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In the hierarchy of American lawyers, Lincoln lawyers are not held in the highest esteem. These are criminal defence attorneys who run their practices from a travelling Lincoln car, traversing the county of Los Angeles to hoover up whatever work is available, however basic. Connelly's tarnished hero is Mickey Heller, who has fine-tuned this less-than-impressive side of the legal profession to such a degree that few can match him: he knows all the ins and outs of the system, including precisely who to slip a back-hander to when appropriate. But Mickey finds a way to move upmarket when he acquires a well-heeled client. A rich young man from Beverly Hills has been arrested for savagely assaulting a woman, and the case falls in Mickey's lap. And though the lawyer is used to defending clients who are guilty as sin, it actually looks (for once) that his client is innocent. But Lincoln lawyers like Mickey are fully aware of the lottery that is their profession, and he isn't too surprised when the case goes pear-shaped. But (to his dismay) Mickey slowly learns that neither his client nor the victim in the case is quite what they seem to be, and soon there's a lot more than a penny-ante case at stake, with Mickey's life quite as much at risk as any reputation he might have.
Connelly fans (an ever-growing army) will be pleased to hear that all the customary traits are fully on offer here, with one key component even more finely honed than usual: the gritty, idiomatic dialogue, which is richer and more entertaining than usual. --Barry Forshaw -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Criminal defense attorney Mickey Haller's father was a legendary lawyer whose clients included gangster Mickey Cohen (in a nice twist, Cohen's gun, given to Dad then bequeathed to his son, plays a key role in the plot). But Dad also passed on an important piece of advice that's especially relevant when Mickey takes the case of a wealthy Los Angeles realtor accused of attempted murder: "The scariest client a lawyer will ever have is an innocent client. Because if you [screw] up and he goes to prison, it'll scar you for life."
Louis Roulet, Mickey's "franchise client" (so-called becaue he's able and willing to pay whatever his defense costs) seems to be the one his father warned him against, as well as being a few rungs higher on the socio-economic ladder than the drug dealers, homeboys, and motorcycle thugs who comprise Mickey's regular case load. But as the holes in Roulet's story tear Mickey's theory of the case to shreds, his thoughts turn more to Jesus Menendez, a former client convicted of a similar crime who's now languishing in San Quentin. Connelly tellingly delineates the code of legal ethics Mickey lives by: "It didn't matter...whether the defendant 'did it' or not. What mattered was the evidence against him--the proof--and if and how it could be neutralized. My job was to bury the proof, to color the proof a shade of gray. Gray was the color of reasonable doubt." But by the time his client goes to trial, Mickey's feeling a few very reasonable doubts of his own.
While Mickey's courtroom pyrotechnics dazzle, his behind-the-scenes machinations and manipulations are even more incendiary in this taut, gripping novel, which showcases all of Connelly's literary gifts. There's not an excess sentence or padded paragraph in it--what there is, happily, is a character who, like Harry Bosch, deserves a franchise series of his own. --Jane Adams -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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