- Gebundene Ausgabe: 224 Seiten
- Verlag: Ammo Books (BuchArt); Auflage: 1. (15. September 2009)
- Sprache: Englisch
- ISBN-10: 0978607694
- ISBN-13: 978-0978607692
- Größe und/oder Gewicht: 26,3 x 21,3 x 2,4 cm
- Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen Alle Rezensionen anzeigen (1 Kundenrezension)
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Amazon Bestseller-Rang:
Nr. 41.672 in Englische Bücher (Siehe Top 100 in Englische Bücher)
- Nr. 15 in Englische Bücher > Kunst & Fotografie > Fotografie > Kritik & Aufsätze
- Nr. 31 in Englische Bücher > Kunst & Fotografie > Fotografie > Fotojournalismus
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Produktbeschreibungen
Kurzbeschreibung
The Contact Sheet Examining the contact sheets from original photographic sessions allows in-depth insight into the subject matter, the photographic process, and often reveals a deeper story that has never been told. More than 100 iconic photographs by world famous photographers are examined in detail in this work.
Synopsis
When a famous photographer creates a noteworthy photograph, many images taken before and after "the moment" are left unseen to anyone but the photographer himself. When the photographer creates an extraordinary or famous photograph, these "unseen images" take on even more importance. Examining the contact sheets from these original photographic sessions allows in depth insight into the subject matter, the photographic process, and often reveal a deeper story that has never been told. Over one hundred iconic photographs by world famous photographers are examined in detail in "The Contact Sheet" - complete with short interviews and background details on the sessions themselves. "The Contact Sheet" is a must have for any serious lover of fine photography.
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Kundenrezensionen
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Format:Gebundene Ausgabe
An interesting idea for a photo book but I wasn't sure what photos in the title were private work by individual photographers and what were commissions. There is a difference between the two. I've commissioned plenty of photographers for publication articles and many cases they can involve quite tight briefs. Take this person with plenty of sky, where the heading will go, or against a dark background on the right for the heading and text. At the other extreme photographers can just be commissioned to go and capture someone or something on any particular day.
Most of the work in the book I feel belongs to non-commissioned work. As such the work of the forty-six featured photographers included are personal statements and it's quite fascinating to see other work from assignments where one image has become well known.
Some of work maybe just too personal. Adam Jeppesen's eight shots of snow taken in the headlights of his car seem extremely dull but no doubt very meaningful to him. On the other hand the four from Dorothea Lange are masterpieces and Carl De Keyzer's 1994 shots of a Soviet labor camp saw-mill are equally extraordinary. I think one of strengths of the book is the very wide range of work, though they are mostly all of people with no still-life studio.
The book is pleasingly designed and in four languages. Tough on French, German and Spanish readers because their text is tiny and printed in grey! The matt art paper is ideal to reproduce the 175 screen printing.
Most of the work in the book I feel belongs to non-commissioned work. As such the work of the forty-six featured photographers included are personal statements and it's quite fascinating to see other work from assignments where one image has become well known.
Some of work maybe just too personal. Adam Jeppesen's eight shots of snow taken in the headlights of his car seem extremely dull but no doubt very meaningful to him. On the other hand the four from Dorothea Lange are masterpieces and Carl De Keyzer's 1994 shots of a Soviet labor camp saw-mill are equally extraordinary. I think one of strengths of the book is the very wide range of work, though they are mostly all of people with no still-life studio.
The book is pleasingly designed and in four languages. Tough on French, German and Spanish readers because their text is tiny and printed in grey! The matt art paper is ideal to reproduce the 175 screen printing.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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10 Rezensionen
12 von 12 Kunden fanden die folgende Rezension hilfreich
Superb book!
17. Dezember 2009
Format:Gebundene Ausgabe
"The Contact Sheet" by Steve Crist is another high quality publication by AMMO. The beauty of this book is that it takes you on a magical mystery tour inside the heads of some accomplished photographers, providing insight into how each translated their vision into reality. Two examples in this book that are particularly insightful are Elliott Erwitt's photos of Marilyn Monroe and Saul Leiter's of Diane Arbus. You couldn't get two more wildly different subjects, but knowing how they each ended up, we are left haunted by the images. "The Contact Sheet" is also a teaching tool. When I review student's photos I tell them I want to see the whole take in order to give them helpful criticism, not just what they believe is their best shot well printed. "The Contact Sheet" is a road map to helping you end up as a better photographer, and I highly recommend it.
. . . David Hume Kennerly
. . . David Hume Kennerly
1 von 1 Kunden fanden die folgende Rezension hilfreich
Contact Sheet
22. August 2011
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
I would recommend this fantastic book to any and all photographers. It is great looking at the works of some of the most respected photographers I admire.
2 von 3 Kunden fanden die folgende Rezension hilfreich
A great book but...
8. Juni 2011
Format:Gebundene Ausgabe
The photographs run across the gutter! Otherwise this would have been a perfect book. Interesting concept, interesting photographers and photographs chosen, and short but informative text for each series. Photographs running across the gutter are my pet peeve though.
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