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The Intent to Live: Achieving Your True Potential as an Actor (Englisch) Taschenbuch – 27. Dezember 2005

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  • The Intent to Live: Achieving Your True Potential as an Actor
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“I love the work I’ve gotten to do with Larry. He loves actors, he loves acting, and I love him.”
–Helen Hunt

“Larry Moss is probably the most knowledgeable, articulate, creative, compassionate teacher of acting in America today. He is solely responsible for transforming me from a talented person into an artist.”
–Jason Alexander

“Larry has an uncompromising dedication to the art and craft of acting. I wouldn’t take on another role without working with him.”
–Hilary Swank

“Larry is pure genius. He opened my heart and allowed me to feel again. I would not have been able to be John Coffey without him.”
–Michael Clarke Duncan

From the Hardcover edition.

Über den Autor und weitere Mitwirkende

Larry Moss studied his craft with such luminaries as Stella Adler, Sanford Meisner, and Warren Robertson. He began his career at New York’s famed cabaret Upstairs at the Downstairs and went on to appear on Broadway in numerous productions. After teaching at Juilliard and Circle in the Square, Moss returned to Los Angeles and founded the Larry Moss Studio in 1990. His directing credits include the off-Broadway hit The Syringa Tree, which won the 2001 Obie for Best Play of the Year, and a new play opening on Broadway in spring 2005.

From the Hardcover edition.

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Format: Taschenbuch Verifizierter Kauf
Ein praktisches, hilfreiches, wunderbares Buch! Es ist eine Schande, dass es a. so wenig solche Bücher auf dem deutschen Markt gibt und dann b. so ein Buch nicht wenigstens übersetzt wird! Man kann mit diesem Buch wirklich arbeiten (bzw. man sollte es auch tun, nicht bloß lesen ;-) Ich spüre da jede Menge Liebe zur Schauspielerei, zu Schauspielern, zu Kunst. Da man damit im Alltag nicht gerade überschüttet wird, ist es darüber hinaus noch Balsam für die Seele....
Kommentar 1 von 1 haben dies hilfreich gefunden. War diese Rezension für Sie hilfreich? Ja Nein Feedback senden...
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Von D.P. am 16. Oktober 2014
Format: Taschenbuch Verifizierter Kauf
Top Ware, Preis ebenfalls okay. Was will man mehr. Immer wieder gerne. Muss noch 8 Wörter schreiben, noch 1, so das war`s ....
Kommentar 0 von 3 haben dies hilfreich gefunden. War diese Rezension für Sie hilfreich? Ja Nein Feedback senden...
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Die hilfreichsten Kundenrezensionen auf (beta) HASH(0x9f5b9d5c) von 5 Sternen 57 Rezensionen
22 von 25 Kunden fanden die folgende Rezension hilfreich
HASH(0x9e341e48) von 5 Sternen A great tool for playwrights, too 11. Februar 2005
Von DAMwriter - Veröffentlicht auf
Format: Gebundene Ausgabe
As is obvious from the testimonials given by well-known actors -- on this Amazon screen (above), and on the back cover and introductory pages of the book -- Larry Moss has no shortage of fans. However, I think it's important to note that this book has value for anyone working in theater and film, not just actors.

As a playwright, I think it's critical that we writers seek to understand how actors and other professionals do their work. Theater (and film) is a collaborative medium, requiring the talents of many people in order to fully realize the potential of a story. By gaining a better knowledge of how directors, designers, actors and others use their skills to bring a play or film to life (on the "back end," if you will), I can write pieces (on the "front end") that interest, inspire and challenge them -- and, as a result, have a stronger effect on audiences. There's nothing worse for a writer than writing something, in isolation, that we think is the greatest thing since tuna casserole, only to have it completely incomprehensible -- or worse, uninteresting -- to actors, directors and, as a result, audiences.

In this search for information, Moss's book is one of the few that I've discovered that offers insights into the actor's process in clear, reasonable language, that makes the necessary connections between the actor's work and the writer's text. I have no doubt, after reading this book, that I will be that much more effective as a playwright, better able to create a solid foundation for those who choose to bring my work to life.
14 von 15 Kunden fanden die folgende Rezension hilfreich
HASH(0x9e34b420) von 5 Sternen The epiphany I have been waiting for! 21. Mai 2006
Von DQ - Veröffentlicht auf
Format: Taschenbuch
This book is excellent! Larry Moss makes clear the terms that are commonly used in acting class (Objectives, intentions, relationships). I have heard these terms used many times in acting class, but didn't realize how important they are until I read this book. Larry Moss describes them in simple and pratical terms and uses examples from classic and current films.

I broke down in tears after practicing the exercises taught in the "Emotional Trigger" chapter. I cannot wait to get new scripts in acting class so that I can utilize the skills that I learned in this book. I highly recommend this to any actor who wants to improve in their craft. This book was the Epiphany that I was waiting for!
14 von 15 Kunden fanden die folgende Rezension hilfreich
HASH(0x9e33b9c0) von 5 Sternen Achieve your life's pull potential! 11. April 2014
Von Mark Graham - Veröffentlicht auf
Format: Taschenbuch
Moss has written a great book for those looking for their uniqueness or purpose and think it may be in acting. For those who already identify as an actor, this is an amazing book because it doesn't read like an acting book! It is very narrative, very convesational, and a whole lot better than listening to Stanislavsky ridicule his female students for their pedantic feminine wiles or to Uta Hagen's quiet observations of teenage awkwardness. Honestly, the only classic that I would recommend to anyone is Boleslavsky's Acting: The First Six Lessons, since it has clear techniques on how to train your technique of an "emotion maker."
18 von 21 Kunden fanden die folgende Rezension hilfreich
HASH(0x9e3535e8) von 5 Sternen A Feast for Lovers of Great Acting 1. April 2005
Von Barry H. Glasser - Veröffentlicht auf
Format: Gebundene Ausgabe
At last an insightful appreciation of the art of acting by one of the profession's foremost practitioners and teachers, which can be enjoyed not only by actors but by lovers of great acting. If you've ever marvelled at a performance, Larry Moss tells you why. With wit and clarity, as good a writer as he is an actor, he takes you inside the actor's mind so you understand the choices that enter into the shaping of a memorable characterization. And his range of references is remarkably eclectic and star-studded -- Groucho Marx, Bette Davis, Dustin Hoffman, Clint Eastwood, Uta Hagen, Robert Preston just to mention a few of the hundreds of performers whose work he illuminates, on stage, screen, television, in musicals, tragedies, slapstick and sitcoms. Nothing escapes his discerning eye.
9 von 10 Kunden fanden die folgende Rezension hilfreich
HASH(0x9e3537b0) von 5 Sternen Compassionate and honest 19. Februar 2009
Von Jody - Veröffentlicht auf
Format: Taschenbuch
Contrary to what most non-actors think, the bulk of an actor's work takes place before a foot is ever set on a stage or in front of a camera. The hours required to explore a script or a role are mostly spent alone in a room with a notebook, a script, and some reference books. This is one of the best references.

If you want to know exactly what makes the difference between a drop-dead wonderful performance and an excruciatingly bad one, it's here. If you need words of encouragement after an awful rehearsal as well as suggestions for making it better, they're also here. Lots of actors don't know HOW to work. This book is packed with techniques for reaching into one's own psyche to build and enrich a character, working smart, and overcoming pitfalls facing all actors. It also contains many entertaining and very honest anecdotes illustrating the necessity for preparation and absolute integrity in all things theatrical.

For someone who finds Stanislavski inaccessible, is stumped when faced with playing a difficult character or has difficulty analyzing a script, this book is gold. An invaluable aid when preparing for an audition or a role, it's like having an understanding and gifted coach on call. Early on, Mr. Moss quotes Stella Adler as saying, "An actor must have the soul of a rose and the hide of a rhinocerous." Larry Moss wrote this book as partial fulfillment of a promise to her, and it's a fine tribute.
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