Ben Fong-Torres has demonstrated journalistic brilliance in the way this book is organized. Each section is laid out like a conversation; interspersed among comments and reflections by Densmore, Krieger and Manzarek, as well as members of the Morrison and Courson families, is just enough narrative for clarity. Fong-Torres smoothly inserts quotes from interviews with Jim Morrison, and the result is a unified presentation of The Doors as an entity. Inevitably, it is the Morrison persona that dominates, but this book does a credible job of portraying all of the Doors. The descriptions of the studio experience, particularly challenges of the technology of the late 60s, are fascinating. There is a great deal of insight into the creative process of the band. While Morrison's rampant alcohol and drug abuse is not the focus of the book, there is ample evidence of the ripple effect it had on his bandmates. The photos from the band's private collection justify the cost.