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Amazon.co.uk
The Brethren is in many respects his most daring and accomplished book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" of the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme preying on wealthy closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a man essentially created by CIA directory Teddy Maynard to fulfil Maynard's plans for restoring the power of his beleaguered agency.
Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt and friendless after his conviction for drunk-driving homicide.
The book's cynical view of Presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions and international intrigue. In the end, The Brethren marks a transition in Grisham's career towards a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep you reading late into the early hours.--Patrick O'Kelley -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
Amazon.com
The Brethren is in many respects his most daring book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" in the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme that preys on wealthy, closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a puppet essentially created by CIA director Teddy Maynard to fulfill Maynard's plans for restoring the power of his beleaguered agency.
Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt, and friendless after his conviction for a drunk-driving homicide.
The book's cynical view of presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all-powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions, and international intrigue. In the end, The Brethren marks a transition in Grisham's career toward a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep your reading light turned on late. --Patrick O'Kelley -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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FOR THE WEEKLY DOCKET the court jester wore his standard garb of well-used and deeply faded maroon pajamas and lavender terry-cloth shower shoes with no socks. Lesen Sie die erste Seite
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I don't remember the last time I read a story without a clear protagonist, and it took me a while to adjust to the idea, but I liked it. There were no blameless souls in the story (except for one very minor character), and I enjoyed the detatchment of just finding out what happened without identifying with a particular person. I liked the way characters were drawn, some more completely than others, and I liked the pace and style of the writing.
There were no tense chases or buildings exploding at the end, no hero heading off with the girl into the future, not a lot of flash - just a clever, well presented plot with a not unsatisfying ending.
This is not great literature, but it is exactly what it's supposed to be - great entertainment.
Aber, aber Mr. Grisham ! Lesen Sie weiter...
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