- Gebundene Ausgabe: 602 Seiten
- Verlag: Da Capo Pr; Auflage: annotated edition (26. Februar 2007)
- Sprache: Englisch
- ISBN-10: 1560257075
- ISBN-13: 978-1560257073
- Größe und/oder Gewicht: 23,4 x 16,2 x 4,7 cm
- Amazon Bestseller-Rang: Nr. 509.564 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
From Booklist
Marmorstein's exhaustive study of one of the world's most venerable recording labels must cover nearly every wrinkle in Columbia's long history and varied corporate existence, which may be either good or bad for readers, depending on their tolerances for the likes of Billy Joel, Mitch Miller, and other mainstays. Those only casually interested in the company's corporate side may also find the tome's length daunting, but Marmorstein's writing is hardly ponderous. It also takes awhile to do justice to a business that has endured for more than 90 years, in the process bringing such certifiable greats as Bob Dylan, Frank Sinatra, and Michael Jackson, not to mention hosts of jazz and classical stars, to iconic status. Moreover, Columbia has employed some of the most notorious figures in the music biz over the years, such as the storied Clive Davis and the perhaps odd but always interesting Tommy Mottolla, who foisted Mariah Carey on an unsuspecting public. A book to please music-history and music-biz-history mavens alike. Mike Tribby
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Kurzbeschreibung
From Frank Sinatra and Billie Holiday to Janis Joplin and Michael Jackson, Columbia Records has discovered and nurtured a mind-boggling spectrum of talents and temperaments over the past 100-plus years. Now, with unprecedented access to the company's archives memos, personal correspondence, recording contracts, sales reports and job sheets, as well as rich musical and literary material excavated from the Teo Macero Collection The Label tells the never-before-told stories behind the groundbreaking music distributed by Columbia Records. More often than not, the music was created not just by the artists themselves but forged out of conflict with the men and women who handled them executives, producers, Artists and Repertoire men, arrangers, recording engineers, and, yes, even publicists. And at almost every narrative crossroads in The Label is an undercurrent of racial tension a tension that not only influenced twentieth century music, but also mirrored and at times prompted major changes in American culture. This vibrant account of Columbia Record's often tumultuous relationships with artists, businesspeople, and popular culture is sure to enlighten, entertain, and even shock.
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15 von 17 Kunden fanden die folgende Rezension hilfreich
FABULOUS BOOK - A MUST FOR MUSIC LOVERS!!
22. Februar 2007
Format:Gebundene Ausgabe
THE LABEL has to be one of the finest ever books about music, the music industry, and pop culture. And it has to be the coolest looking! It traces the history of Columbia Records from the invention of the phonograph to the present, and all the greats are there: Bob Dylan, Miles Davis, Barbra Streisand, Duke Ellington, Leonard Bernstein, Billie Holliday, Michael Jackson, Janis Joplin, Benny Goodman, Sinatra, Horowitz, Kostelanetz, and on and on! And of course Walter Yetnikoff and the ever-present Clive Davis. What a feast -- you won't want to put it down! The writing is very graceful and astute, filled with fascinating details about deals and star-making and egos, trends and manias and feuds and so on. And the book, with its multiple photo sections and 50 pages of footnotes, is impeccably researched.
Music fiends are going to adore this book - what a great gift idea! I'm giving it to several of my music-fanatic friends, 'cause I know they'll REALLY like it. Very hip. GREAT COVER. A book to disappear into for days...
Music fiends are going to adore this book - what a great gift idea! I'm giving it to several of my music-fanatic friends, 'cause I know they'll REALLY like it. Very hip. GREAT COVER. A book to disappear into for days...
10 von 11 Kunden fanden die folgende Rezension hilfreich
Wow! One of the finest (if not THE) books ever written about the music business.
11. März 2007
Format:Gebundene Ausgabe
This book is amazing. I literally couldn't put it down. And I thought I pretty much knew a lot of record business history. My father in his youth was a record promoter for Columbia (and then Decca Records) and used to tell me stories when I was a kid. They were nothin'...in comparison with this. And daddy never told me any of the real history of Columbia. I did know that when I grew up I wanted to be a recording artist and I only wanted to record for Columbia.
Unfortunately, the closest I got to that was doing backup in the '60's for a few artists who were signed to the label. But the studio singers rarely saw or heard the full scoop on behind-the-scenes machinations. So, what I didn't know then, I've found out from this book. Bravo to Mr. Marmorstein for his research. It's so in-depth! And I got a kind of perverse thrill from knowing that though a lot of this book reads like great fiction, it's all amazingly true. Just bought another copy for my son who's a musician and record producer. As far as I'm concerned, this should be required reading for every potential and existant artist, producer, arranger etc., not to mention every music lover who is capable of reading.
For me, Columbia was and always will be THE label and this book truly does it justice!
Unfortunately, the closest I got to that was doing backup in the '60's for a few artists who were signed to the label. But the studio singers rarely saw or heard the full scoop on behind-the-scenes machinations. So, what I didn't know then, I've found out from this book. Bravo to Mr. Marmorstein for his research. It's so in-depth! And I got a kind of perverse thrill from knowing that though a lot of this book reads like great fiction, it's all amazingly true. Just bought another copy for my son who's a musician and record producer. As far as I'm concerned, this should be required reading for every potential and existant artist, producer, arranger etc., not to mention every music lover who is capable of reading.
For me, Columbia was and always will be THE label and this book truly does it justice!
5 von 5 Kunden fanden die folgende Rezension hilfreich
This book taught me more than I ever knew about the origins of the modern recording industry!
19. Juni 2007
Format:Gebundene Ausgabe
Barely a chapter into this almost 600-page long history of the venerable record company, which sports its famed red label on the cover, I've already learned more than I ever knew about the origins of the modern recording industry. Columbia Records was actually founded in 1888 by Edward Easton, a stenographer and principal in the company based in Washington, D.C. (hence the name), which manufactured Graphophones, an early forerunner of the victrola, originally used for office dictation. Just like today, the technology came first, and uses for the invention only came later. The fact that music could be recorded and played back on wax cylinders was virtually an afterthought (Thomas Edison, with his competing phonograph, felt music "demeaned" his invention), as the label was launched with a selection of John Philip Sousa marches recorded by the U.S. Marine Band and black singer George Washington Johnson, dubbed the "Whistling Coon" after his hit of the same name, brought to the label by prototypical 19th century A&R man Victor Emerson. What's striking is the role technology played in the growth of the industry, and how the format affected what was recorded and distributed, a factor still in place today in the wake of the digital revolution. A fascinating read that I have just dipped into, but will keep you abreast as I get deeper. - Roy Trakin
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