Produktinformation
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| Disk: 1 |
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| 1. From Here On It Got Rough |
| 2. Gemini |
| 3. Marihuana Mantra |
| 4. Why Don't You Play That Organ, Man |
| 5. An Unknown Quantity |
| 6. Sunday Love Affair |
| 7. Wia a Glock'n, die vierundzwanzig Stunden läut' |
| 8. Beat It |
| 9. Hippie Hippie |
| 10. Jumpin' Jack Flash |
| Disk: 2 |
| 1. Berlin |
| 2. Das Stundenhotel von St. Pauli |
| 3. Molotow Cocktail Party |
| 4. Naturally Stoned |
| 5. Alexander |
| 6. Bodybuilding |
| 7. Jungle Soul |
| 8. Pussy Baby |
| 9. Moving Out |
| 10. Undergroovin' |
Vorgeschlagene Tags zu ähnlichen Produkten(Was ist das?)Setzen Sie den ersten relevanten Tag hinzu (ein Schlüsselwort, das mit diesem Produkt in engem Zusammenhang steht).
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Apropos: Die zweite Auflage der LP ist auf weissem Vinyl erschienen. Vielleicht kaufe ich sie mir noch mal und verschenke meine schwarze Doppel-Vinyl an eine gute Freundin meines Vertrauens.
There's so many albums you wait an age for which inevitably let you down, then albums come from nowhere and knock you out. Such is the case with The In-Kraut, appropriately sub-titled 'Hip Shaking Grooves Made In Germany 1966-1974'.
When you think of German music past, it's hard to get past Kraftwerk and hair rock. But like all cultures, if you go past the obvious and scrape the surface, there's some great stuff hidden down below. I first heard album opener 'From Here On It Got Rough' by Hildegard Knef on the radio, prompting me to seek out this collection. Like Nico does northern - incredibly quirky and catchy and a sign of things to come. Some tracks are cool and funky variations of the big band sound, like Guenter Noris' 'Gemini' which operates in Ramsey Lewis territory and Fredy Brock's 'Beat It', featuring a class JB style rhythm section. Best topping those is Orchester Helmuth Brandenburg's 'Moving Out', not a far cry from the Starsky and Hutch theme! There's the annoyingly catchy 'Marihuana Mantra' with its driving guitar and chant-like chorus or the fuzz-pop of Bill Ramsey's 'An Unknown Quantity'. And check out the breezy 60s pop of Marianne Mendt's 'Wie A Glock'n' or the more sleazy 'Pussy Baby' by Bill Lawrence. Talking of 60s pop, I love Heidi Bruehl's 'Berlin' - almost like a soundtrack piece, complete with great psych guitar solo (rumoured to be from Jimmy Page!). And for a piece of driving hammond, The Boots' 'Alexander' hits the spot.
And there's tracks that have already become sought-after collectors' grooves. Check out 'Why Don't You Play The Organ, Man' by Memphis Black - a monster funk piece. And feel the groove on the opening of 'Sunday Love Affair' by Orchester Frank Pleyer. More mainstream funk comes courtesy of Erwin Halletz, with 'Das Stundenhotel Von St Pauli' - a blue movie soundtrack inevitably! A track that has already been lifted wholesale is 'Bodybuilding' by Orchester Werner Mueller - re-worked by Bentley Rhythm Ace into a hit single a few years back. And no album of this nature would be complete without a bonkers covers version - enter Peter Thomas with his early synth and brass take on 'Jumpin' Jack Flash'.
20 tracks - no filler and one of the best booklets I've had the pleasure to read in a long time. A fantastic trip through the German underground of the 60s and early 70s and an album I just can't recommend enough.
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