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Produktbeschreibungen
From Library Journal
In an attempt to address the basic aspects of practicing and interpreting, this book includes both the physical and the spiritual. Instructions are given for stretching exercises to relax and flex the body and for meditation to prepare the mind, often addressing both physical and interpretive problems through a combination of both approaches. The bulk of the instructions are for pianists; here the author feels confident and speaks in her own voice. For other instruments and voice she relies, unquestioningly, on the opinions of others. The format is straightforward instruction combined with the somewhat stilted Socratic question-and-answer approach. For larger collections.
Timothy J. McGee, Univ. of Toronto
Copyright 1996 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Timothy J. McGee, Univ. of Toronto
Copyright 1996 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Pressestimmen
"Madeline Bruser has put together a valuable and insightful look at the art of practicing. If more people read this this book, perhaps we might see an increase in the number of inspired and joyful music makers who, rather than viewing practice as a punitive activity, regard it as the supreme opportunity to explore their own creativity."
American Music Teacher
"An essential and brilliant book. Madeline Bruser gives us insight, wisdom, and tremendous practicality."
--Don Campbell, author of The Mozart Effect
"I've often thought of practice as playing--in the stretching, somersault, skipping, serenely special sense of the word--and The Art of Practicing reaffirms that. It gently and joyfully reminds us of the beautiful reasons we love music and become musicians in the first place."
--Richard Stoltzman, clarinetist
"The attitude and approach presented in this book ring true and can inspire us to open up to music with stimulated imagination and inquisitiveness and to play from the heart every time we sit down to play. I recommend this book and its ideas very highly."
--Peter Serkin, pianist
"An excellent sourcebook for musicians...logical, well thought-out, and clearly written, as well as medically tenable...thoughtful, sensitive, and very practical."
--Alice G. Brandfonbrenner, M.D., founding director Medical Program for Performing Artists, Rehabilitation Institute of Chicago, editor, Medical Problems of Performing Artists
"This is a book to read and read again, whether you are a performing musician or a serious listener."
The Washington Times
"Give this book to any musician you love and to any person who loves what music does for them and for the world. " --Richard Stoltzman, clarinetist
"Luminous and inspiring. "
--Paula Robison, flutist
American Music Teacher
"An essential and brilliant book. Madeline Bruser gives us insight, wisdom, and tremendous practicality."
--Don Campbell, author of The Mozart Effect
"I've often thought of practice as playing--in the stretching, somersault, skipping, serenely special sense of the word--and The Art of Practicing reaffirms that. It gently and joyfully reminds us of the beautiful reasons we love music and become musicians in the first place."
--Richard Stoltzman, clarinetist
"The attitude and approach presented in this book ring true and can inspire us to open up to music with stimulated imagination and inquisitiveness and to play from the heart every time we sit down to play. I recommend this book and its ideas very highly."
--Peter Serkin, pianist
"An excellent sourcebook for musicians...logical, well thought-out, and clearly written, as well as medically tenable...thoughtful, sensitive, and very practical."
--Alice G. Brandfonbrenner, M.D., founding director Medical Program for Performing Artists, Rehabilitation Institute of Chicago, editor, Medical Problems of Performing Artists
"This is a book to read and read again, whether you are a performing musician or a serious listener."
The Washington Times
"Give this book to any musician you love and to any person who loves what music does for them and for the world. " --Richard Stoltzman, clarinetist
"Luminous and inspiring. "
--Paula Robison, flutist
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Einleitungssatz
When one of my students was six years old he attended a piano recital by Arthur Rubinstein. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Rückseite
When one of my students was six years old he attended a piano recital by Arthur Rubinstein. Lesen Sie die erste Seite
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Die hilfreichsten Kundenrezensionen
5 von 5 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
After earning a masters degree in piano performance from a major conservatory, I struggled for years with debilitating performance anxiety and frustration, to the point where I changed careers and moved into the corporate world for 15 years. The practice techniques and disciplines which Madeline Bruser so clearly describes in this book enabled me to recapture my earlier love and enthusiasm for music and performing, and have put me on a path toward "playing from the heart," which has led me among other things to a decision to return to teaching and performing again as a career. This book is written in a simple and straightforward style. The author is not dogmatic about her ideas, but rather, deals with the physical and emotional aspects of playing music at a basic and fundamental level. Ms. Bruser's own credentials as a pianist and teacher are impressive. The research she cites -- interviews and collaboration with numerous professional musicians and teachers, experts in posture and movement (Alexander, Feldenkreis), and medical professionals, are partly what attracted me to this book, as did the praise for this book from musicians such as Peter Serkin, Yehudi Menuhin, and Richard Stolzman -- all impeccable sources in my opinion. When I first found this book, I couldn't put it down. I felt like I had found an oasis from my musical struggles, and hope for resolving them. If you are a musician, former musician, or aspiring musician, this book will be a source of encouragement and creative ideas. I highly recommend it!
4 von 4 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
I greatly regret that I should have read this book long long years ago ! I have seen many music students teachers who completely lack the most important things that the book describes. And I think that any musican-want-to-be should read this book first. This is the "Road Less Travelled" equivalent in psycology of musical practicing and performance. Her explanations were inspiring. Very often they were too conceptual. OK. That sounds very nice, but what is it exactly, and how do we achieve it ? Fortunately, at the end of each chapter, there is a section called "Questions and Answers". I think that the questions are from her students. And the questions were more "practical" ones rather than conceptual. And answers were very good. She provides 10 steps (suggestions) for practicing. Most of them are quite reasonable. Some of them may not be applied to me. However, it may be because I am still musically immature (far from her level) comparing with her.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
For a while, I was in an uninspired musical slump. I still practiced, but it wasn't fun anymore, and as a result, the time I spent wasn't very effective. This book gave me many ways to freshen up my practice sessions and make them more enjoyable and more productive. It is very easy to read, and one afternoon spent with it can make a world of difference for your music-making.
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Die neuesten Kundenrezensionen
Should be required reading for anyone learning music!
Madeline's indepth observations of the human experience in learning the art of music are unparalleled. Lesen Sie weiter...
Am 14. Mai 1999 veröffentlicht
Great contents, bad reading:
Chock full of great stuff, but much too wordy and repetitive. The anecdotes never end. In addition, one or two suggestions are outrageous. Lesen Sie weiter...
Am 27. Oktober 1998 veröffentlicht
Acheiving emotional and physical health in music making
If a musician could only read a single book to learn about how to PREVENT injury, this would be the one. Lesen Sie weiter...
Veröffentlicht am 22. Dezember 1997 von mpaul@unlinfo.unl.edu
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