- Gebundene Ausgabe: 288 Seiten
- Verlag: Pantheon (3. Oktober 2006)
- Sprache: Englisch
- ISBN-10: 0375424431
- ISBN-13: 978-0375424434
- Größe und/oder Gewicht: 16,2 x 2,2 x 21,2 cm
- Durchschnittliche Kundenbewertung: 4.3 von 5 Sternen Alle Rezensionen anzeigen (3 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 440.214 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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The Architecture of Happiness
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Produktbeschreibungen
Pressestimmen
"De Botton is a lively guide, and his eclectic choices of buildings and locations evince his conclusion, that “we should be as unintimidated by architectural mediocrity as we are by unjust laws.”
—The New Yorker
The next time I'm at a party, and the conversation turns to "serious topics," like what the stock market did today, I think I'll suggest we talk about something more important: architecture. I'll ask the investment banker why he bought the house he did and insist he answer the question. And then I'll start quoting Alain de Botton.
—The National Post
If this book were a building, it would be a contemporary reading room, I think, with big windows, and clean, built-in bookshelves with a fold-out step ladder just right for fetching slim volumes from the top shelf. The elegant clarity and brisk humour of his style, accompanied by pages of photos, opens your eyes to the rich possibility of thinking about your home, and your city, in a new way.
—The Toronto Star
"De Botton's books are the literary equivalent of the Slow Food movement. They demand to be lingered over, not because the concepts are difficult but because they are rich and deep. Be prepared to put down your book frequently and turn his last few sentences over in your mind, testing his theses against the rooms and buildings you know well."
—The Globe and Mail
"In this simple, entertaining and brilliant book, Alain de Botton explores how architecture speaks to us and why it affects all aspects of human life. His great strength is to explain things we always knew but never understood."
—Christopher Hume, Architecture Critic, Toronto Star
“How did we ever manage without de Botton?”
— Sunday Times (U.K.)
“[de Botton] deals with questions of style, ideas of beauty, notions about why certain structures appeal to us. The author argues that we love beautiful buildings because they solidify ideas we have about ourselves and our world. They put into concrete form our aspirations; they compensate for our human weaknesses; in short, they make us happy. Virtually every page contains a sentence any essayist would be proud to have written. A lyrical and generously illustrated monograph about the intimate relationship between our buildings and ourselves.”
— Kirkus Reviews
“Singlehandedly, de Botton has taken philosophy back to its simplest and most important purpose: helping us live our lives.”
— Independent
—The New Yorker
The next time I'm at a party, and the conversation turns to "serious topics," like what the stock market did today, I think I'll suggest we talk about something more important: architecture. I'll ask the investment banker why he bought the house he did and insist he answer the question. And then I'll start quoting Alain de Botton.
—The National Post
If this book were a building, it would be a contemporary reading room, I think, with big windows, and clean, built-in bookshelves with a fold-out step ladder just right for fetching slim volumes from the top shelf. The elegant clarity and brisk humour of his style, accompanied by pages of photos, opens your eyes to the rich possibility of thinking about your home, and your city, in a new way.
—The Toronto Star
"De Botton's books are the literary equivalent of the Slow Food movement. They demand to be lingered over, not because the concepts are difficult but because they are rich and deep. Be prepared to put down your book frequently and turn his last few sentences over in your mind, testing his theses against the rooms and buildings you know well."
—The Globe and Mail
"In this simple, entertaining and brilliant book, Alain de Botton explores how architecture speaks to us and why it affects all aspects of human life. His great strength is to explain things we always knew but never understood."
—Christopher Hume, Architecture Critic, Toronto Star
“How did we ever manage without de Botton?”
— Sunday Times (U.K.)
“[de Botton] deals with questions of style, ideas of beauty, notions about why certain structures appeal to us. The author argues that we love beautiful buildings because they solidify ideas we have about ourselves and our world. They put into concrete form our aspirations; they compensate for our human weaknesses; in short, they make us happy. Virtually every page contains a sentence any essayist would be proud to have written. A lyrical and generously illustrated monograph about the intimate relationship between our buildings and ourselves.”
— Kirkus Reviews
“Singlehandedly, de Botton has taken philosophy back to its simplest and most important purpose: helping us live our lives.”
— Independent
Kurzbeschreibung
One of the great but often unmentioned causes of both happiness and misery is the quality of our environment: the kinds of walls, chairs, buildings and streets that surround us.
And yet a concern for architecture and design is too often described as frivolous, even self-indulgent. The Architecture of Happiness starts from the idea that where we are heavily influences who we can be, and it argues that it is architecture’s task to stand as an eloquent reminder of our full potential.
Whereas many architects are wary of openly discussing the word beauty, this book has at its center the large and naïve question: What is a beautiful building? It is a tour through the philosophy and psychology of architecture that aims to change the way we think about our homes, our streets and ourselves.
And yet a concern for architecture and design is too often described as frivolous, even self-indulgent. The Architecture of Happiness starts from the idea that where we are heavily influences who we can be, and it argues that it is architecture’s task to stand as an eloquent reminder of our full potential.
Whereas many architects are wary of openly discussing the word beauty, this book has at its center the large and naïve question: What is a beautiful building? It is a tour through the philosophy and psychology of architecture that aims to change the way we think about our homes, our streets and ourselves.
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In diesem Buch
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Ausgewählte Seiten ansehen
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Considering the significance of architecture, the author remarks that beautiful houses falter as guarantors of happiness and can also be accused of failing to improve the characters of those who live in them and proceeds by explaining why this is so. Karl Friedrich Schinkel for example stated that to turn something useful, practical, and functional into something beautiful is the architect's duty. Architecture should thus be the decoration of construction as distinguished from mere building. The architects of the Modernist movement, like all their predecessors, wanted their houses to speak and express emotions. Indeed buildings speak. They speak of democracy or aristocracy, openness or arrogance, welcome or threat, sympathy for the future or a hankering for the past.
Interestingly enough what we search for in a work of architecture is not so far from what we search for in a friend because the objects we describe as beautiful art versions of the people we love. The buildings we admire are those which extol values we think are worthwhile: through their materials, shapes and colours they express qualities such as friendliness, kindness, subtlety, strength and intelligence. As Stendhal wrote, "Beauty is the promise of happiness."
We are vulnerable to what the spaces we inhabit are saying. In a drab hotel room our optimism and sense of purpose are liable to drain away. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We need a home in the psychological sense as much as we need a home in the physical sense: to compensate for vulnerability, we need a refuge.
We may feel joy at the architectural perfection we see before us and at the same time melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. And sadness is conducive to receptivity: our downhearted moments provide architecture and art with their best openings because it is at such times that our hunger for their ideal qualities is at its height.
Such thoughts and many other are contained in this study of architecture and make for a valuable and interesting read.
Interestingly enough what we search for in a work of architecture is not so far from what we search for in a friend because the objects we describe as beautiful art versions of the people we love. The buildings we admire are those which extol values we think are worthwhile: through their materials, shapes and colours they express qualities such as friendliness, kindness, subtlety, strength and intelligence. As Stendhal wrote, "Beauty is the promise of happiness."
We are vulnerable to what the spaces we inhabit are saying. In a drab hotel room our optimism and sense of purpose are liable to drain away. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We need a home in the psychological sense as much as we need a home in the physical sense: to compensate for vulnerability, we need a refuge.
We may feel joy at the architectural perfection we see before us and at the same time melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. And sadness is conducive to receptivity: our downhearted moments provide architecture and art with their best openings because it is at such times that our hunger for their ideal qualities is at its height.
Such thoughts and many other are contained in this study of architecture and make for a valuable and interesting read.
5 von 6 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Über den Inhalt dieses Buches kann ich noch nicht viel sagen, aber die Bindung (Hardcover von Hamilton) ist furchtbar! Auch wenn man es vielleicht für eine gute Idee halten kann, ein Buch über Architektur mit Schwarzweißfotografien von niedrigem Kontrast zu illustrieren - es ist definitiv keine gute Idee, für dieses Buch übelriechendes Papier zu benutzen und es so zu binden, dass die Mitte der zweiseitigen Bilder nicht sichtbar ist und man keine Chance hat, das Buch so aufzuschlagen, dass die Seiten geöffnet bleiben. Ich werde nun doch mal einen Blick in die deutsche Version werfen, hoffentlich ist die besser.
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
I thoroughly enjoyed every page of this book. It is written in beautiful English and gives food for thought. Not just for architecture lovers.
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