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Supertoys Last All Summer Long: And Other Short Stories (AI Film)
 
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Supertoys Last All Summer Long: And Other Short Stories (AI Film) [Englisch] [Taschenbuch]

Brian W. Aldiss

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Brian W. Aldiss
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Blame it on taxes. According to SFWA Grand Master Brian Aldiss, that's the main reason he sold the movie rights to the Pinocchio-android tale "Supertoys Last All Summer Long" to Stanley Kubrick back in 1982. Bound here along with two followup short stories and nine unrelated short pieces from more recent years, "Supertoys" was to be the source material for Kubrick's last movie. Of course, Kubrick died, and then Steven Spielberg inherited the rights, intending to follow through on Kubrick's original vision.

In fairness, Aldiss has never seen his original story--nor the two pieces added later, "Supertoys When Winter Comes" and "Supertoys in Other Seasons"--as a Pinocchio fable at all. As he recounts in the wry, revealing foreword to this collection, "I could not or would not see the parallels between David, my five-year-old android, and the wooden creature who becomes human.... Never consciously rewrite old fairy stories." But the interpretation of the stubbornly eccentric Kubrick prevailed until Aldiss was "wheeled out of the picture."

These three excellent stories occupy just the first 35 pages of this compilation, but they accurately capture one of the great voices of British SF at his prime, with a plaintive, thoughtfully nuanced story about existence and the meaning of being human. The remaining tales range from intriguing to distractingly strident to borderline mawkish, but make no mistake about what's the main attraction here. In fact, the foreword alone, with Kubrick exposed at his curmudgeonly worst ("[To Aldiss:] You seem to have two modes of writing--brilliant and not so damned good"), makes this a collection worth picking up. --Paul Hughes

Pressestimmen

"Aldiss is a master at cracking open the mundane shell of the ordinary." --The Washington Post

"Aldiss shares with J.G. Ballard the distinction of being a science-fiction writer whose intelligence, with, and flawless prose style have enabled him to enter the mainstream and then to divert its course." --Literary Review

"For those who haven't yet discovered the many delights of Aldiss's diverse and poetic imagination, his latest collection of short fiction will serve as a habit-forming introduction." --Booklist

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16 von 17 Kunden fanden die folgende Rezension hilfreich
There's more to this book than "Supertoys" 19. Juli 2001
Von Shinobi - Veröffentlicht auf Amazon.com
Format:Taschenbuch
That said, the three Supertoy stories are here, and are quite nice. I think some of the imagery in the three are superior to that of the movie, the first in particular (Monica's response to being allowed to breed is incredible). However, there is much more to this book than just Supertoys.

To start off Aldiss apparently hates humanity, or at the very least human vanity and self-centeredness. He also seems to think that humankind will not grow out of these flaws, instead humanity will become more and more self-centered as time goes on, so be prepared for a future that is at the same time utopia and distopia...

Aldiss's writing style does seem to swing between brilliant and not so good, but there is enough brilliant to make up for the rest. III was particularly grim (the image of what humanity does to the inhabitants of Triton will stick with you), and "A Matter of Mathematics" could possibly be made into a decent screenplay. All told, "Supertoys..." is an incredible collection of eerily plausible sci-fi that just about everyone should read once, if not more. (if just to avoid turning the inhabitants of Jupiter's moon Europa into Campbell's Canned ET)

12 von 14 Kunden fanden die folgende Rezension hilfreich
disappointing 19. Juli 2002
Von "mjdavis11" - Veröffentlicht auf Amazon.com
Format:Taschenbuch
I bought this book based on the connection to the movie A.I. I am always interested in how a science fiction story or novel has been converted to the screen. I was suprised to find that all the stories except for the cover title were written recently, rather than in the time period of Supertoys, which was 1969. I have read a little Aldiss over the years and find him an OK science fiction writer with novels like Helliconia Summer. I thought the other two Supertoys stories, while written 25 years after the original, did a good job of keeping the tone of the original, they just weren't that interesting. The remaining stories were not enjoyable to me at all and I finally gave up without finishing the book.
6 von 6 Kunden fanden die folgende Rezension hilfreich
Mythmaking? 14. Juni 2003
Von D. P. Birkett - Veröffentlicht auf Amazon.com
Format:Taschenbuch
The first three stories have obvious parallels (which Aldiss apparently denied) with Pinnochio (and also the Tin Man in Wizard of Oz and Pygmalion and seal-wife and fairy-wife legends). Maybe I'm reading too much into this (making me guilty of deconstructionism) but I saw a pattern of recreation of old stories. "Nothing in Life is Ever Enough" tells the story of Shakespeares "Tempest" from Caliban's angle. "The Old Mythology" is what its title suggests; a visitor from a future age is present at events (told with a sharp sense of humor) that precapitulate (if that's a word) Greek and Hebrew creation myths. "Headless" is a version of the sacrificed hero described in Fraser's "Golden Bough." "A Matter of Mathematics" is about Plato's cave. In "Becoming the Full Butterfly" the breaking of a divine law results in the destruction of a world by flooding. "Talking Cubes"= "The Picture of Dorian Grey." "Steppenpferd"=the Temptation of St Anthony (I couldn't make a connection to Hesse's "Steppenwolf").
Most of the stories have down-beat endings. Whenever anybody has a good time they get their come-uppance, so it's a pessimistic view of the future. Even "The Marvels of Utopia" is dystopic - at least it's far from Thomas More. In spite of they're enjoyable because of Aldiss's sheer good writing,excellent jokes, wild imagination and page-turning action.I

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