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Will's father, an explorer, disappeared years ago, but recently some odd characters have started asking questions about him, and now, having accidentally killed one of them, Will is wanted by the police. Armed with the Subtle Knife, a tool that cuts any material (including that which separates universes) and Lyra's alethiometer, the children set out to find John Parry, with adults of various stripes in desperate pursuit.
Lyra's finest qualities, her courage and quick mind, are stretched to the limit as she has to lie, cheat and steal to keep herself and Will out of danger. However, she must also learn when to tell the truth and when to trust, for, though she does not yet know it, she has a huge part to play in the upcoming battle between Good and Evil. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.
As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.
Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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Das magische Messer ist tatsächlich noch besser als Der goldene Kompass und der hat schon einiges vorgelegt! Außerdem ist der zweite Teil sehr... anders. Natürlich, weil er in unserer Welt spielt und weil ein neuer Hauptcharakter eingeführt wurde, aber auch die Art der Handlungen hat sich verändert. Alles hängt mehr zusammen, man erfährt viel über Staub und die Charaktere werden noch tiefer beleuchtet als im godlenen Kompass.
Lyra ist in Will's Welt gestolpert - unsere Welt. Und Will ist auf der Flucht. Die Schicksale der beiden verweben sich immer dichter ineinander, als Lyra's und Will's Vorhaben sich als sehr ähnlich entpuppen. Nun heißt es also WIR, aber das macht die ganze Sache nicht leichter. Denn die Abenteuer und gar grausigen Wesen, die die Beiden erwarten, sind auch zu zweit noch schwer zu überwinden...
Eigentlich erhält dieses Buch ja sechs Sterne, aber um Sie vom Kauf zu überzeugen müssen es eben die fünf da oben tun.
Will Parry is a twelve-year-old boy living in Oxford with his mother, who's suffering from obsessive-compulsive disorder, and his cat Moxie. His father, an arctic explorer, has gone missing almost since the boy was born.
Will's mother has been facing more and more crises of late, and strangers have been harrassing her repeatedly, asking questions about her husband, about the letters he sent her twelve years ago. Will decides to send her to his old piano teacher's house to keep her safe, but when these men come back and search their home, Will accidently kills one of them. Not wanting to call the police because they would put his mother into hospital, he takes his father's letters from their hiding place in the sewing machine, and flees.
But walking on the side of the road, he sees a cat much like Moxie suddenly disappear. Examining the patch of grass more closely, he discovers a window, resolves to cross it, and finds himself in Cittàgazze, a sun-drenched, palm-treed city on the sea shore, in another world.
The city looks as if everyone just left in a hurry though, and when Will is looking for food in the recently abandoned cafés, he stumbles onto a lost young girl, Lyra. Although shocked to see a human without a daemon, and after asking her alethiometer for advice, she knows she can trust Will, and they finally decide to help each other.
The rest of the book describes how they travel back and forth between worlds, Will searching for his father, Lyra gathering information about Dust, both making new allies as well as meeting new enemies, facing new, more deadly dangers.
I liked The Subtle Knife more than Northern Lights (US title: The Golden Compass), was more gripped by it as a whole. I particularly enjoyed the connections between Lyra's and Will's (our) Oxford, when Lyra discovers what is similar, and what is not, to the place where she grew up. There's still a rather mystic edge to the story which I don't quite get, but I guess everything will clear up in the last chapter.
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