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Story: Substance, Structure, Style, and the Principles of Screenwriting [Englisch] [Taschenbuch]

Robert McKee (Autor)
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Produktinformation

  • Taschenbuch
  • Verlag: Harpercollins; Auflage: Reprint (30. Juni 2012)
  • Sprache: Englisch
  • ISBN-10: 0060987340
  • ISBN-13: 978-0060987343
  • Durchschnittliche Kundenbewertung: 4.6 von 5 Sternen  Alle Rezensionen anzeigen (41 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 1.877.501 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Mehr über den Autor

Robert McKee
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Produktbeschreibungen

Amazon.com

Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .

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Imagine, in one global day, the pages of prose turned, plays per , films screened, the unending stream of television comedy and drama, twenty-four-hour print and broadcast news, bedtime tales told to children, barroom bragging, back-fence Internet gossip, humankind's insatiable appetite for stories. Lesen Sie die erste Seite
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Kundenrezensionen

4.6 von 5 Sternen
Dieser Artikel wurde noch nicht veröffentlicht und ist nicht zur Rezension qualifiziert. Die gezeigten Rezensionen sind von anderen Formaten dieses Artikels.
Die hilfreichsten Kundenrezensionen
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Whether you're writing a screenplay, a children's story, or a literary work of art, the lessons in this book challenge you, as a writer, to push the limits. This book doesn't necessarily give you ideas, but assists you in determining how best to execute them. Story is a thick book and takes some time to get through, but well worth it!

Story has been an invaluable reference to me, because it identifies the more elusive components that distinguish quality stories from ho-hum. I've only had this book a year and already have a few frayed pages from continual use.

For me, this book makes me think bigger, and drives me to reach for extraordinary ideas that work! Well worth the hardcover price, since you'll be using it for a long time. My work continues to improve as a result of reading this book and regularly using it as a resource.

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2 von 2 Kunden fanden die folgende Rezension hilfreich
Von Jon Fain
Format:Gebundene Ausgabe
STORY, while ultimately a screenwriting guide, focuses enough on building a compelling character-driven tale that I recommend it to anyone out there who is writing fiction as well, especially novels. Much of the book will startle you with its clarity and insight. Take for example the importance of the Inciting Incident, that moment in the story where the protagonist is thrown into action. While not necessarily a new idea, McKee's presentation and discussion of this and other story components is impressive. Although the book does at times dip into detail on structure that becomes overwhelming, it's a nice tool to add to the library. Like any good "how-to" book it's best when savored for its resonating nuggets and used as a jumping-off point for finding your own way.
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Von Ein Kunde
Format:Gebundene Ausgabe
I'm a professional writer and thought I had found a gold mine with this book. I should say that I'm a playwright, not a screenwriter, and that may affect my opinion. But it's hard for me to imagine a more formulaic approach than that given by Robert McKee here. Though McKee acknowledges that cinematic masterpieces often break with convention, he spends hundreds of pages laying out rules for exactly how a film should be structured, exactly where various plot points should occur, exactly where they should be resolved. He even tells you how to construct sentences! At times he also gives advice I question; for instance, he says to avoid such directions as WE HEAR, WE SEE, and SMASH CUT, all of which I've seen in professionally produced teleplays. As the book went on I found myself thinking of exceptions to the rules put forward by McKee. I can't think of a more smothering experience than trying to create a screenplay using these mountains of rules.

In my view, McKee focuses on structure at the expense of content and substance. *What* the writer is saying seems less important to him than *how* he or she is saying it. If I wanted an exhaustive reference on how to structure a screenplay so that it will be exactly what Hollywood is used to seeing, this might be a book I'd turn to. But I was hoping for something more inspired.

I'm not including my name because I've seen how a couple of other reviewers were pounced on when they criticized this book. I *will* try some of the other books they mention.

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Die neuesten Kundenrezensionen
Brilliant and Very Helpful
I recently took McKee's 3-day marathon "STORYSEMINAR" in L.A. It was almost like a religious experience -motivating, informative, inspirataional, etc. Lesen Sie weiter...
Am 13. Juni 2000 veröffentlicht
Good Resource Manual
Robert McKee's Story is a must-have book for the aspiring screenwriter. He breaks down every theoretical element to a story (from exposition and inciting incident all the way to... Lesen Sie weiter...
Veröffentlicht am 29. Februar 2000 von David Cromwell
One of the best, though not the only
It's a wonderful book, with tons of insight, and a great guide for the screewnwriter. I have read most of the books on this subject out there, and this one is not only one of the... Lesen Sie weiter...
Veröffentlicht am 1. Februar 2000 von Harry Jarvis
A great read! You'll probably enjoy this!
No one writes with more passion and authority than Mr. McKee. He never recommends formula. He points out principles, that if followed, will keep you honest and aware and... Lesen Sie weiter...
Am 19. Januar 2000 veröffentlicht
In the Entertainment Biz.
I have yet to read this book, however I work in the Entertainment business and I saw it on the desk of every producer at a company that develops Children's television programs... Lesen Sie weiter...
Am 27. Dezember 1999 veröffentlicht
A screenwriting book about...Story.
In my opinion this book is invaluable for screenwriters, producers, or film buffs that desire an exploration of story in film. Lesen Sie weiter...
Am 7. Dezember 1999 veröffentlicht
A great book
If you want to know what makes a story tick on the inside, then you should definitely read this book. Lesen Sie weiter...
Am 8. November 1999 veröffentlicht
Make this book LAST on your list!
There are many good works on screenwriting available. I have read several, including those by Field, Seger, and others. They have all been helpful and offer something valuable. Lesen Sie weiter...
Veröffentlicht am 18. Oktober 1999 von Jason
Like finding two boxes already stacked beneath the bananas.
If this book doesn't raise your fictional IQ 50 points, you're fighting it.
Am 5. Oktober 1999 veröffentlicht
This is the story book you're looking for
If you want to write better stories or find out if you've got what it takes to write...get this book. You'll be inspired, you'll be challenged, you may end up depressed. Lesen Sie weiter...
Am 1. Oktober 1999 veröffentlicht
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