For those who like gripping court dramas that touch on historiography, epistemology, WWII history, and politics, D.D. Guttenplan has written your kind of book. "Holocaust on Trial," is a 'gavel to gavel' account of the David Irving v. Deborah Lipstadt and Penguin Book Co. trial.
Irving, a non-PhD'd historian, writes books purporting to show that there were no gas chambers at Auschwitz, that far fewer Jews died there than is thought, and that Hitler had no knowledge of the 'final solution to the Jewish question.' Lipstadt is an Emory University professor of Jewish Studies who wrote a book, called "Denying the Holocaust," in which she brands Irving as a 'dangerous' holocuast denier. Upon the release of Lipstadt's book Irving sued Lipstadt for libel in his home country of England where the libel laws are such that (contra US law) it is the defendent that must prove that libel did NOT occur and that everything she said was accurate. Thus, to show that she didn't libel Irving, Lipstadt must show that everything she writes about him is accurate. In order to do that, she has to, in a court of law, prove that the holocaust happened the way most historians believe - gas chambers and all. And, she must prove that Irving knowingly distorted evidence to arrive at a contrary conclusion.
Guttenplan's book does a good job recounting the trial with journalistic detail. We get a good feel for who David Irving (who argued his case himself) and who the defendants are (though as Lipstadt doesn't speak at all in the trial, she is certainly the most absent of the characters). We get a good feel for the grave stakes each side is playing for. Should the defense lose, shock waves will flow through the entire historical community, who are watching with baited breath. Should the prosecution lose, Irving will prove himself to be a historical quack. This book does well at painting the picture of a tense, yet spectacular, trial.
While Guttenplan tries to be journalistically objective, never dismissing Irving as may be tempting, he certainly doesn't get a good impression of Irving. (Of course, Guttenplan is also quick to point out that just as Irving is not a PhD'd historian, neither is Lipstadt, who's PhD is in Jewish Studies.) Even readers who don't know how the real trial ended are likely to get the continual feeling that Irving is to be outmatched. In this sense, the book is anti-climactic; but just like watching "Titanic," the fun is not in finding out how it ends, but in finding out how it gets there. Basically, Lipstadt wins and exposes Irving as a fraudulent historian with questionable motives and you, the reader, get to see how she pulled it off!
Other readers have noted that this book is long on journalism, and short on philosophical rumination. What is proper historiography? How much of history is evidence and how much is inference? How do we know what 'historical truth' is anyhow? None of these questions are discussed at any length. If that is what you want, Deborah Lipstadt and Richard Evans (a historian the defense used to debunk Irving's historical claims) both have books out that touch on these questions. This book is the journalism; not the philosophy.
Anyhow, this is a very solid book about a tial all of Britian was watching (oddly, it got little publicity in the states). For those concerned with history and the mechanisms by which historians tell the good from the bogus, this is a book worth reading and thinking about.