I am one of those lucky Southern California wrestling fans who was raised on Hollywood, beaches, and the famous Blassie vs Tolos feud. I became a bonafide pro wrestling fanatic, but even fellow SoCalifornians from my generation who had little interest in the rasslin' biz remember the Freddie Blassie vs John Tolos era. When I heard about WWE's release of Blassie autobiography, I wondered whether it would be a quality work or a mildly entertaining work of semi-fiction.
In the tradition of recent pro wrestling releases, this book delivers a colorful yet insightful look into Blassie's life and career. Just like Dynamite Kid's autobiography, a nod should be given to ghostwriter Keith Greenberg for capturing Blassie's unique diction in print. This did not work with Hulk Hogan's recent book, as the repeated Hogan catch phrases just came off as comical. With Blassie, you could swear you could hear his gruff ---sometimes crass--- voice narrating his life, without diverting attention to the story. You will read an honest account from a man who is proud of his acheivements, but not too proud to admit to his shortcomings. He is macho, yet not ashamed to talk about moments that moved him to tears. His devotion to his wife Miyako moved me above all.
Freddie Blassie makes no bones about who he loves and hates. His fond recollections of Nikolai Volkoff, Stepfather Eli, Stepsister Antoinette, and Andy Kaufman are very moving (even to the most cynical wrestling fan!). He does not mince words when ranting on the displeasures of working with Mike LaBell, Johnny Valentine and Antonio Inoki. Reading these in Blassie's voice makes the read a fun ride.
Being such a huge Freddie Blassie and L.A. Wrestling fan, it's hard for me to step back and judge whether this book will be as entertaining to a casual fan who knows little about "The King of Men." Mick Foley's "Have a Nice Day" still reigns (in my opinion) as the best overall look at one man's rise from the small time to stardom. While Blassie's book is more of a personal narrative, there is still enough basic information to supply the casual wrestling fan with an overview of pro wrestling lingo, background and inner workings. My hunch is that a reader who never heard of Freddie Blassie will feel great affection for him by the final page of the book.
Other unique and hep features include firsthand narratives about Blassie by folks like Volkoff, John Tolos, Johnny Legend, George Steele, and son Ron Blassie.
Personally, I was really jazzed to hear him praise the late Ray Mendoza as both an athlete and a human being. Mendoza, while a legend in Mexico, is too often overlooked in other countries. Mr. Blassie, I salute you!