The Forest: Amazon.de: Edward Rutherfurd: Englische Bücher

Amazon.co.uk

When readers get into the game of comparing novelists (X writes very like Y, and so on), one writer who absolutely defies comparison with his peers is Edward Rutherford. With books such as Sarum and Russka, he created a genre that was virtually his own: the immensely researched, fascinatingly detailed epic narrative in which a sense of place was more profoundly established than in practically any other writer. This has been a hard act to follow and Rutherford has not been a prolific writer. Hopes were high for The Forest and this atmospheric tale of the New Forest is just as accomplished as Rutherford's earlier books.

Other writers have tackled the area before but this is surely the definitive chronicle, with all the stories and legends of the place woven into a narrative that has all the power and drama of Thomas Hardy filtered through a very modern sensibility. The elements that Rutherford comprehensively includes in his tale range from the savage forest laws of the Normans and their hunting pursuits to the founding of Beaulieu Abbey by the mercurial King John.

Rutherford inextricably involves us with his massive cast of adroitly realised characters, and we are taken along with them as they fear the threat of the Spanish Armada into the heart of this ancient domain, with its flocks of wild deer and horses. As before, Rutherford has the grandest ambitions for his arm-straining volume (coming in at 600 pages): from the novel's opening with a plane flying high above a cathedral in April 2000 to the 15th year of the reign of Queen Victoria, the reader is swept through a whole clutch of narratives involving the life and death struggles of the denizens of the New Forest. Certain characters stand out as particularly well drawn: the canny Brother Adam is a rare example of a virtuous man in literature who doesn't end up being simply bland and anodyne. But Rutherford is equally skilful at dealing with the violence of the Monmouth rebellion and his grasp of the shifting patterns of history has, if possible, deepened from his previous books. For those seeking the breadth and solidity of the great 19th-century novels, here is a latter-day work that will more than fit the bill. And who would have thought that the description of a fight between buck deer could be quite so vivid?

Her buck had hit firmer ground and his feet suddenly got a purchase on the grass. His hindquarters shivering, he dug in. She saw the shoulders rise and his neck bear down. And now the interloper was slipping on the wet leaves. Slowly, cautiously, their antlers locked, the two straining bucks began to turn. Now they were both on grass. Suddenly the interloper disengaged. He gave his head a twist. The jagged spike was aiming at the buck's eye. He lunged...

--Barry Forshaw -- Dieser Text bezieht sich auf eine vergriffene oder nicht verf�gbare Ausgabe dieses Titels.

Amazon.com

With such novels as Sarum and Russka, Edward Rutherfurd has laid claim to James Michener's longtime turf: the immensely researched, meticulously detailed epic of place, in which the characters tend to play second fiddle to the setting. The Forest is the most ambitious example yet of Rutherfurd's art. This time the location is that bosky patch of English real estate known as the New Forest. Other writers have tackled the area before. But The Forest is surely the definitive chronicle, with all the local stories, legends, and apocrypha woven into an irresistible narrative--think of Thomas Hardy's power and drama filtered through a very modern sensibility.

Opening with the assassination of King William II in 1099, the book covers nearly a millennium's worth of history. Rutherfurd creates generation after generation of adroitly realized characters, the best of whom defy our generic expectations: the canny Brother Adam, for example, is that rarest of literary creatures, a virtuous man who doesn't end up being simply bland and anodyne. Rutherfurd may be at his best when dealing with big-canvas events like the bloody Monmouth Rebellion of 1685. But he's no slouch at detailing more microcosmic conflicts, like this head-butting contest between two buck deer:

Her buck had hit firmer ground and his feet suddenly got a purchase on the grass. His hindquarters shivering, he dug in. She saw the shoulders rise and his neck bear down. And now the interloper was slipping on the wet leaves. Slowly, cautiously, their antlers locked, the two straining bucks began to turn. Now they were both on grass. Suddenly the interloper disengaged. He gave his head a twist. The jagged spike was aiming at the buck's eye.

Bestial behavior? Perhaps. Yet the level of human folly and brutality scattered throughout The Forest makes the foregoing passage resemble an outtake from Bambi--and gives this sylvan saga a very memorable edge. --Barry Forshaw -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

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A book to savor 16. Juli 2000

Von RSO Kent

Format:Gebundene Ausgabe

It's been slow going with 'The Forest', but some of it could be intentional. Edward Rutherfurd's latest offering is truly something to read and savor. This book (there's no other way to describe it) is composed of eight stories (and an epilouge) that vary in length and follow generations of families--everyone from gentry to poor commoners who've been on the land since the beginning.

Contrary to some of his other work, I was captivated in all of the stories. Most are no more than 50 or 60 pages long, so the form of the plot is quick-paced and literal. Longer stories (the longest being 'Albion Park') cover larger blocks of time and can be excruciatingly slow. You keep waiting to come upon some action, while Rutherfurd is sweetly biding his time with his wonderful descriptions. However, if you try to hurry through any of the stories, you'll find yourself lost and confused because you missed a precious detail.

Rutherfurd's storytelling is unmatched. The climax of the plot can fill your stomach with butterflies. He also manages to skirt the "big" events in England's history, never directly putting his characters in a traumatic and dramatic period. (The closest he comes is the Spanish Armada.) He effectively describes everyday life for people and animals of the New Forest.

'The Forest' is most similar to 'Russka: The Story of Russia' to me. Both use a more saga-like form, careful to show the outcomes of the families as well as the setting. It is also the only English book of his I've been able to read (I couldn't bear trudging through 'London', which has been prasied as his best work).

I would recommend this book to anyone who likes Rutherfurd's work or is interested in a historical fiction/saga-like epic.

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Disappointed 14. Juli 2000

Von William W. Conklin

I very much enjoyed Sarum and London and looked forward to reading The Forest, but I was disappointed. The book is eight or nine loosely connected short stories. There's no overall page-turning plot, and Mother Nature seems to get more ink than the characters. I gave up midway through and moved on to better reading.

It could have been better 3. Juli 2000

Von "pat1935"

I like this sort of really big book with lots of historical flavor, but of all Rutherfords books only "Russka" was worse. Both "London" and "Sarum" started much earlier in time and this gave the books a more satisfying sense of time and continuity. The different types and classes of people are well covered and interesting. It is not possible in a book like this to give each story a lot of depth but that is to be expected. Still I wish they had been less predictable.