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10 von 11 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
On page six of this large book, Stephen Shore writes, in the Artist's Note, 'The book you are holding in your hands amounts to what might be called the photographic equivalent of a director's cut.' and in the nature of such things you now get an additional ninety-four photos with the forty-nine that were in the original1982 Aperture edition of the book, though this is not strictly true because some that were in the original are not in this edition.
I bought the original book because I loved the way Shore captured the everyday urban American outdoors and of course the amazing colour and detail. This new edition is even better because the photos are now larger (mostly 10.5 by 8.25 inches). The other thing I love about some of these photos is the way Shore captures the street corner, this seems to be a favorite composition (stretching back to the famous FSA photos of the Thirties) with contemporary photographers and Photorealists painters like Richard Estes or Davis Cone. Shore's 'El Paso Street, Texas, July 5, 1975' could just as easily be an Estes painting. There are several corner photos in the book and they are just stunning.
I have seen comments about the amount of detail in these photos, helped of course by the two hundred plus dot screen, the original book used a 175 dpi. Apart from the screen it is interesting to compare images that appear in both books and the colour does vary. 'Beverly Boulevard, June 21 1975' in the original (page 39) is predominately brown for the street area, in this edition (page 115) it has changed to a predominately blue cast. I wonder if this is the sort of thing that concerns collectors of first edition photo books?
In addition to the photos in this beautifully designed and printed book there are two text pieces, the first one, by Stephen Schmidt-Wulffen, includes twelve photos from Shore's 'American Surfaces'. The back of the book includes biographical notes and a useful bibliography.
This latest 'Uncommon Places' will be a book I'll look through for some years to come.
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42 von 45 Kunden fanden die folgende Rezension hilfreich
'...and now, the rest of the story'.
14. Juni 2004
Format:Gebundene Ausgabe
On page six of this large book, Stephen Shore writes, in the Artist's Note, "The book you are holding in your hands amounts to what might be called the photographic equivalent of a director's cut". It is in the nature of such things you now get an additional ninety-four photos with the forty-nine that were in the original 1982 Aperture edition, though this is not strictly true because some that were in the original are not in this edition.
I bought the original book because I loved the way Shore captured the everyday urban American outdoors and of course the amazing color and detail. This new edition is even better because the photos are now larger, mostly 10.5 by 8.25 inches. The other thing I love about some of these photos is the way Shore captures the street corner, this seems to be a favorite composition (stretching back to the famous FSA photos of the Thirties) with contemporary photographers and Photorealists painters like Richard Estes or Davis Cone. Shore's 'El Paso Street, Texas, July 5, 1975' could just as easily be an Estes painting. There are several corner photos in the book and they are just stunning.
Another reviewer has commented on the amount of detail in these photos, helped of course by the two hundred plus screen, the original book used a 175 dpi. Apart from the screen it is interesting to compare images that appear in both books and the color does vary. 'Beverly Boulevard, June 21 1975' in the original (page 39) is predominately brown for the street area, in this edition (page 115) it has changed to a predominately blue cast. I wonder if this is the sort of thing that concerns collectors of first edition photo books?
In addition to the photos in this beautifully designed and printed book there are two text pieces, the first one, by Stephen Schmidt-Wulffen, includes twelve photos from Shore's 'American Surfaces'. The back of the book includes biographical notes and a useful bibliography.
This latest 'Uncommon Places' will be a book I'll look through for some years to come.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
I bought the original book because I loved the way Shore captured the everyday urban American outdoors and of course the amazing color and detail. This new edition is even better because the photos are now larger, mostly 10.5 by 8.25 inches. The other thing I love about some of these photos is the way Shore captures the street corner, this seems to be a favorite composition (stretching back to the famous FSA photos of the Thirties) with contemporary photographers and Photorealists painters like Richard Estes or Davis Cone. Shore's 'El Paso Street, Texas, July 5, 1975' could just as easily be an Estes painting. There are several corner photos in the book and they are just stunning.
Another reviewer has commented on the amount of detail in these photos, helped of course by the two hundred plus screen, the original book used a 175 dpi. Apart from the screen it is interesting to compare images that appear in both books and the color does vary. 'Beverly Boulevard, June 21 1975' in the original (page 39) is predominately brown for the street area, in this edition (page 115) it has changed to a predominately blue cast. I wonder if this is the sort of thing that concerns collectors of first edition photo books?
In addition to the photos in this beautifully designed and printed book there are two text pieces, the first one, by Stephen Schmidt-Wulffen, includes twelve photos from Shore's 'American Surfaces'. The back of the book includes biographical notes and a useful bibliography.
This latest 'Uncommon Places' will be a book I'll look through for some years to come.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
10 von 12 Kunden fanden die folgende Rezension hilfreich
a TRUE master
24. April 2006
Format:Gebundene Ausgabe
this is one of the first great works of color photography, and is still as fresh and significant as it was 30 years ago. forget all the imitators of today's contemporary scene, this was one of the first and is still better than anything to come along since (with the exception of sternfeld's american prospects which is equally great).
and for those who say this is snapshot photography, think again. view camera, deliberation, and intent here are razor sharp and NOT filled with accidents or casual images.
and for those who say this is snapshot photography, think again. view camera, deliberation, and intent here are razor sharp and NOT filled with accidents or casual images.
3 von 4 Kunden fanden die folgende Rezension hilfreich
Awesome
2. November 2006
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
This is my new favorite book. I found it by accident as I didn't know Stephen Shore. The feeling, mood, and color in his images are so great. If you're like me who like anything 70's, then you will love this book.
His photography was considered very cutting edge at a time when all fine art was shot in black & white. Mr. Shore has a gift to make the ordinary like extra-ordinary and beautiful. If you love photography, you need to own this book! [...]
His photography was considered very cutting edge at a time when all fine art was shot in black & white. Mr. Shore has a gift to make the ordinary like extra-ordinary and beautiful. If you love photography, you need to own this book! [...]
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