- Taschenbuch: 500 Seiten
- Verlag: Princeton University Press; Auflage: 4th Revised edition (April 1971)
- Sprache: Englisch
- ISBN-10: 0691003033
- ISBN-13: 978-0691003030
- Größe und/oder Gewicht: 25,4 x 19,6 x 2,8 cm
- Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen Alle Rezensionen anzeigen (1 Kundenrezension)
- Amazon Bestseller-Rang: Nr. 1.218.523 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Pressestimmen
Whatever was immortal of Albrecht Durer is covered by this book. The Art Bulletin Already famous for completeness and scholarship, but equally notable as exciting reading. Renaissance News Meticulously researched and documented... [A] beautifully produced addition to the Durer literature. The New York Times Book Review
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
Format:Taschenbuch
This is surely the definitive book on German renaissance artist Albrecht Durer (still justly famous in this century for his engravings "Knight, Death and the Devil," which a baby-boomer friend had as a poster on his wall, and "The Four Horsemen of the Apocalypse"). The collection of reproductions of Durer's work, and that of contemporaries that influenced him, is extraordinary, taking up much of the volume's rather sizable girth. My only significant complaint is that I wish there had been at least a few color reproductions.
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6 Rezensionen
24 von 25 Kunden fanden die folgende Rezension hilfreich
An essential classic in Durer studies
5. Juni 2003
Format:Taschenbuch
While Panofsky may seem indigestible to some - this is not a book for the "general reader" - this book remains essential material for anyone researching any aspect of Durer's career. It is written in more accessible prose than some of Panofsky's other works, since he concentrates more on straight monographic information than on deep interpretation.
The book takes us through Durer's career in chronological order. It is easy to look up specific works and their contexts (there are handy indices as well). It's comprehensiveness makes it a really useful book to have on hand. All Durer studies after this one necessarily make reference to what Panofsky said.
As a monograph this is, hence, extremely succesful. It is also a product of its time and of Panofsky's method. Newer studies, such as Joseph Koerner's "The Moment of self-portraiture in german renaissance art", probe deeper into some of the themes about which the reader may be left wondering upon reading Panofsky.
Durer is arguably THE most important artist of the German Renaissance; Panosfky the most important art historian of our time. Read the book!
6 von 6 Kunden fanden die folgende Rezension hilfreich
Still the best book on the subject by far
14. Mai 2011
Format:Taschenbuch
Yes, there are no color illustrations, and yes, the prose is dense, but if you would like to read what is probably the most brilliant book ever written in the history of art, this is it. Don't expect a page-turner. You may have to read it twice to understand it. I did. And it was worth it. If you are interested in Albrecht Durer, this is a must-read.
5 von 6 Kunden fanden die folgende Rezension hilfreich
A basic book.
26. April 2008
Format:Taschenbuch|Von Amazon bestätigter Kauf
Panofsky is still the standard study on Durer. Recent scholarship has revised some of his views, but the depth and perseption of his ideas remans unmatched.
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