If you're reading this, my guess is you already know who Danny Seraphine is and what he's done. So I'll get straight to his book.
I enjoyed "Street Player: My Chicago Story." I've liked Chicago's music since I was a kid in junior high and, being a brass player myself, I've kept up with the group over the years. Chicago's image has always been more about the logo than the band members themselves, so unlike, say, the Eagles or Lynyrd Skynyrd, the details of their hard-partying days haven't really been front n' center before. Nor have the details regarding the inevitable band politics and jealousies. Sure, fans who followed the band more closely could pick up on the signs over the years: Terry Kath's death, for example, the departure of Peter Cetera back in 1985, and Danny's own firing in 1990. But for the most part, these types of things about Chicago haven't been discussed openly in a public forum.
Danny changes that in his book. He's not vicious, but he tells it as he sees it. In so doing, a lot of the polish that Chicago has applied to their image over the years is eroded. What's left is a far more human--and far more compelling--story than that which is told, say, on the band's official website.
Danny doesn't try to whitewash his story with the "poor mes," either. He's very candid about his near-thuggish youth, his fiery temper, his child out of wedlock, his series of extramarital affairs, his drug use, his desire to seem connected to the Mob, and the loss of confidence he experienced about his drumming in the 1980s. He also tells the story of Terry Kath's death in a way that I believe is much closer to the truth than is any previous account, the newspapers included.
Those who may think that Danny takes unwarranted potshots at his former band-mates are in for a surprise: most of them come off as rather positive in his book, though their foibles (as Danny sees them) aren't spared. The portrait of Kath is particularly warm; in fact, there seems to be only one band-mate that Seraphine doesn't really care for whom he portrays in a very negative light.
Of course, Chicago's story--like almost any other band's--is a blueprint for an MTV: Behind the Music episode (Chicago was indeed featured on that show about 10 years ago): talented band struggles, hits it big, parties hard, faces lean times/tragedy, then makes a redemptive comeback with a mostly clean-n'-sober line-up. If I have a problem with the book at all, it's in the style; Danny writes in what we used to call in school the "passive voice," so in some sections, very dramatic real-life events are stylistically deflated. But that's a small complaint of mine and it probably won't bother you.
All in all, it's very nice to have a book for adults about Danny and the band. It's a quick, interesting, entertaining read, and I hope Seraphine has much success with it.