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In fairness, Aldiss has never seen his original story--nor the two pieces added later, "Supertoys When Winter Comes" and "Supertoys in Other Seasons"--as a Pinocchio fable at all. As he recounts in the wry, revealing foreword to this collection, "I could not or would not see the parallels between David, my five-year-old android, and the wooden creature who becomes human.... Never consciously rewrite old fairy stories." But the interpretation of the stubbornly eccentric Kubrick prevailed until Aldiss was "wheeled out of the picture."
These three excellent stories occupy just the first 35 pages of this compilation, but they accurately capture one of the great voices of British SF at his prime, with a plaintive, thoughtfully nuanced story about existence and the meaning of being human. The remaining tales range from intriguing to distractingly strident to borderline mawkish, but make no mistake about what's the main attraction here. In fact, the foreword alone, with Kubrick exposed at his curmudgeonly worst ("[To Aldiss:] You seem to have two modes of writing--brilliant and not so damned good"), makes this a collection worth picking up. --Paul Hughes
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To start off Aldiss apparently hates humanity, or at the very least human vanity and self-centeredness. He also seems to think that humankind will not grow out of these flaws, instead humanity will become more and more self-centered as time goes on, so be prepared for a future that is at the same time utopia and distopia...
Aldiss's writing style does seem to swing between brilliant and not so good, but there is enough brilliant to make up for the rest. III was particularly grim (the image of what humanity does to the inhabitants of Triton will stick with you), and "A Matter of Mathematics" could possibly be made into a decent screenplay. All told, "Supertoys..." is an incredible collection of eerily plausible sci-fi that just about everyone should read once, if not more. (if just to avoid turning the inhabitants of Jupiter's moon Europa into Campbell's Canned ET)
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