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Wird oft zusammen gekauft
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He wasn't aging; he was growing up. Bonfire's pyrotechnic satire of 1980s New York wasn't just Wolfe's best book, it was the best bestselling fiction debut of the decade, a miraculously realistic study of an unbelievably status-mad society, from the fiery combatants of the South Bronx to the bubbling scum at the top of Wall Street. Sherman McCoy, a farcically arrogant investment banker (dubbed a "Master of the Universe," Wolfe's brilliant metaphorical co-opting of a then-important toy for boys), hits a black guy in the Bronx with his Mercedes and runs--right into a nightmare peopled by vicious mistresses, thin wives like "social x-rays," slime-bag politicos, tabloid hacks, and Dantesque denizens of the "justice" system. If the Coen and Marx brothers together dramatized The Great Gatsby, Wolfe's Bonfire would probably be funnier. Many think his second novel, A Man in Full, is deeper, but Bonfire will never die down.
You might find it interesting to compare the film The Bonfire of the Vanities, a fascinating calamity perpetrated by the geniuses Brian De Palma and Tom Hanks, with The Right Stuff, one of the very best films of the '80s. --Tim Appelo -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
From Library Journal
Copyright 1987 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Wolfe's subject is New York City during the 1980s. He touches as many groups as he can -- wealthy Upper East Side socialites, tabloid journalists, criminals and burnt-out agents of justice in the Bronx, cut-throat sleazy lawyers, unscrupulous Wall Street stockbrokers... No class of people escapes having its faults exposed in Wolfe's sharp, accurate prose.
Wolfe is sociologist first, novelist second. He probes the psychology of all these disparate groups and finds a common denominator: selfishness. All people are out for themselves no matter who is destroyed along the way.
At the same time he satirizes the dark side of the human experience, Wolfe makes it impossible to hate any of the characters. There is no true villain in this story. As readers, we are left with just the uncomfortable sensation of recognizing human nature's ugly parts.
"How much differently would you act in this situation?" is Wolfe's implicit question. There are no easy answers.
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