Following the format of "The Art Book", this volume looks at the fashion world and the people who created and inspired it. The book contains an A-Z guide to the 500 most important names in fashion since the 1860s, including clothes and accessory designers, photographers, models and iconic individuals who instigated or symbolize a fashion movement. Designers represented include Paul Poiret, Christian Dior, Balenciaga, John Galliano, Coco Chanel, Pierre Balmain, Alexander McQueen, Stella McCartney, Jeanne Lanvin and Issey Miyake. The book provides a survey of fashion photography with work from Cecil Beaton, David Bailey, Guy Bourdin, Irving Penn, Steven Meisel, Nan Goldin, Eve Arnold, Craig McDean, Richard Avedon and Helmut Newton. The book is arranged alphabetically, and a cross-reference system and glossary explain collaborations and techniques used in fashion.
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James Abbe, a 1920s fashion photographer, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer François Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford.
Clearly, a good set of eyes edited this book. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect. The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.
The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Pressestimmen
"Repeats the successful format of The Art Book and The Photography Book, and features 500personalities of the fashion world." The Bookseller "Fashion is such a huge subject, you need an encyclopaedia to get around it. And that's just what Phaidon has come up with: The fashion Book covers the 500 who have mattered since 1860 - the pictures are big, the text concise and there's even a glossary." Frank " - a beautifully produced and organised reference book which follows hard in the heels of its other two mega-tomes The Art Book and The Photography Book. - It just displays before you, as if in some bookish equivalent of a cat-walk, one-page entries on the entire world of fashion - And the one-page entries, each consisting of a crisp paragraph or two, a large photograph and a caption with dates, are so cross-referenced that making your way through the encyclopaedia is like twisting and turning through the chicest of labyrinths." "Just as fashion is emblematic of underlying social conditions and the changing mood of the times, so The Fashion Book is not simply just a history of threads or glimpses into a hothouse world. To exist, and to succeed, fashion needs to hit the right emotive button, to hold up a new, yet flattering mirror to the times in which it exists. And so The Fashion Book reflects the cavalcade of aspirations, dreams ans attitudes which have coloured the past century and a half." "For GBP24.95 and with 512 pages of extremely well-organised information about the complex, unique world that is fashion, this is a book that will be a must for every self-respecting and dedicated follower of fashion." The Sunday Telegraph Magazine "It's the only fashion book you need to buy this year." Looks
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Von Donald Mitchell
TOP 500 REZENSENT
Format:Gebundene Ausgabe
This is the Reader's Digest Condensed version of the history of fashion over the last 150 years. Unlike Reader's Digest, this book succeeds in capturing the essence in amazing kernels of elegance, curve, design, and motion. Everyone who loves fashion should have this book. There is simply no substitute for it, and you will have many hours of pleasure looking at its exciting images and reading the descriptions. The book is a great value for its price, as well, which will help make it available to more people.
The book is in a novel format, one page each for 500 icons, models, fashion and accessory designers, make-up artists, hairdressers, retailers, illustrators, and photographers done in alphabetical order. Each page typically has one person (a few have two), with one image, and one brief textual summary of the person's work.
It is an amazing challenge to capture all of a person's work in one image, and some great successes occurred. Some of my favorites were Madonna, the Duke and Duchess of Windsor, Harry Winston, Naomi Campbell, Coco Chanel, Noel Coward, and Rudi Gernreich.
On the other hand, some of the old black and white images did not reproduce well. Some of the worst examples are Antoine (a hairdresser with a photograph of Josephine Baker's hair), Maria-Louise Bruyere (a designer), Christian Dior, Max Factor, Barbara Goalen (a model), Gucci, and Hermes. In many cases, these choices appear to have been influenced by the desire to have the facing pages converse with one another. So you will see echoes of design, line, and style in these ways. I appreciate that effort (which is often quite eloquent), but it should not slight the individual whose work is being portrayed.... Lesen Sie weiter... ›
The book is in a novel format, one page each for 500 icons, models, fashion and accessory designers, make-up artists, hairdressers, retailers, illustrators, and photographers done in alphabetical order. Each page typically has one person (a few have two), with one image, and one brief textual summary of the person's work.
It is an amazing challenge to capture all of a person's work in one image, and some great successes occurred. Some of my favorites were Madonna, the Duke and Duchess of Windsor, Harry Winston, Naomi Campbell, Coco Chanel, Noel Coward, and Rudi Gernreich.
On the other hand, some of the old black and white images did not reproduce well. Some of the worst examples are Antoine (a hairdresser with a photograph of Josephine Baker's hair), Maria-Louise Bruyere (a designer), Christian Dior, Max Factor, Barbara Goalen (a model), Gucci, and Hermes. In many cases, these choices appear to have been influenced by the desire to have the facing pages converse with one another. So you will see echoes of design, line, and style in these ways. I appreciate that effort (which is often quite eloquent), but it should not slight the individual whose work is being portrayed.... Lesen Sie weiter... ›
1 von 1 Kunden fanden die folgende Rezension hilfreich
Von Ein Kunde
Format:Gebundene Ausgabe
This is without a doubt the best fashion book ever written. Not only are designers in this book, but also fashion illustrators, editors, and icons. The work and time put into this book must have been unbelievable, and to charge such a low price. The book is definately worth the price, and much much more. I would recommend this book to anyone interested in fashion, at any level.
Format:Gebundene Ausgabe
a fabulous book!brilliantly done from the past to the present,reconmended to all that love fashion. the pictures are clear and creative. well proportioned to each designer, little description yet just enough, if you like getting books with tons of great imagages this the book you want.*
Von Ein Kunde
Format:Gebundene Ausgabe
A brilliant, spectacular, visually-entertaining compendium of the who's who in fashion, The Fashion Book has not failed my high expectations. Note the well-researched facts and pictures (which many fashion books are guilty of printing inexcusably inaccurate facts)that make it the perfect reference book. I particularly like how images documented capture the quintessential essence of the work of those highlighted, not necessarily those we have come to know through much-publicised ads and editorials. Kudos to Phaidon and the editorial team.
Von Ein Kunde
Format:Gebundene Ausgabe
Really great !! Enjoyable and well presented overview of designers, fashion icons, editors, and personalities of the last two centuries - valuable purchase !
Von Ein Kunde
Format:Gebundene Ausgabe
Not a bad publication, but more info on each designer please. Less of Linda Evangilista! She is not so fantastic, really!
Von Ein Kunde
Format:Gebundene Ausgabe
In my opinion, this book could have whittled down the number of entries, and told us more about each subject. And more importantly, shown us more than one photo of each entry.
I mean, can one photo of Linda E. suffice?
Von Ein Kunde
Format:Gebundene Ausgabe
this is a truly great book and i recommend it to anyone. it has pictures and photos from the 19th and 20th centuries, with info on models, designers and photographers. i love it!!
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