Fred Astaire (1899-1987) was, quite simply, a dance genius. He appeared on stage, often with his sister Adele, in such landmark musicals as LADY BE GOOD and FUNNY FACE; he graced at least 43 films, 31 one of which were musicals; he is, for all practical intents and purpose, American dance, and he worked with artists no less legendary than he. But for all this, his 1959 autobiography is most notable for being, well, utterly mundane.
STEPS IN TIME is essentially a catalogue of the various shows in which Astaire performed, ranging from Vaudeville (with sister Adele) to SILK STOCKINGS with Cyd Charisse. He always loves his leading lady; he always likes his director; even when the show was not as good as it could have been he finds something nice to say about it; and he never, ever offers the least bit of insight into his private life, his work, or the many with whom he worked over the years. Indeed, Astaire actually has more to say about his love of the racetrack than he does about any of his films or specific dance routines.
Fans of Astaire and the Hollywood musical will certainly want to read STEPS IN TIME, but even the most ardent fan will likely be disappointed by the superficial quality of the work. One can only hope that a future biographer will give Astaire the full portrait that he himself could not.
GFT, Amazon Reviewer