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The Lake
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Produktbeschreibungen
Pressestimmen
Praise for The Lake
"[The Lake] attests to the power of emotional intimacy to help even the most 'ridiculously fragile people' overcome trauma and grief."
—Hirsh Sawhney, The New York Times Book Review
"The simplicity of this elliptical novel’s form and expression belies its emotional depth...There’s almost an artistic sleight of hand in the latest from Yoshimoto, a novel in which nothing much seems to happen yet everything changes."
—Kirkus Reviews, starred review
"Yoshimoto's marvelously light touch is perfectly captured by Emmerich's pristine translation."
—Publishers Weekly
"Yoshimoto aficionados who have savored any of the dozen-plus novels she’s written over the last three decades since she became a near-instant pop literary phenomenon with Kitchen will recognize her signature crisp, clipped style (thanks to exacting translator Emmerich’s constancy) and revel in her latest cast of quirky characters. Newbies with a penchant for Haruki Murakami’s mind-bending protagonists or Yoko Tawada’s sparse precision will do well to begin their so-called Bananamania with this beguiling title."
—Library Journal
"Reading [The Lake], you realize just how conventional most love stories are."
—New York Times
"Touching."
—Miami Herald
"The Lake demonstrates Yoshimoto's deepening talent, and her craft for quietly revealing an enveloping and haunting world."
—Cleveland Plain Dealer
"Yoshimoto is in peak form in this mesmerizing and suspenseful drama of the perils of brainwashing, from class bias to intrusive advertising to an infamous cult. Social conventions, memories and dreams, and the creative process are all explored with exquisite insight in Yoshimoto’s beautifully mystical and hopeful novel."
—Booklist
"Yoshimoto’s simplicity — both in prose and narrative — speaks to a mastery of form....The Lake will haunt you."
—Thought Catalog
Praise for Banana Yoshimoto
“A sure and lyrical writer . . . Yoshimoto transforms the trite into the essential.”
—The New Yorker
“Ms. Yoshimoto has an effortless ability to penetrate her characters’ hearts.”
—Michiko Kakutani, The New York Times
“Banana Yoshimoto is a master storyteller. . . . The sensuality is subtle, masked, and extraordinarily powerful. The language is deceptively simple.”
—Chicago Tribune
“There is no such thing as a stock character in Yoshimoto’s fiction. She writes utterly without pretense.”
—The Washington Post
“The disturbing, ironic, relentless clarity of her voice casts a spell. . . .”
—The Denver Post
“Her achievements are already legend.”
—The Boston Globe
"[The Lake] attests to the power of emotional intimacy to help even the most 'ridiculously fragile people' overcome trauma and grief."
—Hirsh Sawhney, The New York Times Book Review
"The simplicity of this elliptical novel’s form and expression belies its emotional depth...There’s almost an artistic sleight of hand in the latest from Yoshimoto, a novel in which nothing much seems to happen yet everything changes."
—Kirkus Reviews, starred review
"Yoshimoto's marvelously light touch is perfectly captured by Emmerich's pristine translation."
—Publishers Weekly
"Yoshimoto aficionados who have savored any of the dozen-plus novels she’s written over the last three decades since she became a near-instant pop literary phenomenon with Kitchen will recognize her signature crisp, clipped style (thanks to exacting translator Emmerich’s constancy) and revel in her latest cast of quirky characters. Newbies with a penchant for Haruki Murakami’s mind-bending protagonists or Yoko Tawada’s sparse precision will do well to begin their so-called Bananamania with this beguiling title."
—Library Journal
"Reading [The Lake], you realize just how conventional most love stories are."
—New York Times
"Touching."
—Miami Herald
"The Lake demonstrates Yoshimoto's deepening talent, and her craft for quietly revealing an enveloping and haunting world."
—Cleveland Plain Dealer
"Yoshimoto is in peak form in this mesmerizing and suspenseful drama of the perils of brainwashing, from class bias to intrusive advertising to an infamous cult. Social conventions, memories and dreams, and the creative process are all explored with exquisite insight in Yoshimoto’s beautifully mystical and hopeful novel."
—Booklist
"Yoshimoto’s simplicity — both in prose and narrative — speaks to a mastery of form....The Lake will haunt you."
—Thought Catalog
Praise for Banana Yoshimoto
“A sure and lyrical writer . . . Yoshimoto transforms the trite into the essential.”
—The New Yorker
“Ms. Yoshimoto has an effortless ability to penetrate her characters’ hearts.”
—Michiko Kakutani, The New York Times
“Banana Yoshimoto is a master storyteller. . . . The sensuality is subtle, masked, and extraordinarily powerful. The language is deceptively simple.”
—Chicago Tribune
“There is no such thing as a stock character in Yoshimoto’s fiction. She writes utterly without pretense.”
—The Washington Post
“The disturbing, ironic, relentless clarity of her voice casts a spell. . . .”
—The Denver Post
“Her achievements are already legend.”
—The Boston Globe
Kurzbeschreibung
A major literary sensation is back with a quietly stunning tour de force about the redemptive power of love.
While The Lake shows off many of the features that have made Banana Yoshimoto famous—a cast of vivid and quirky characters, simple yet nuanced prose, a tight plot with an upbeat pace—it’s also one of the most darkly mysterious books she’s ever written.
It tells the tale of a young woman who moves to Tokyo after the death of her mother, hoping to get over her grief and start a career as a graphic artist. She finds herself spending too much time staring out her window, though ... until she realizes she’s gotten used to seeing a young man across the street staring out his window, too.
They eventually embark on a hesitant romance, until she learns that he has been the victim of some form of childhood trauma. Visiting two of his friends who live a monastic life beside a beautiful lake, she begins to piece together a series of clues that lead her to suspect his experience may have had something to do with a bizarre secret from his past. . . .
With echoes of real life events, such as the Aum Shinrikyo cult (the group that released poison gas in the Tokyo subway system) and the kidnapping of Japanese citizens by North Korea, The Lake unfolds as the most powerful novel Banana Yoshimoto has written. And as the two young lovers overcome their troubled past to discover hope in the beautiful solitude of the lake in the countryside, it’s also one of her most moving.
While The Lake shows off many of the features that have made Banana Yoshimoto famous—a cast of vivid and quirky characters, simple yet nuanced prose, a tight plot with an upbeat pace—it’s also one of the most darkly mysterious books she’s ever written.
It tells the tale of a young woman who moves to Tokyo after the death of her mother, hoping to get over her grief and start a career as a graphic artist. She finds herself spending too much time staring out her window, though ... until she realizes she’s gotten used to seeing a young man across the street staring out his window, too.
They eventually embark on a hesitant romance, until she learns that he has been the victim of some form of childhood trauma. Visiting two of his friends who live a monastic life beside a beautiful lake, she begins to piece together a series of clues that lead her to suspect his experience may have had something to do with a bizarre secret from his past. . . .
With echoes of real life events, such as the Aum Shinrikyo cult (the group that released poison gas in the Tokyo subway system) and the kidnapping of Japanese citizens by North Korea, The Lake unfolds as the most powerful novel Banana Yoshimoto has written. And as the two young lovers overcome their troubled past to discover hope in the beautiful solitude of the lake in the countryside, it’s also one of her most moving.
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44 von 48 Kunden fanden die folgende Rezension hilfreich
So Glad She's Back
3. April 2011
Format:Gebundene Ausgabe|Amazon Vine™ Rezension
(Was ist das?)
Banana Yoshimoto is unique. I don't know of any other writer who explores the spaces in the human heart with such delicacy and accuracy. This book, which was published in Japan in 2005, follows the love affair of Chihiro, a young girl whose mother's death both freed her from the censorious small town in which she grew up and also cast her adrift, rootless, in Tokyo; and Nakajima, a very secretive and tightly wound young man who endured something terrible as a child. Both of them are damaged; both of them are needy but in many ways unwilling to risk opening up to anyone. Chihiro, an artist, is hired to paint a mural on the wall of an elementary school that is in danger of being torn down, and as Nakajima's story unfolds, Chihiro translates elements of it into art, in the lighthearted form of monkeys painted especially for children's eyes. I don't know of another writer in the world who would come up with such pitch-perfect alchemy, not only bringing fear out of the shadows but painting it in primary colors in bright daylight. From KITCHEN on, I've devoured every book Banana Yoshimoto has written, and this is no exception. My only complaint is that we had to wait six years to read THE LAKE in English.
26 von 28 Kunden fanden die folgende Rezension hilfreich
A quiet quirky love story
29. März 2011
Format:Gebundene Ausgabe|Amazon Vine™ Rezension
(Was ist das?)
The lovers in this story are walking on eggshells towards a fragile intimacy.
Chihiro is the illegitimate daughter of the flashy Mama-san of a club and a conventional businessman. Nearing thirty, she's become a fairly successful painter of murals.
Nakajima is a brilliant graduate student doing genetic research at a prestigious university. He's definitely odd. Something terrible happened in his past.
Their Tokyo apartments face each other diagonally across a street. They begin by nodding to each other and progress to reading greetings on each other's lips. Eventually they make contact, and this is the beginning of a cautious, complex coupling of psyches.
Despite the gentle tenor of Yoshimoto's prose, there are some shocking revelations in store for the reader.
Banana Yoshimoto has a nice unpretentious way of describing life's cruel twists and turns. She tosses off bits of wisdom that, if she were a mountain ascetic, would cause her to be revered. It's no wonder she's engendered Banana-mania among millions of fans around the world.
The Lake has a small cast of characters, but among them is one of the oddest and most poignant psychics I've ever encountered in literature.
It's easy to get so relaxed and pleasantly pensive reading Banana Yoshimoto that you miss her artistry. She manages to be utterly non-threatening, even comforting, while dealing with heavy subjects like alienation, loss and death. She offers a very contemporary take on the traditional Japanese theme of ephemeral existence.
I loved everything about The Lake - the style, the story, the ambience and the offbeat characters. I devoured it in a day.
Chihiro is the illegitimate daughter of the flashy Mama-san of a club and a conventional businessman. Nearing thirty, she's become a fairly successful painter of murals.
Nakajima is a brilliant graduate student doing genetic research at a prestigious university. He's definitely odd. Something terrible happened in his past.
Their Tokyo apartments face each other diagonally across a street. They begin by nodding to each other and progress to reading greetings on each other's lips. Eventually they make contact, and this is the beginning of a cautious, complex coupling of psyches.
Despite the gentle tenor of Yoshimoto's prose, there are some shocking revelations in store for the reader.
Banana Yoshimoto has a nice unpretentious way of describing life's cruel twists and turns. She tosses off bits of wisdom that, if she were a mountain ascetic, would cause her to be revered. It's no wonder she's engendered Banana-mania among millions of fans around the world.
The Lake has a small cast of characters, but among them is one of the oddest and most poignant psychics I've ever encountered in literature.
It's easy to get so relaxed and pleasantly pensive reading Banana Yoshimoto that you miss her artistry. She manages to be utterly non-threatening, even comforting, while dealing with heavy subjects like alienation, loss and death. She offers a very contemporary take on the traditional Japanese theme of ephemeral existence.
I loved everything about The Lake - the style, the story, the ambience and the offbeat characters. I devoured it in a day.
9 von 10 Kunden fanden die folgende Rezension hilfreich
Dive into The Lake
12. April 2011
Format:Gebundene Ausgabe|Amazon Vine™ Rezension
(Was ist das?)
Imagine two birds sitting on the edge of their nest. One has a broken wing. The other, two broken wings. Now imagine these birds getting ready to take flight. What is going through your mind? Hope? Fear? Desperation? Anxiety? Probably all of these things, but I would imagine primarily Hope. Those are exactly the feelings I experienced while reading THE LAKE.
The story of two broken almost-thirty somethings, one more so than the other, in the big city of modern-day Tokyo takes us on a quiet thrill ride that doesn't let up until the final page. Not a ton actually happens in this interesting little book, but the characters are so finely drawn that it almost doesn't matter. You will find yourself rooting for them both to succeed and find what they are missing in life while the whole time it is right there in front of them.
I thought this was a great book. I liked the author's use of simple, profound phrasing and her ability to say a lot without saying much. What I didn't like was the description on the back of the book which is, in essence, a HUGE spoiler. The whole time we are trying to figure out why Nakajima is so averse to opening himself to others. Yet the description on the back jacket gives the answer before one even can draw his or her own conclusions or make assumptions. Had I not already known the answer I probably would have come up with something completely different and then been shocked at the outcome. This would have been a much more fitting way to market THE LAKE.
That said, this was a book that will appeal to many different people for a vast variety of reasons. I finished this book in two sittings, which is unheard of for me...a notoriously slow reader. That probably says quite a bit about this book on its own. I highly recommend Yoshimoto's latest book. I now plan to go and seek out her earlier novels. Plus, anyone with the name "Banana" is okay in my eyes. 4 solid stars.
The story of two broken almost-thirty somethings, one more so than the other, in the big city of modern-day Tokyo takes us on a quiet thrill ride that doesn't let up until the final page. Not a ton actually happens in this interesting little book, but the characters are so finely drawn that it almost doesn't matter. You will find yourself rooting for them both to succeed and find what they are missing in life while the whole time it is right there in front of them.
I thought this was a great book. I liked the author's use of simple, profound phrasing and her ability to say a lot without saying much. What I didn't like was the description on the back of the book which is, in essence, a HUGE spoiler. The whole time we are trying to figure out why Nakajima is so averse to opening himself to others. Yet the description on the back jacket gives the answer before one even can draw his or her own conclusions or make assumptions. Had I not already known the answer I probably would have come up with something completely different and then been shocked at the outcome. This would have been a much more fitting way to market THE LAKE.
That said, this was a book that will appeal to many different people for a vast variety of reasons. I finished this book in two sittings, which is unheard of for me...a notoriously slow reader. That probably says quite a bit about this book on its own. I highly recommend Yoshimoto's latest book. I now plan to go and seek out her earlier novels. Plus, anyone with the name "Banana" is okay in my eyes. 4 solid stars.
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