The Lady Elizabeth [Englisch] [Taschenbuch]

A great many novels have been written about Elizabeth I, and still the market is not yet satiated. I picked this novel up wondering what new insights or interpretations could Ms Weir possibly bring to the fictional portrayal of Elizabeth.

Ms Weir's novel opens with Elizabeth being told of her mother's death in 1536, by her half sister Mary, and takes us through Elizabeth's life until the time when the death of Mary in 1558 makes her Queen of England. Ms Weir addresses three distinct phases in Elizabeth's life: as the daughter of King Henry VIII; the sister of King Edward VI; and the sister of Queen Mary I.

What makes this novel interesting to me, and made the difference between 3 and 4 stars, is the portrayal of the tensions in Elizabeth's life as her status changes. The Elizabeth portrayed by Ms Weir is deeply impacted by events around her and is quick to learn about the relative value of women as daughters, wives and mothers. At the same time, she is aware of the value of learning, the politics of religion and becomes aware of her own role as a pawn in the political marriage stakes. The focus on the early part of her life, while it undoubtedly slows the novel down, is valuable because it illustrates so clearly the insecurity born of uncertainty.

Ms Weir's Lady Elizabeth is an intelligent and complex young woman. The novel is presented within the broad framework of known history and possible (if not always probable) speculation. I enjoyed this novel because I know the historical period well enough to be comfortable with fictional liberties.

Jennifer Cameron-Smith

The imperious Elizabeth Tudor intuits her destiny long before the crown is delivered to her hands in 1558. In 1536, the tiny red-haired princess is but three years old, already acutely aware that she is her father's beloved daughter. As step-sister to Mary, daughter of Henry VIII's first wife, Katherine of Aragon, Elizabeth is much like her own intelligent, curious and driven mother, Anne Boleyn. Through separated by a number of years, the half-sisters retain an affectionate relationship; but with the birth of Edward, Henry's son by Jane Seymour, a gradual rift develops that is exacerbated by various court factions that view one sister as a threat to the other. Suffering a constant procession of step-mothers, Elizabeth relies of her father's affection, emotionally devastated by his death. Addressing these seminal years in Elizabeth's development, Weir delves deeply into her psychological makeup, both sisters destined to rule England, but divided by Mary's fanatical devotion to the Catholic cause and Elizabeth's refusal to stray from the tenets of the Reformed faith.

The author describes a child attuned to the dangers of court life, frequently chastened by her changing fortunes, sometimes nearly undone by an uncertain fate and no one to trust, save a few loyal souls. Surviving this crucible of uncertainty, Elizabeth develops a second sense for the particular dangers of her position as third heir to the throne after Edward. Joining in like cause when they are illegitimized after Edward's birth, the emotional ties between the sisters are as profound as they are disturbing, veering from deep affection to threat, depending on the circumstances in the court. Elizabeth's unique sense of self-preservation is honed during these years. After Edward's death and Mary's coronation, the new queen forcefully reinstates her religion, fortified by a marriage to Philip of Spain. Elizabeth barely escapes the ambitious plans of those who would unseat Mary in Elizabeth's name, religion once more thrusting England into turmoil, Mary determined to validate Katherine of Aragon's belief in the True Faith. Again and again their fierce wills collide, Elizabeth's subtle responses to her sister's bullying rebuffed by a thwarted Mary.

Certainly, Elizabeth can be forgiven a thoughtless plunge into romance, albeit with the dashing husband of her benefactress, Henry's last queen, Katherine Parr. The older, sophisticated Thomas is irresistible to a girl on the cusp of womanhood. Once more Elizabeth receives a lesson in treachery, paying dearly for her brief flirtation with the passions of the heart. By the time Mary dies and Elizabeth embraces her destiny, it is abundantly clear that her whole life has been in preparation for this great challenge. Weir's portrayal of this child who lives for a time in the glow of her father's love, only to be cast aside by circumstances, who learns early the danger of ambitious men and their schemes, who loves injudiciously and suffers the consequences of her actions, is amazingly insightful. A foreshadowing of the monarch she is to become, the Lady Elizabeth cuts her baby teeth on court intrigue and survives impossible obstacles to embrace her fate. Luan Gaines/ 2008.

It seems every year a new crop of novels about Elizabeth Tudor pop up. It's not surprising why-she's one of the most fascinating, powerful women in history. The first woman to rule a nation without a male consort, despite carrying on a lifetime (consummated or not) romance with a man considered highly inappropriate by her counselors and people. She played a highly skilled waiting game with the most powerful men in the world, stringing out marriage negotiations to ensure peace between the nations when she never intended to marry. I could go on and on and on...

But every novelist seems to have a different view of Elizabeth, the real, person Elizabeth that you can't learn about from reading her writings or researching her history. Sometimes Elizabeth is seen as a dark, brooding, sexual, regal, commanding and yet still unsure creature, frightened when it came to trusting any man. Others portray her as strong and unwilling to be dominated be anyone and if more naïve and willing to trust when she was young, she changed as she aged. And some (unfortunately) have her being sometimes strong, bet most often naïve and needing to be lead by men.

But the truth is, this is one of the only areas an author can be original in writing a biographical novel. There is only one story of Elizabeth's life, only so many historical documents and accounts left behind and no one will ever no know the whole truth and nothing but the truth unless Elizabeth herself shows up and decides to be very candid. So that leaves us with novelists, who take room for speculation and dramatic addition in the rumors of the time, or in adding a fictional character or event that may have influenced Elizabeth's life or character in some way, but in the end, the bare bones of the story are always the same.

But the story is a far different thing than the book. I must have read 10 different accounts of different parts of Elizabeth's life and no two are exactly alike. Writing style, importance of side characters, attention to historical detail, these things all change how the book is read.

"The Lady Elizabeth" Alison Weir's second novel is about Elizabeth's life from age 3 (1536) (when she was declared a bastard) to her ascension to the throne in 1558 and includes all that happened to her within this time period. Her version of Elizabeth is almost unveiled from the mythos that has come to surround the Virgin Queen. Here Elizabeth starts as a privileged child, somewhat imperious, enjoying her own importance, and quickly learns that the world is a dangerous place for her. She resolves not to love but can't help having a crush, and finally realizes the immense importance of deciding who you place your trust in. In short, she is a child who becomes a politician.

In my review of Weir's first novel I said that there could be no doubting of the accuracy of her research since her first route to fame was through biography. Well, now she's found her novelist's legs (keep this in mind as you read.) There is little or no mention in this book of events I've found in every other novel spanning the same time frame. Examples would be: The way no funds were given to Elizabeth's household after her mother's execution, Mary Tudor's often cruel and taunting treatment, Henry VIII's fickle nature regarding affection for his daughter and most strangely, an almost complete lack of Robert Dudley in Elizabeth's childhood.

I had always assumed that Robert and Elizabeth were schooled together and in a way grew up together but through a small amount of research have found that while they did share tutors, there is no evidence that they were taught by these men at the same time. If anyone knows more factual info about their childhood histories please leave a comment below. I just have a hard time believing they barely new each other and then all of a sudden on her coronation day he rode beside her as master of the horse. Seems like a big leap up, no?

There's also the matter of one of the more interesting and scandalous rumors that surrounded Elizabeth's life when she was young which Weir has taken fictional license to make true for her version of Elizabeth's life. This really bothered me at first but since reading the author's note I have no complaint. It is a novel after all and this does increase the drama factor by ten-and explain some major things about Elizabeth (if it happened to have been true.) But that doesn't mean I believe the incident was possible. (Sorry to be cryptic, major spoiler.)

In the end I think historical figures, especially ones who didn't leave behind especially clear impressions of their private selves such as Anne Frank are open to so much interpretation that you can almost pick and choose which version you like best. While Weir's Elizabeth will never be my favorite, ("Legacy" by Susan Kay has set the standard for me and I'm afraid there's no going back) I can't fault the style the book was executed in, only puzzle over parts of it. But there's no doubt that third person suits her much than first as she used for "Innocent Traitor." I Hope she continues to write this way (or maybe even experiment with second!)

It's always a pleasure to watch an author improve. I assume there will be a sequel to this. Perhaps, "Elizabeth the Queen?" I'll be on the look out for it and I look forward to Alison Weir's views on the development of the Queen's true personality.

Maybe in the end my ranking is tainted by the ghosts of other author's Elizabeth's floating around my head (and by my confusion about the absence of what I always viewed as some of the building blocks of Elizabeth's character) but I have to say in the end, for me, this is a three point five star book. I did enjoy it, went through it fast and would recommend it for the slightly different story of Elizabeth's early years and because it is only by gathering as much information as we can (even if it fictionalized) that we gain a true portrait of who a person really is. And with someone like Weir who knows Elizabeth probably was well as anyone alive today does, this does help fill in some blank spots on a canvas of a historical figure I revere immensely.