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Kate Ellis's The Merchant's House, with its blend of history and detection, moved beyond the familiar territory of the British cozy. Unfortunately, The Armada Boy falls well short: dull characters and no sense of plot cripple it from the start. One can't help but feel cheated when the solution to the murder is, literally, handed to the detectives (in the form of an ancient letter), breaking all the rules of mystery fiction. But Ellis's prose style is engagingly straightforward and sometimes lively, with an occasional dose of gentle humor. Her dialogue, though, leaves much to be desired. For the most part, her Devonshire locals sound like an unholy hybrid of BBC announcer and London beggar. Even more jarring are her Americans, who might have been plucked straight from an Agatha Christie novel: they "guess," they "reckon," and they greet novelties with: "Say, that's a mighty fine idea!" Perhaps in her next outing, Ellis's contemporary characters will receive the same attention to detail as their historical counterparts. --Kelly Flynn -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Detective Sergeant Wesley Peterson begins the inquiries and almost immediately is overwhelmed by leads and suspects. Could his spouse, who was having an affair be the killer? Could it be the pregnant girlfriend the victim left behind in 1944? Or is just related to an anti-American resentment left over form five decades ago? As Wesley investigates, he also begins to uncover another murder mystery from four centuries ago.
The second Ellis police procedural is a fabulous tale of revenge that will thrust relative newcomer Kate Ellis into the sub-genre's limelight. The story line is entertaining as the two mysteries keep reader attention at all times. Wesley remains a complex protagonist who will charm the audience. THE ARMADA BOY and its predecessor THE MERCHANT'S HOUSE are an excellent mingling of a historical tale with a modern day police procedural.
Harriet Klausner
Bottom line: A great read as either a stand alone novel or part of a sucessful series.
For me, the real joys of 'The Armada Boy' are the fascinating blend of modern and historical crime; the rich diversity of characters (my personal favourite being Detective Constable Rachel Tracey - a real star in the wings who deserves a novel of her own); and the way in which three completely separate periods of history are woven together so effortlessly. Oh yes, and as with all great crime novels, I would never have guessed 'whodunnit'!!
I hardly put this novel down from the moment I picked it up.I couldn't wait to see what the next page would bring. I inherited my love of crime fiction from my late Grandmother who was a real connoisseur of the genre and as I read this novel I thought often of her. How she would have loved it!
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