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Sun Also Rises
 
 

Sun Also Rises (Taschenbuch)

von Ernest Hemingway (Autor)
3.9 von 5 Sternen  Alle Rezensionen anzeigen (174 Kundenrezensionen)

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Produktinformation

  • Taschenbuch: 256 Seiten
  • Verlag: Scribner; Auflage: Reissue (1. März 1995)
  • Sprache: Englisch
  • ISBN-10: 0684800713
  • ISBN-13: 978-0684800714
  • Größe und/oder Gewicht: 20,1 x 13,2 x 1,5 cm
  • Durchschnittliche Kundenbewertung: 3.9 von 5 Sternen  Alle Rezensionen anzeigen (174 Kundenrezensionen)
  • Amazon.de Verkaufsrang: Nr. 144.734 in Englische Bücher (Die Bestseller Englische Bücher)

Produktbeschreibungen

Amazon.com

The Sun Also Rises first appeared in 1926, and yet it's as fresh and clean and fine as it ever was, maybe finer. Hemingway's famously plain declarative sentences linger in the mind like poetry: "Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that." His cast of thirtysomething dissolute expatriates--Brett and her drunken fiancé, Mike Campbell, the unhappy Princeton Jewish boxer Robert Cohn, the sardonic novelist Bill Gorton--are as familiar as the "cool crowd" we all once knew. No wonder this quintessential lost-generation novel has inspired several generations of imitators, in style as well as lifestyle.

Jake Barnes, Hemingway's narrator with a mysterious war wound that has left him sexually incapable, is the heart and soul of the book. Brett, the beautiful, doomed English woman he adores, provides the glamour of natural chic and sexual unattainability. Alcohol and post-World War I anomie fuel the plot: weary of drinking and dancing in Paris cafés, the expatriate gang decamps for the Spanish town of Pamplona for the "wonderful nightmare" of a week-long fiesta. Brett, with fiancé and ex-lover Cohn in tow, breaks hearts all around until she falls, briefly, for the handsome teenage bullfighter Pedro Romero. "My God! he's a lovely boy," she tells Jake. "And how I would love to see him get into those clothes. He must use a shoe-horn." Whereupon the party disbands.

But what's most shocking about the book is its lean, adjective-free style. The Sun Also Rises is Hemingway's masterpiece--one of them, anyway--and no matter how many times you've read it or how you feel about the manners and morals of the characters, you won't be able to resist its spell. This is a classic that really does live up to its reputation. --David Laskin

From Library Journal

The publisher is using these two perennial favorites to launch its new Scribner Paperback Fiction line. This edition of Paradise marks the 75th anniversary of the smash 1920 first novel that skyrocketed Fitzgerald to literary stardom at the ripe old age of 23. Several years later, The Sun (1926), Hemingway's own first novel, performed an identical service for him at age 26. The line will eventually include additional titles by these giants as well as works by Edith Wharton, Langston Hughes, and other greats.
Copyright 1995 Reed Business Information, Inc.

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6 von 6 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen "One generation passeth away, and another generation cometh; but the earth abideth forever..." (Ecclesiastes I:4-7), 25. Dezember 2009
Von Don Q. (La Mancha) - Alle meine Rezensionen ansehen
(TOP 500 REVIEWER)   
Diese Rezension stammt von: The Sun Also Rises (Taschenbuch)
Published in 1926, this is probably Hemingway's best-known novel, certainly the one upon which much of his reputation stands. It defines how it was to live in the Paris of the 1920s, especially for expatriates, those Americans who felt incompatible with the America of the post WW I years and left home in order to find greater freedom in Paris.

The main character and narrator is Jake Barnes, an American journalist in his early 30s and wounded physically and psychologically by the war. In Paris, seven years after the end of the war, he is trying to cope with a world he thinks no longer has meaning. He is in love with Brett Ashley, but he has been rendered impotent by war wounds to the genitals and cannot consummate his love for her. However, he struggles to maintain any sort of "normal" life.

Meanwhile, Brett has gone through two marriages and several love affairs. She and Jake find that stoicism and an effort to move through live with a certain amount of what Hemingway called "Grace under pressure" are the best antidotes to a world that makes so little sense. At the novel's climax, which takes place at the Fiesta San Fermín in Pamplona, Spain, Jake and Mike Campbell, Brett's fiancé get into a fight with Robert Cohn, the antagonist in the novel. During the fiesta and the bullfights, drinking takes on serious overtones, yet Jake is not so drunk that he that he can't think about the great moral question that bothers him. It echoes the novel's epitaph from Ecclesiastes, as Jake struggles to live in a world that is so seemingly empty of purpose. Jake's description of the bullfights is just as clear as Hemingway's "Death in the Afternoon", generally considered one of the best books on bullfighting written by a non-Spaniard.

"The Sun Also Rises" has been and can still be read in an interesting variety of ways. As a rather realistic document of the Lost Generation, as a kind of spiritual imagery with Jake on a quest or pilgrimage, it can also be understood as an analysis of the "death of love" when the barrenness of life becomes the predominant element. Some readers have objected to the moral values expressed in the novel. Even Grace Hemingway wrote to her son that it "is a doubtful honor to produce one of the filthiest books of the year." Personally I sympathize with Gertrude Stein who told Hemingway that he was part of that "lost generation" of Americans who served in the war and felt alienated from their own country. It can be argued that Vietnam War veterans were also a lost generation, they fought in a war that at the end had little support from the American public. It has been estimated that as many as 20 percent of all those who returned from that war were wounded psychologically.
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5 von 5 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen The Space that Separates: The Two Sides of Conflict, 19. September 2000
Why would anyone want to read a novel about unending drunken revels by emotional cripples who treat each other badly, never-ending love conflicts, getting excited by mayhem at the running of the bulls and during bull fights in Pamplona, and wasted lives? That's the question posed by this book.

The book will not draw too many readers for the subject matter. Why then does the book attract? Part of the appeal has to be the same reason that many people like horror films -- the relief you feel when you realize that your own life does not encounter such dangers can be profound.

Another reason to read this book is to understand the disillusionment of the American expatriates in Europe after World War I. The book is a period piece in this sense. Clearly, Hemingway is Jake and the book is undoubtedly very autobiographical. All first novels have that quality to some degree. Imagining how the author of The Old Man and the Sea started out as Jake was very interesting to me.

To me, however, the primary reason for reading this book is to encounter the remarkable structure that Hemingway built in his plot. He has created several different lenses through which we can explore the role of conflict and separation in our lives. Each lens turns out to be looking at the same object, and it is only by slowly focusing each of the lenses that we are able to see that object more clearly.

The central figure in the book is Brett, Lady Ashley, who enchants almost every man she meets, and who disengages from intimate relations with each one after permanently entangling him emotionally. That leaves a string of wounded suitors in her wake, including Jake. Things get tough when several of them join her and her fiance in Pamplona for the running of the bulls. The symmetry in the book becomes more obvious during a fishing trip that Jake takes without Brett. The fish are lured by artificial flies more successfully than with real worms. Brett's exotic appeal draws men in like flies, much more than the attractions of women who want to make an emotional commitment.

The symmetry becomes masterful when we reach the bull fights. Brett and the matador are inevitably attracted, for they are the same. They both play with their opponents (men and bulls) by flirting and using their capes, weaken the opponents in the engagement, and bring the opponents down (through sexual entrancement and slaughter). Hemingway makes this abundantly clear by repeatedly describing the bull's death as when the matador and the bull become one. One pet name for Brett is Circe, to help complete the picture.

The closer the matador comes to the bull's horns (or Brett to making a commitment), the better the sport for the spectators and the greater the self-esteem for the matador (and Brett).

I do not recall a novel that does such an excellent job of using multiple story lines to reinforce the book's main point, in this case that alienation transcends even closeness. Much as you will dislike some of the characters, the unnecessary racial and ethnic slurs, the savageness, and the emotional scenes, you will probably find the characters to ring true. You will also admire the misguided optimism and honest commitment of Jake as he fulfills his love for Brett by procuring men for her and then rescuing her when the next engagement is all over. Jake's love is that noble sacrifice that we all admire in lovers.

And that's the beautiful part of the book -- you will find nobility amid the ugliness. The contrast makes the nobility more beautiful.

When you are done reading the book, examine your own life and see where you draw back from closeness. Then, ask yourself why you do, and what it costs you and others. Next, consider what closeness can bring from continuing relationships.

Find beauty wherever you look!

Donald Mitchell (donmitch@irresistibleforces.com)

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2 von 2 Kunden fanden die folgende Rezension hilfreich:
5.0 von 5 Sternen Read The Book, Run With The Bulls, 24. Juni 1998
Thank God for Paris and Spain and Hemingway. Read this story. You'll forget you're reading. You see Jake. You see Cohn with his broken nose. You see Brett in that sweater and your heart breaks. You see Pedro and the bull fight.

The problem is the number of people that now make their living giving their opinions about this book. Don't get caught up with what your high school teacher said, or deconstructionist professor said, or literary know-it-all, could-have-wrote-it-better said. Don't get caught up with all the journals and theses and textbooks that say it is not as well planned as "Across The River And Through the Trees," or a good beginning point for a literary mind, or that real people or real events are incorporated into the plot. Don't wander around in the "lost generation" crap or expatriated American garbage, or the impotence and what Freud would say and the myriad of other things that make people spout off Epicurean/Stoic history or analogies to the nth degree. Don't get sidetracked by the yappers who want to tell you what to think. If the yappers force themselves on you, merely respond "Isn't it nice to think so." The ones who know better will understand and be embarrassed, the ones who just can't get it will keep on yapping.

Just read the story and run with the bulls.

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Sagen Sie Ihre Meinung zu diesem Artikel: Eigene Rezension erstellen
 
 
 
Die neuesten Kundenrezensionen

5.0 von 5 Sternen The Space that Separates: The Two Sides of Conflict
Why would anyone want to read a novel about unending drunken revels by emotional cripples who treat each other badly, never-ending love conflicts, getting excited by mayhem at the... Lesen Sie weiter...
Veröffentlicht am 30. Januar 2007 von Professor Donald Mitchell

1.0 von 5 Sternen The Emperor is Wearing no Clothes
Let's start with the characters of the book. They drink beer, they eat, they smoke, they sip coffee, they chat, they sleep, and then they wake up and start the whole process... Lesen Sie weiter...
Am 31. Juli 2000 veröffentlicht

5.0 von 5 Sternen An Important Part of the Twentieth Century Mindscape.
Hemingway captures the disillusionment of a generation jilted by the Great War. He captures the nuances, feel, and attitude of this "Lost Generation. Lesen Sie weiter...
Veröffentlicht am 20. Juli 2000 von Brendan

3.0 von 5 Sternen Lost Generation and Anti-Semitism
This book with its austere prose style is good read, and it's clear to me that Hemmingway, then 27 years old, shows tremendous talent. Lesen Sie weiter...
Veröffentlicht am 20. Juli 2000 von Mel Belin

3.0 von 5 Sternen The 20th century "condition."
One of the most striking features of this novel is the bland superficiality of the characters. I found that I did not particularly like any of them, and that dampened my... Lesen Sie weiter...
Veröffentlicht am 16. Juli 2000 von D. Roberts

3.0 von 5 Sternen Needs a second read
I agree with the remarks of the reviewer a few spaces down- this could have been a wonderful short story or novella. I also kept wondering where the story was. Lesen Sie weiter...
Veröffentlicht am 12. Juli 2000 von Kenny L Parker

3.0 von 5 Sternen A surprisingly powerful aftermath
This didn't particularly impress me while reading it, then surprisingly left me with a deep sense of tragedy afterwards. Lesen Sie weiter...
Veröffentlicht am 7. Juli 2000 von Jane Pek

1.0 von 5 Sternen What the f--- was Hemingway smoking when he wrote this?
Hemingway is a great writer - this book does nothing but degrade, demote, and humiliate him. An undoubtedly horrible piece literature. Lesen Sie weiter...
Veröffentlicht am 5. Juli 2000 von Dr. Big Balls

2.0 von 5 Sternen Hemingway? To Have or Have Not?
So, yeah.. I read The Sun Also Rises.. twice. I even watched the movie. There is nothing interesting here. His prose plods along. Lesen Sie weiter...
Veröffentlicht am 29. Juni 2000 von Mr A ODonnell

5.0 von 5 Sternen TEN STARS!
This is Hemingway's best novel and the best novel of all! (Writing a review of it almost seems to tarnish its greatness. Lesen Sie weiter...
Veröffentlicht am 17. Juni 2000 von Scott Eckert

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