- Taschenbuch: 336 Seiten
- Verlag: Miramax; Auflage: Reprint (19. Februar 2003)
- Sprache: Englisch
- ISBN-10: 0786886757
- ISBN-13: 978-0786886753
- Größe und/oder Gewicht: 19,8 x 13,2 x 2 cm
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Amazon Bestseller-Rang:
Nr. 693.308 in Englische Bücher (Siehe Top 100 in Englische Bücher)
- Nr. 61 in Englische Bücher > Biografien & Erinnerungen > Reisen
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Produktbeschreibungen
From Booklist
Burana's first book isn't quite the bawdy romp implied by its subtitle, though the author has been a stripper, and she did take a journey "across America," during which she worked at a cross-section of the strip joints and "gentlemen's clubs" that now dot this country's landscape. Her memoir of that experience offers an insider's look at what goes on inside the clubs that employ roughly 250,000 young women, and that in itself will be a revelation to many readers. Burana isn't satisfied with simply stripping and telling, however. She wants to examine the ways that an involvement with the sex trade has affected her own life and the lives of other women, to understand the psychic price that is paid for the considerable rewards that are gained, and to come to terms with her past. She doesn't quite reach the closure she seeks, and her feelings about stripping remain stubbornly ambivalent, but her search for answers is always entertaining. Dennis Dodge
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
From Library Journal
No one gives strippers a chance except magazine writer turned autobiographer Burana, who just happens to have been one before her more "respectable" job came along. In this enthralling joy ride of a first book, Burana details the life of a stripper on the road, from the g-strings to the wigs. The book was born of the retired stripper's desire to confront her somewhat sketchy past head on. After laying out the necessary materials to be a fully functional stripper and taking a refresher class on pole dancing and other such duties, she is ready for the road. Through her nonjudgmental view, the reader becomes intimately connected to the life that Burana struggled to get away from for so long and is now squirming to get back into. Her own love of stripping or perhaps the power attached to it is easily conveyed in her gentle and honest prose; even the most conservative naysayer will be curious about this taboo job. If Burana is the class of the sex-worker industry, Sterry is the crass. This startlingly annoying memoir about a "renaissance" man's early foray into the prostitution scene of 1970 Los Angeles offers little in the way of decent prose. Not only is the writing sloppy and uninspired, it serves less to further the story and more to bolster his narcissistic view of himself. Although recounting the sexual escapades of a misspent youth has the potential to create an interesting read, this book falls short in the absence of an actual point. Sterry doesn't even try to feign a revelation, while his attempts to prove he can love without money just serve to reaffirm his shallowness. Maybe he should take some lessons from Burana in writing with heart rather than with sexual body parts. Rachel Collins, "Library Journal"
Copyright 2002 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 2002 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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26 von 29 Kunden fanden die folgende Rezension hilfreich
Stripper Bares All
31. Oktober 2001
Format:Gebundene Ausgabe
Lily Burana had a problem. She was approaching marriage, and she knew that for guys, the accepted ritual was to have an anticipatory bachelor party, quite possibly including entertainment by a dancer or a stripper. "It's a time-honored way of saying, 'Goodbye to all that.'" That's all fine for the soon-to-be-former bachelor. Burana's quandary: "But what does a former stripper do when _she's_ about to get married?" There may be no set answer for this one, but for Burana, the answer was, start stripping again, do it everywhere you can, and write your heart out about it. A wonderful book has resulted, _Strip City: A Stripper's Farewell Journey Across America_ (Talk Miramax Books), a close examination of her life in spandex, thigh-highs, and feathers, and a thoughtful look at what strippers do and what it means in current America.
Burana gives us the stripping history of her life, taking off her clothes for pay first as a rebellious adolescent who simply needed money. She was a punk-Goth kid from a nice New Jersey family. She started up in Times Square, long before the clean-up, in a sleazy club called Peepland. She moved up in stripping clubs, but also became a respected writer, and she here gives close access to her interior life. She also became engaged to a great guy who didn't mind her past or her current quest. She takes us to a strippers' school, on a shopping spree for costumes, and to The Exotic World Burlesque Museum. She tells us how her family reacts to her work. She gives us personal insights about what the attraction is for her. Grabbing an on-stage pole, just like she learned at stripper school, at Cheetah's in Los Angeles, she gets into an ecstatic state. "When it feels just right. Righteous. At times like this, I can believe that I have all the hearts in the room gathered into the palm of my hand. I will never get old. I will never know harm. As long as I stay on this stage under the benevolent auspices of darkness, everything will be okay."
Combining sex, money, and power is dangerous. "Hunger isn't humane, sex will never be totally safe, and commerce isn't always kind," she writes, and by the end of the book, she has given an ambivalent but permanent farewell to a big chunk of her life, and she has given her costumes away to an aspiring ecdysiast. This is a riveting book about what is an essential and unchangeable aspect of American life, and it is filled with details about a world few people know intimately. For instance, in what other memoir are you going to learn how to perform the stunt of lighting your nipples on fire?
18 von 19 Kunden fanden die folgende Rezension hilfreich
Awesome book!!!
13. September 2004
Format:Taschenbuch
I have to join many of the other exotic dancers and former exotic dancers who have posted reviews here applauding Strip City. Lily Burana really captures the experience of being an American stripper. Over the past few years I have read Strip City several times and will undoubtedly read it a few more. It is extremely well-written and profoundly insightful. Some of the negative reviews here surprised me at first because they were so mean-spirited, but they actually do reflect the types of attitudes I've become accustomed to in my years of dancing. It seems very important for some people to cling to the notion that all dancers are stupid, narcissistic, and unable to do anything besides take their clothes off. Even worse, dancers are accused of demeaning themselves and allowing themselves to be exploited. Dancing is a great way to make some money, but every stripper has to learn to disregard a large amount of unneccessary, untrue, and insulting remarks such as those. Most customers in strip clubs are respectful and appreciative, even if there is often a vocal minority of patrons who feel compelled to denigrate the performers. Exotic dance can be one of the most beautiful forms of artistry possible, but unfortunately many people seem to be threatened by women who are confident about their bodies and comfortable expressing their sexuality. Their negativity is draining at times because it seems so foolish that these people still attribute moral significance to the removal of clothing. I've danced for close to 10 years and consider erotic titillation to be healthy and enjoyable whether I'm performing or watching other dancers. It is extremely gratifying to see more and more women, like Lily Burana, who are speaking out and describing the exotic dance profession as it really is. It is an industry populated by many intelligent, thoughtful women who are capable of pursuing any type of career, and who have chosen to spend some portion of their lives on stage. Although there are some unpleasant aspects to the business the reality inside most strip clubs is that the majority of customers, staff, and performers are all just normal folks who are drawn to the allure of the dance.
18 von 20 Kunden fanden die folgende Rezension hilfreich
An honest, funny look at a fascinating world
5. September 2001
Format:Gebundene Ausgabe
After becoming engaged to a charming cowboy in Wyoming, New York and San Francisco-based writer and stripper Lily Burana decides to take a last tour of the strip clubs in America, in order to decide what stripping has meant to her. Burana packs her bags (even her inventory of necessaries is fascinating) and heads out into America.
With emotional honesty, a journalistic eye on her own life, and a great deal of humor, Burana narrates the story of her journey while she looks back at the generations of strippers and burlesque queens who preceded her, and at the same time evaluates the years she spent dancing in clubs in New York and San Francisco. Included in her narrative are starkly moving tales of the rebellious teenager she was, the activist she became, and the woman and writer she is.
Burana also describes the world and business of strip clubs with an experienced eye, and allows us to meet the dancers, managers, employees, and club owners. Burana gives us a fascinating look at the backstage world of stripping that is usually hidden from view.
Strip City combines history, expose, and memoir in such a way that the interweaving tales of Burana's past and present, and the story of her trade, make not only a moving and informative story, but an engaging one.
With emotional honesty, a journalistic eye on her own life, and a great deal of humor, Burana narrates the story of her journey while she looks back at the generations of strippers and burlesque queens who preceded her, and at the same time evaluates the years she spent dancing in clubs in New York and San Francisco. Included in her narrative are starkly moving tales of the rebellious teenager she was, the activist she became, and the woman and writer she is.
Burana also describes the world and business of strip clubs with an experienced eye, and allows us to meet the dancers, managers, employees, and club owners. Burana gives us a fascinating look at the backstage world of stripping that is usually hidden from view.
Strip City combines history, expose, and memoir in such a way that the interweaving tales of Burana's past and present, and the story of her trade, make not only a moving and informative story, but an engaging one.
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