The Art of Infrared Photography [Englisch] [Taschenbuch]

The explanations are problematic: they touch the surface of the topic, but don't go into sufficient detail to make the information crystal clear. Facts are presented, not so much explained. In some ways it seems that the author thinks he is preaching to the choir: if you're already familiar with infrared photography, why would you buy this book? Sorry about the rhetorical question. We buy the book for detailed information that explains the process. We want step-by-step instructions on the process not brief explanations. On the other hand, the author feels it's important to explain the familiar technique of dodging and burning - a process that's described in every basic photography book. This short discussion would make some sense if dodging and burning infrared prints differs from conventional prints, but the author doesn't suggest any difference.

by

Joseph Paduano.With some knowledge, a desire to try something new and the willingness to experiment, you can enter the world of infrared photography. There are things you must know about infrared film, however, in order to create the haunting, dreamlike images this unusual film can produce. Learning how to use infrared film need not be difficult or complicated, and photographer/author Joseph Paduano proves this in his book, The Art of Infrared Photography. Paduano covers all that needs to be known in clear language and uses a portfolio of his work to demonstrate his points. Enough infrared theory is discussed so anyone unfamiliar with the film can understand what makes it different and why. But Paduano does this without using terms and language that only a scientist could understand. The qualities that make infrared images so different and interesting are the grain and the haunting white appearance of some subject matter photographed. In detail, Paduano explains what subject matter photographs best with infrared film and why. For instance, certain trees-- pine, firs, spruce, for example--don't record as well on infrared film as trees with large leaves. The reason for this is that, "The chlorophyll leaf and blade structures in a healthy plant absorb visible light and reflect most of the infrared radiation to which the film is sensitive." Paduano goes on to explain which objects and colors best reflect or transmits the infrared wavelength and offers his photographs to illustrate his comments. There are clear illustrations and instructions that explain how to handle the film, load your camera and unload and prepare for processing this sensitive film. Infrared film could not be discussed without the rules of focusing and the use of filters being addressed. Filters for infrared, filter factors and exposure compensations are listed in an easy-to-read chart. Again, Paduano's images illustrate the differences the various filters make. Film speeds, image grains and why these components are important to the success of your photographs are covered in detail in chapter 4. Chapter 5 goes into greater detail about exposure and filters and the different circumstances that effect the film. In chapter 6 you will learn how to expose the film by using timed exposures and/or flash. Specific instructions are given on processing and printing your film in chapter 7. Once you have mastered infrared photography you may want to further enhance your images with toning or hand coloring. These techniques are explained and illustrated as is the use of color infrared film. Digital infrared cameras are described, explained and compared in chapter 10. The last half of the book contains a portfolio of Paduano's images. These photographs clearly show the variety of effects you can achieve with infrared film and are fuel for any photographer's imagination. I found this 100 page, soft cover volume easy to understand, thorough in explanations, encouraging and motivating. An excellent addition to your photography library, I give The Art of Infrared Photography a healthy four out of five stars.

Marilyn Dalrymple