If you have never heard of Porfirio Rubirosa, that's no surprise. He died in 1965, and wasn't good at much of anything beyond having a good time, but at that he was extraordinarily good. His was a life of inconsequence, and perhaps inconsequential also is the biography _The Last Playboy: The High Life of Porfirio Rubirosa_ (4th Estate) by Shawn Levy. Inconsequential, but also glittering and amusing. The character Rubirosa made for himself was, Levy says, "nightclubber, cuckolder, kept man, gigolo, scene maker, skirt chaser, dandy." He was hardly a careful examiner of his own life, but when he explained why he did poorly as a student, he was exactly right: "The only things that interested me were sports, girls, adventures, celebrities - in short, life." His limited interpretation of what life was all about was similar to his limited principles. "It has always been one of my chief principles: I will risk anything to avoid being bored." He succeeded wonderfully, and this account of his life, written in a perfect breezy and joking style, is an entertainment that few will find boring.
"Rubi", as everyone knew him, was born in 1909 in the Dominican Republic, and served intermittently as a roving official for that country. He married five times before his death in 1965, to actresses and heiresses. How did Rubi manage to ingratiate himself to so many women, and get so much support from them? There are lots of answers. He was darkly handsome when such looks were thought fashionable and seductive (even leading to the famous backlash "Latins are Lousy Lovers" by Helen Lawrenson in _Esquire_ in 1936). He kept himself in good shape; he was a keen polo player. He was intelligent, capable with five languages, fluent in three. He genuinely liked women. "They want to be happy," he explained. "I try to make them happy." He was successful in these attempts countless times, at least in the short run. He liked women ideally to be beautiful and rich, but was able to spread his happiness with others who lacked such traits. Many simply found him irresistible when they could resist many others. "He wraps his charm around your shoulders like a Russian sable coat," said Hedda Hopper. He was extremely sociable, and made himself comfortable with such lights as the Kennedys and Oleg Cassini. A photographer noted, "He can meet you for a minute and a month later remember you very well." His partying consisted of heavy drinking that didn't seem to have deleterious aftereffects. When pal Sammy Davis saw him the next day after they had been carousing heavily the night before, he asked in astonishment how Rubi could still look and feel good. "Your profession is being an entertainer," came the reply. "Mine is being a playboy." It was his job, but he never found it work. A naive journalist once asked when he found time for work. "Work?" came the reply. "It's impossible for me to work. I just don't have the time." Those who sought to explain his charm in the most fundamental way found an old standby, crediting his success to his having a sexual organ of supremely massive size. It was talked about enough that its dimensions were even specified in Truman Capote's unfinished novel _Answered Prayers_, and waiters would call the largest peppermill in the house "The Rubirosa."
He was enormously famous during his heyday; Groucho Marx particularly liked making jokes that included his name, and few had to ask "Who's that?" The tabloids had a fine time, with headlines like "Cash Box Casanova" or, knowingly, "Who Donged the Ding-Dong Daddy?" He left no children, no good works, no legacy, no example to follow. He was, from many angles, a contemptible cad, but he was terrifically good at living his life as he saw fit. Many found him irresistible, and it may be a guilty pleasure, but this biography is irresistible fun.