- Gebundene Ausgabe: 197 Seiten
- Verlag: Walker & Company (November 1992)
- Sprache: Englisch
- ISBN-10: 0802712193
- ISBN-13: 978-0802712196
- Größe und/oder Gewicht: 23,7 x 16,1 x 2,5 cm
- Durchschnittliche Kundenbewertung: 2.0 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 1.787.087 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
This book provides the orientation and training you need to get a film project off the ground. For the writer, actor, or cinematographer who wants to earn the right to wear the director's hat, here's the commonsense, nuts-and-bolts advice necessary to get a movie from the idea stage to the screen. This is an ideal training manual for the beginner or recent film school graduate with only limited funds, written by a professional moviemaker active in the low-budget field. This book covers such key topics as the economics of directing, how not to waste money, how to cast and rehearse actors, ways to handle disputes, the development of an approved script into an actual shooting script, practice scenes for camera setups and movement, location and scene breakdowns, elements of editing, trick shots, what you need to know about crews and equipment, and pre- and post-production essentials. The interest in filmmaking continues to burgeon, as do markets for film and trained film professionals. Directors and their skills are needed in many rapidly growing arenas of the entertainment industry: cable, TV, domestic video, and home video markets overseas as well as in the United States, plus industrial and educational filmmaking. Renee Harmon has over a dozen years of experience as a producer and director. With her at your side, you will have one of the best teachers in the business guiding you every step of the way.
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Die hilfreichsten Kundenrezensionen
Format:Taschenbuch
What surprised me most about this book is how much information the author simply gets wrong. Some of it is technical and possibly not that important for a director to know (a cinematorgrapher once told me a famous director I won't name could not even comprehend the basics of photography), but some is fundamental, such as how to handle basic screen direction continuity. Other places the writing isn't clear enough to know whether the author is offering useful advice or not. That said, the book has some merits, including some sensible advice on directing actors. It might be worth while as supplemental reading, provided one takes what is says with a grain of salt, but it would be serious mistake to try to direct a film based only on what is in this book. A much better choice would be Sidney Lumet's Making Movies or Gaspard & Newton's Persistence of Vision (both of these aren't just informative but a real joy to read). Also, pretty much anything by Michael Wiese would merit a look.
Format:Taschenbuch
When I first picked up this book I thought it would be a sound read. Well, I was wrong; while not a horrible book it is rather outdated, dealing with such things as Moviolas and splicing film all of which is dissolving from an increasingly technological industry. Also, take a look at some of the films this "filmmaker" has made - Jungle Trap, Exterminator II. I didn't have the courage to watch them, but instead visited the internet movie database, found a review of the latter film by Leonard Maltin, who gave it a rating of "BOMB". As much as I can appreciate the author's experience making movies, I find it silly to be taking advice on how to make films from someone who has been working "in the industry" for over a decade and has not had one commerical, or (apparently) critical success. Even the technical stuff gets old after awhile. Do yourself a favor and go read Robert Rodriguez's Ten Minute Film School (or whatever it's called), and avoid this outdated book, written by someone who really has about as much place giving advice to other filmmakers as I do.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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3 Rezensionen
10 von 10 Kunden fanden die folgende Rezension hilfreich
Not all that great
14. Februar 2000
Format:Taschenbuch
When I first picked up this book I thought it would be a sound read. Well, I was wrong; while not a horrible book it is rather outdated, dealing with such things as Moviolas and splicing film all of which is dissolving from an increasingly technological industry. Also, take a look at some of the films this "filmmaker" has made - Jungle Trap, Exterminator II. I didn't have the courage to watch them, but instead visited the internet movie database, found a review of the latter film by Leonard Maltin, who gave it a rating of "BOMB". As much as I can appreciate the author's experience making movies, I find it silly to be taking advice on how to make films from someone who has been working "in the industry" for over a decade and has not had one commerical, or (apparently) critical success. Even the technical stuff gets old after awhile. Do yourself a favor and go read Robert Rodriguez's Ten Minute Film School (or whatever it's called), and avoid this outdated book, written by someone who really has about as much place giving advice to other filmmakers as I do.
7 von 7 Kunden fanden die folgende Rezension hilfreich
Surprisingly disappointing
10. März 2000
Format:Taschenbuch
What surprised me most about this book is how much information the author simply gets wrong. Some of it is technical and possibly not that important for a director to know (a cinematorgrapher once told me a famous director I won't name could not even comprehend the basics of photography), but some is fundamental, such as how to handle basic screen direction continuity. Other places the writing isn't clear enough to know whether the author is offering useful advice or not. That said, the book has some merits, including some sensible advice on directing actors. It might be worth while as supplemental reading, provided one takes what is says with a grain of salt, but it would be serious mistake to try to direct a film based only on what is in this book. A much better choice would be Sidney Lumet's Making Movies or Gaspard & Newton's Persistence of Vision (both of these aren't just informative but a real joy to read). Also, pretty much anything by Michael Wiese would merit a look.
0 von 1 Kunden fanden die folgende Rezension hilfreich
BOMB
14. September 2000
Format:Taschenbuch
Like a lot of movies it has maybe one good scene. Advice on working with actord is basically correct. Advice on how to cut budget is puching it. One thing most people learn is to NOT edit in the camera, but to have a well planned shoot with the option to shoot throw aways. While other authors use award winning, audience pleasing, well-known films, she opted to use less than memorable work.
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