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The Del Rey Book of Science Fiction and Fantasy: Sixteen Original Works by Speculative Fiction's Finest Voices
 
 
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The Del Rey Book of Science Fiction and Fantasy: Sixteen Original Works by Speculative Fiction's Finest Voices [Englisch] [Taschenbuch]

Ellen Datlow

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Ellen Datlow
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“Ellen Datlow is the queen of anthology editors in America.”
–Peter Straub

With original stories by Jeffrey Ford, Pat Cadigan, Elizabeth Bear, Margo Lanagan, and others

From Del Rey Books and award-winning editor Ellen Datlow, two of the most respected names in science fiction and fantasy, comes a collection of fifteen all-new short stories, plus a science fiction novella, that could count as a virtual “best of the year” anthology. Here you will find slyly twisted alternate histories, fractured fairy tales, topical science fiction, and edgy urban fantasy.

In “Daltharee,” World Fantasy Award-winning author Jeffrey Ford spins a chilling tale of a city in a bottle–and the demented genius who put it there. In “Sonny Liston Takes the Fall,” John W. Campbell Award-winning author Elizabeth Bear pens a poignant and eerie requiem for the heavyweight forever associated with his controversial loss to Cassius Clay. From hot new writer Margo Lanagan comes “The Goosle,” a dark, astonishing take on Hansel and Gretel. In the novella “Prisoners of the Action,” Paul MccAuley and Kim Newman take a trip down a rabbit hole that leads to a Guantanamo-like prison whose inmates are not just illegal but extraterrestrial.

Many of the writers you’ll recognize. Others you may not. But one thing is certain: These stars of today and tomorrow demonstrate that the field of speculative fiction is not only alive and well–it’s better than ever.

Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.

Chapter One



The Elephant Ironclads
Jason Stoddard

Jason Stoddard lives in Newhall, California, with his wife, Lisa (who writes under the name Rina Slayter), and a motley assortment of tortoises and cars. He has gone from the discipline of engineering to the halls of advertising, then on to the wild world of interactive marketing.

His short fiction has appeared in SCI FICTION, Interzone, Strange Horizons, Fortean Bureau, Futurismic, and GUD, and he was a finalist for both the Theodore Sturgeon Memorial Award and the Sidewise Award for Alternate History. Jason is currently working on novels based on his short fiction. His website is www.xcentric.com.

“The Elephant Ironclads” is another alternate history—based (as most of the best of the subgenre) on some unbelievable but actual historical events.




Ow, those are healthy elephants,” Niyol Chavez said.

Wallace Chee ground his teeth. Ahead of them, a caravan loaded with Mexican sugar was coming down the dusty road from the Albuquerque airfield. On top of the lead elephant, a fat merchant in a gaudy Hopi outfit bounced, wearing the satisfied grin of a man who has made an excellent deal.

“See how they almost prance,” Niyol said, pointing. “Healthy.”

“Stop it,” Wallace said.

“Look at how they shake their heads.”

“Stop it!”

“They even sound like—“

Wallace turned and pushed Niyol, hard. Wallace caught a glimpse of his friend’s broad, playful smile, then Niyol’s legs tangled and he fell sideways into the scrub.

“I was joking!” Niyol said, his dark eyes flashing anger.

I didn’t know the elephant was sick, Wallace wanted to say. Images of the dead elephant, lying in the dust outside the skeleton of his father’s burned-out workshop, came unbidden. The slack stares of Niyol and Patrick and Jose, who had given all their Diné pesos for Wallace’s tales of an elephant of their own, a trade route that would bring them riches before they were fourteen. The flaming anger of his mother when she’d discovered he’d taken her precious tourist dollars to fund his dream. Her tears when she saw the carcass. The way she looked from the elephant to the workshop and back again. And, finally, the few pesos he’d been able to get from the butcher as he began the grim job of rendering the elephant down to dog food and bonemeal.

“I told you I’d pay you back.”

“No. You won’t.” Niyol picked himself up and brushed dust from his jeans.

“No?”

“We’ll both pay your mother back.” Niyol eyed the Diné airships that dotted the faraway field. “If there’s any work left, that is.”

“What do you mean?”

“The caravans are already coming south, so they’ve probably already unloaded.”

Wallace grimaced. Niyol was as sharp of mind as he was of tongue. He would probably go back to school next year, to The-Years-That-Finish- You. And after his years at the Americanized school, he’d be able to get a job in California or Mexico, rather than Dinétah.

“There’ll be other airships,” Wallace said.

Niyol scanned the empty blue sky and shrugged.

As the caravan passed, the elephants’ trumpeting sounded like laughter.

At the Albuquerque airfield, a half dozen airships hung motionless in the clear blue winter sky. On one of the ships, Diné airmen were making repairs to the skyshields, their bright orange-and-red-tunics in sharp contrast with the blue fabric that shielded the airships from the ever-watchful eyes of the Diyin Diné. None of the ships wore gray stormshields, so they must be expecting the clear weather to continue. The sun was bright, but the early-March chill still bit with every breeze.

On the ground, nothing moved. Stacks of crates and bags of sugar in the cargo shacks showed that the airships had already been unloaded. Big men lounged on the rough wood porches of the shacks, smoking cheap American cigarettes and telling poor jokes that poked fun at one another’s clans. Several of them gathered around a radio, which was chattering in English about a new war the Americans were starting in a place called Korea.

Wallace remembered the days when the Americans always seemed to be at war. His own war games with Niyol. Japs and Americans. Like Cowboys and Indians, or Elephant Ironclads and Cavalry. He was only nine when he’d heard about the end of the Second World War, coming in softly in Navajo over the Dinétah station. It was hard to believe the war had been over for five years.

Niyol hung back, so Wallace introduced himself to one of the men and said they were looking for work.

The man, cigarette dangling loosely from his lips, looked them up and down and laughed. In that moment, Wallace saw himself and Niyol through those men’s eyes, two scrawny kids looking to do heavy labor. Something seemed to crumple and collapse in his heart.

I’ll have to go back to Isleta, he thought. I’ll have to be a shepherd.

“You see?” Niyol said, after they’d walked out of earshot.

“Maybe I’ll become an airman,” Wallace said.

Niyol opened his mouth as if to say something, then seemed to think better of it. He grinned. “You, in Mexico? In America?”

Wallace frowned. He remembered black-and-white newsreels showing impossibly smooth streets and sleek, glossy cars. He remembered making fun of them, loudly, so the theater attendants came and made him and his friends leave.

“I could do it.”

Niyol looked doubtful.

“I could become an elephant tender.”

“Not elephants again!”

“I could earn it this time!”

Niyol shook his head. “Elephants are for rich men.”

“Elephants are the gift of the Diyin Diné!”

“To try our resolve,” Niyol said. Completing the common wisdom.

Wallace grimaced. He’d heard it from his mother. Elephants aren’t efficient pack animals. Their role in Diné independence was more luck than divine will. They ate too much. They tied us to the land. But he didn’t care. Just once, he wished the Diyin Diné would send a vision of the Elephant Ironclads, standing watch at the edges of the Four Corners. But that was just a story, too, if you believed the common wisdom.

Even if it was only a story, it should be true, Wallace thought.

“Let’s find some work,” Wallace said, and walked away, not caring if Niyol followed.

At the airstrip office, gaudy color posters of Benjamin Hatathlie hung outside. Block capitals declared, chieftain-ahnaghai. Wallace frowned. He knew from the newscasts that Hatathlie was running for president, but he frowned at the bald Americanization of the Diné word. They could have used the Diné alphabet, or tried to render the proper pronunciation.

“Brother,” Niyol said, smiling ironically.

“You share clan with him?”

“Yeah. We’re both Chiricahua Apache.”

“So if he wins, my friend is the president’s brother.”

Niyol grinned. “The president’ll have many brothers, all asking favors.”

Wallace laughed. That was a good joke.

Wallace went to talk to the white-shirted office keeper, but the story was the same. No work here, especially for youngsters. Try when you’re older. There’s a guide who might employ you in a couple of years.

Wallace saw...

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9 von 9 Kunden fanden die folgende Rezension hilfreich
Fun, intelligent, mind-bending speculative fiction 18. Januar 2009
Von Nancy O. Greene - Veröffentlicht auf Amazon.com
Format:Taschenbuch
THE DEL REY BOOK OF SCIENCE FICTION AND FANTASY edited by Ellen Datlow is a very different kind of speculative fiction anthology. As Ms. Datlow indicates in the preface, you won't find a lot of space opera or sword and sorcery in this book.

It opens with a superb alternate history by Jason Stoddard. In "The Elephant Ironclads" two young friends, Niyol and Wallace, come across two men seeking plutonium, which is considered "the heart of the mountain" in Dinetah. In a short span of time, the boys learn that life is about tough choices, progress may also mean sacrifice, and being a hero requires more than either of them imagined. It's a story that questions the values of contemporary society: What if our cultural myths are true? How would we view our current lifestyles if directly faced with the values of the past?

Lucy Sussex's "Ardent Clouds" is an interesting soft science fiction story about a young woman's self-destructive tendencies and thirst for adventure, and the repercussions of her disregard for her own safety. It comes across as a dramatic peek into the lives of volcanologists and adventurers. The characters are real, and the story ends with an expected dose of reality that seems to be a challenge to the standards of typical action/adventure stories.

One of my favorite stories in the collection is "The Lagerstatte" by Laird Barron. It's a chilling, non-linear ghost story that starts off slowly, giving the reader some necessary background information. But there is a gradual pull as it begins to wrap the reader in a tight blanket of the main character's darkness and suffering. Danni is a woman on the edge after losing her husband and son to a tragic accident. Her best friend encourages her to seek help, first in the form of an anti-suicide twelve-step program, then in the form of one-on-one therapy. Neither seems to help, and when one of the women in her twelve-step program introduces her to mystical forces, she unlocks a door that she can't -- or won't -- close. The writing style is dense and allows you to feel how the character is steadily suffocating beneath the weight of guilt, grief, and the invitations of death. It's a powerful story, sure to please.

"Special Economics" by Maureen F. McHugh is an engaging tale about two young women in China trying to make a living after the bird flu wipes out a large part of the population. Corporations like New Life exploit the situation and use people essentially as slaves, putting those that work for them in debt. The main character, Jieling, is savvy and finds a loophole in the rules. This is another soft science fiction/alternate history tale that deals with the politics of the day, and it's a very good read.

There are also many other fine stories in the anthology. Jeffrey Ford's "Daltharee" deals with the familiar subject of the Scientist-as-God and the potential consequences. "Jimmy" by Pat Cadigan is an interesting coming-of-age fantasy/science fiction tale about what it's like for people who are different, people who know too much. It revolves around two young friends growing up during a turbulent time in the 60's and the events that force them to grow up too fast. "Shira" is a fascinating and controversial fantasy/science fiction/alternate history story by Lavie Tidhar. "The Goosle" by Margo Lanagan is a brutal, horrifying fairy tale based on Hansel and Gretel. Although well-written, it is a graphic depiction of violence and child abuse at its worst. Elizabeth Bear's "Sonny Liston Takes the Fall" is a fantasy that deals with the real-life problems and possible sacrifices of those on the outskirts of history. "North American Lake Monsters" by Nathan Ballingrud is a fantasy that deals with the fragile relationships and flaws of a cruel man trying to connect with a family he doesn't know. In "All Washed Up While Looking for a Better World," Carol Emshwiller creates a curious tale about a dissatisfied young woman that finds out the grass isn't always greener on the other side of the shore.

Other stories include "Aka St. Mark's Place" by Richard Bowes, a fantasy that revolves around the lives of runaways and private investigators; Christopher Rowe's "Gather" features a child-like man's fascination with coins and God; Judaism, reincarnation and revenge take center stage in "The Passion of Azazel" by Barry N. Malzberg; a man is obsessed with finding the perfect bone specimen in Anna Tambour's "Gladiolus Exposed"; and "Prisoners of the Action" by Paul McAuley and Kim Newman is a science fiction tale with a political theme.

All of the stories in the anthology are well-written, and many readers are also sure to recognize some nods to the masters of speculative fiction, like Philip K. Dick. But if you're looking to read great, well-written escapist fiction -- even if you're looking for thought-provoking but light entertainment -- this book is not for you. If you want to read a well-written anthology of deep stories that will disturb you, break your heart, wrap your mind in nightmarish visions, and introduce you to new and subtly strange worlds just around the corner, then The Del Rey Book of Science Fiction and Fantasy is the kind of work you've been looking for.
11 von 14 Kunden fanden die folgende Rezension hilfreich
strong refreshing all over the genres collection 3. Mai 2008
Von Harriet Klausner - Veröffentlicht auf Amazon.com
Format:Taschenbuch
This sixteen story anthology runs the gamut of speculative fiction, which makes it in many ways a fresh throwback before themed restraints became the name of the short story game for especially fantasy and horror but to a lesser degree science fiction and alternate history too. The contributions are all well written with several spectacular entries. "Renaissance" readers will enjoy the compilation from the opening alternate history act (The Elephant Ironclads" by Jason Stoddard) to the closing collaboration "Prisoners of the Action" by McCauley and Newman and points in between. The tales include contemporary urban ("Ardent Clouds" by Lucy Sussex), fairy tale revision ("The Goosle" by Margo Langan), and an alternate historical fictional account of why "Sonny Liston Takes the Fall" in his bout with Ali then Clay by Elizabeth Bear. Sci fi is present with "Special Economics" in China by Maureen F. McHugh and changing urban geography too ("AKA St. Marks Place" by Richard Bowes). Barry Malzberg provides a change of pace with plenty of humor with his talking goat golem in "The Passion of Azrael". With supernatural entries ("Jimmy" by Pat Cadigan and "The Lagerstatte by Laird Barron)) to round out the anthology, this is a strong refreshing all over the place collection though a strong alternate history (to include "Shira" by Lavie Tidhar) presence is throughout.

Harriet Klausner
2 von 2 Kunden fanden die folgende Rezension hilfreich
A Collection of Very Clever Speculative Fiction 26. März 2009
Von John M. Ford - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Von Amazon bestätigter Kauf
As I read these sixteen stories, I kept hoping the next one would be good. I suspect the editor chose stories with clever writing rather than ones that work as stories. I do admire the writers' techniques. But who wants to listen to B.B. King practice scales with perfect precision? I'd rather hear him howl out some painful feeling from the depths of his soul. And I'd rather read the short story equivalent.

Some praise is due--the writing is clever. For example, in Lavie Tidhar's "Shira," the main character travels with a little suitcase that is personified into a loyal pet in brief phrases scattered through the text. Nicely done, reminding me of skillful brush strokes I enjoy in other writing. "Shira" contains further cleverness, a tale within a tale twisting recursively in a way that took some skill to write. I'd have loved it if it had happened within more of a...story. It came off like a cleverly executed exercise.

There was too much of this across the pieces in the collection, casting doubt on Ellen Datlow's criteria for assembling them. I could be lacking in the postmodern sensibility to appreciate such art, bringing a beer-and-pretzels mentality to a wine-and-cheese tasting. But I don't think so. I can see the cleverness. I understand near stream-of-consciousness writing to portray the confusion and unique quality of a protagonist's mental illness. I understand how an abrupt ending can encourage, even require a reader to process a story's implications. But it doesn't work for me without more story to go with it.

I'm not sorry I read this book because I learned some things about writing. I do regret buying the book, and that there is no way to return a Kindle download for a refund. Perhaps I'm not the only one learning to manage my reading impulses in an instant-purchase world.

If you admire clever writing, borrow this book from the library and give it a careful read. Then reward yourself for your scholarly effort by grabbing something else for an entertaining story. I'm going to pick up the latest Gardner Dozois anthology as my reward.

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