative of her own experiences. This is a brave book. Once again, the pioneer of women's liberation in our century makes us consider the nature of freedom--what it is and who has a right to it." -- Andrea Dworkin, author of Letters from a War Zone "[Millett] takes you inside her mind in a way that no psychiatrist has ever done, and what you see there is not a mad woman, but another person, just like you, only a little bit more talented, and very, very sane (but damned mad). It is a magic book." -- Jeffrey Moussaieff Masson, author of The Assault on Truth "Kate Millett is magnificent: a historical figure in her own lifetime, a truly exciting writer, a chronicler of our times... [Her] critique of institutional psychiatry and our well-meaning collusion with it is devastating and true... Millett's spirit is indomitable, her bravery thrilling, her return long awaited." -- Phyllis Chesler, author of Women and Madness
Kurzbeschreibung
"The Loony-Bin Trip" is the powerful, staggeringly personal story of Kate Millett's struggle to regain control of her life after falling under an ascription of manic depression. Compulsively readable, Millett's journey into 'that other region' traverses a fearful terrain of self-doubt, futility, and alienation. Beginning with the summer at her farm in Poughkeepsie, New York, when she decides to prove her sanity by going off the lithium prescribed to combat depression, Millett courses through a season of doubt about her own sanity and the loyalty of the people around her. Tormented by the fear that her own mind is 'too dangerous' to be left to its own devices, haunted by recollections of two brief, involuntary commitments to mental hospitals - the first by a doctor who mockingly commented, 'Your only mistake was in trusting the people who brought you here' - she becomes increasingly terrified of being 'captured' again. Millett's nightmares come true when she is forcibly confined to a mental hospital while traveling in Ireland. 'I am telling you what happened to me', Kate Millett says, 'in the hope that it may help all those who have been or are about to be in the same boat'. Her story illuminates not only the personal but also the social conditions - the 'general superstition' - of mental illness. A new preface comments on recent movements for patients' rights and notes touchstone books that have begun to tread the still-taboo ground of psychiatric confinement.
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Einleitungssatz
At the farm in Poughkeepsie just before dinner the first evening light is soft and almost violet. Lesen Sie die erste Seite
Buchdeckel | Copyright | Auszug | Rückseite
At the farm in Poughkeepsie just before dinner the first evening light is soft and almost violet. Lesen Sie die erste Seite
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7 Rezensionen
12 von 16 Kunden fanden die folgende Rezension hilfreich
Fascinating but wordy and pretentious
19. März 2002
Format:Taschenbuch
I read this book primarily for some insights into the excesses of psychiatry, and found much of that. I was quite surprised how strongly I identified with some of her feelings. Though I have have never had problems of the sort Kate had (has?), I am one of the many who have experienced clinical depression and been treated for it. As I read her book, I noticed how even this minor problem carries a lifetime of suspicion from others. As I go through life, physicians and relatives are quite ready and willing to jump on ordinary feelings as "evidence" that it is happening again, and maybe there is more to it. How oddly must one behave to start the spiral down to the point of something like Kate's experience happening?
Though I felt that Kate really should have known better than to do some of what she did, knowing that others were likely to use them excuses to have her committed, I still felt deeply her fear and helplessness. I was especially disgusted by the attitude of the shrink who failed to get her hauled away in the Bowry only through Kate's quick thinking.
The minuses of this book for me were the many times the she goes into descriptions of artists and other creative types in such exalted terms. Kate left little doubt that, to her, anyone who does other things with their lives are empty shells who rely on the chosen ones (such as herself) to be able to see the world as it truly is. This sort of elitism (how many times does she tell us she is a professor and published writer) and condescension is sickening in someone who spends so much of her life trying to right great wrongs of society.
9 von 12 Kunden fanden die folgende Rezension hilfreich
A great book I disagreed with
14. November 2004
Format:Taschenbuch|Von Amazon bestätigter Kauf
As a person with manic depression, I can identify with some of the things Kate Millett had to say. However, I found her attitude about mental illness rather annoying. In this book, it is clear that she finds a diagnosis of manic depression infuriating and shameful. She finds lithium, a drug that has saved countless lives, to be nothing short of political oppression. She ends by saying that the illness does not really exist.
I cut Millett some slack because the book was written in the 80s and our society had not yet crossed over from Freudian thinking into brain science (we are still making that journey). I'm wondering if she has changed her mind at all in the years since the publication of the book. I, myself, am not ashamed or infuriated by my diagnosis in the way Millett was. I insist on my right to proper treatment, where she felt wronged by the notion of treatment at all.
While I did not agree with most of what Millett had to say, this book is captivating. She is clearly a brilliant woman and a fantastic writer.
I cut Millett some slack because the book was written in the 80s and our society had not yet crossed over from Freudian thinking into brain science (we are still making that journey). I'm wondering if she has changed her mind at all in the years since the publication of the book. I, myself, am not ashamed or infuriated by my diagnosis in the way Millett was. I insist on my right to proper treatment, where she felt wronged by the notion of treatment at all.
While I did not agree with most of what Millett had to say, this book is captivating. She is clearly a brilliant woman and a fantastic writer.
4 von 5 Kunden fanden die folgende Rezension hilfreich
Maybe it's the place I'm in
25. September 2002
Format:Taschenbuch
Millet carefully unpacks the historical events surrounding her "breakdowns." Her family and many friends think she is crazy to buy a farm and turn it into an artist's retreat. As readers, it's hard to know whether she did or didn't have a breakdown. However, regardless of whether it even can be determined in such a black-and-white manner, we feel an incredible empathy for her as she welcomes us to experience her hurt, her feelings of jealousy and loss, and her moments of profound joy. For anyone who has ever been diagnosed with a mental "disorder," this is a wonderfully affirming book.
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