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You can get the plot elsewhere. It isn't the point. The mob princess who hires Vachss to get back a little boy's soul is one of his best, most fully realized characters, the Strega or witch of the title. From the moment she jogs into the scene to the terrible revelation with which the novel ends, this is her story, and it is a measure of her strength of character that she returns again and again, as the series progresses, her strange, perverse relationship with Burke twisting and shifting.
Vachss' stock characters are wonderful, an 'A' team of society's losers and each of them a gem in the garbage of the New York streets. We cheer them on through each plot. But it is Strega, the wounded snake, who owns the stage when she appears. Read her book.
It is film noir on paper. It IS New York Haiku. It is a delight.
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