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State of Fear (Englisch) Taschenbuch – 25. Oktober 2005

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  • Taschenbuch: 688 Seiten
  • Verlag: Avon; Auflage: Reprint (25. Oktober 2005)
  • Sprache: Englisch
  • ISBN-10: 0061015733
  • ISBN-13: 978-0061015731
  • Größe und/oder Gewicht: 10,6 x 3,5 x 17,1 cm
  • Durchschnittliche Kundenbewertung: 3.8 von 5 Sternen  Alle Rezensionen anzeigen (44 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 463.396 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Mehr über den Autor

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Produktbeschreibungen Exclusive Content

A Michael Crichton Timeline reveals a few facts about the "father of the techno-thriller."

1942: John Michael Crichton is born in Chicago, Illinois on Oct. 23.

1960: Crichton graduates from Roslyn High School on Long Island, New York, with high marks and a reputation as a star basketball player. He decides to attend Harvard University to study English. During his studies, he rankles under his writing professors' criticism. As an act of rebellion, Crichton submits an essay by George Orwell as his own. The professor doesn’t catch the plagiarism and gives Orwell a B-. This experience convinces Crichton to change his field of study to anthropology.

1964: Crichton graduates summa cum laude from Harvard University in anthropology. After studying further as a visiting lecturer at Cambridge University and receiving the Henry Russell Shaw Travelling Fellowship, which allowed him to travel in Europe and North Africa, Crichton begins coursework at the Harvard School of Medicine. To help fund his medical endeavors, he writes spy thrillers under several pen names. One of these works, A Case of Need, wins the 1968 Mystery Writers of America's Edgar Allan Poe Award.

1969: Crichton graduates from Harvard Medical school and is accepted as a post-doctoral fellow at the Salk Institute for Biological Science in La Jolla, Calif. However, his career in medicine is waylaid by the publication of the first novel under his own name, The Andromeda Strain. The novel, about an apocalyptic plague, climbs high on bestseller lists and is later made into a popular film. Crichton said of his decision to pursue writing full time: "To quit medicine to become a writer struck most people like quitting the Supreme Court to become a bail bondsman."

1972: Crichton's second novel under his own name The Terminal Man, is published. Also, two of Crichton's previous works under his pen names, Dealing and A Case of Need are made into movies. After watching the filming, Crichton decides to try his hand at directing. He will eventually direct seven films including the 1973 science-fiction hit Westworld, which was the first film ever to use computer-generated effects.

1980: Crichton draws on his anthropology background and fascination with new technology to create Congo, a best-selling novel about a search for industrial diamonds and a new race of gorillas. The novel, patterned after the adventure writings of H. Ryder Haggard, updates the genre with the inclusion of high-tech gadgets that, although may seem quaint 20 years later, serve to set Crichton's work apart and he begins to cement his reputation as "the father of the techno-thriller."

1990: After the 1980s, which saw the publication of the underwater adventure Sphere (1987) and an invitation to become a visiting writer at the Massachusetts Institute of Technology (1988), Crichton begins the new decade with a bang via the publication of his most popular novel, Jurassic Park. The book is a powerful example of Crichton's use of science and technology as the bedrock for his work. Heady discussion of genetic engineering, chaos theory, and paleontology run throughout the tightly-wound thriller that strands a crew of scientists on an island populated by cloned dinosaurs run amok. The novel inspires the 1993 Steven Spielberg film, and together book and film will re-ignite the world’s fascination with dinosaurs.

1995: Crichton resurrects an idea from his medical school days to create the Emmy-Award Winning television series ER. In this year, ER won eight Emmys and Crichton received an award from the Producers Guild of America in the category of outstanding multi-episodic series. Set in an insanely busy an often dangerous Chicago emergency room, the fast-paced drama is defined by Crichton's now trademark use of technical expertise and insider jargon. The year also saw the publication of The Lost World returning readers to the dinosaur-infested island.

2000: In recognition for Crichton's contribution in popularizing paleontology, a dinosaur discovered in southern China is named after him. "Crichton's ankylosaur" is a small, armored plant-eating dinosaur that dates to the early Jurassic Period, about 180 million years ago. "For a person like me, this is much better than an Academy Award," Crichton said of the honor.

2004: Crichton’s newest thriller State of Fear is published.'s Significant Seven
Michael Crichton kindly agreed to take the life quiz we like to give to all our authors: the Significant Seven.

Q: What book has had the most significant impact on your life?
A: Prisoners of Childhood by Alice Miller

Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: Tao Te Ching by Lao Tzu (Witter Bynner version)
Symphony #2 in D Major by Johannes Brahms (Georg Solti)
Ikiru by Akira Kurosawa

Q: What is the worst lie you've ever told?
A: Surely you're joking.

Q: Describe the perfect writing environment.
A: Small room. Shades down. No daylight. No disturbances. Macintosh with a big screen. Plenty of coffee. Quiet.

Q: If you could write your own epitaph, what would it say?
A: I don't want an epitaph. If forced, I would say "Why Are You Here? Go Live Your Life."

Q: Who is the one person living or dead that you would like to have dinner with?
A: Benjamin Franklin

Q: If you could have one superpower what would it be?
A: Invisibility

-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.


“Provocative and controversial. [Crichton] marries compelling subject matter with edge-of-your-seat storytelling.” (USA Today)

“In STATE OF FEAR, Michael Crichton delivers a lightning-paced technopolitical thriller...every bit as informative as it is entertaining.” (Wall Street Journal)

“Fascinating for how Crichton was trying to make the very absence of fear spooky.” (San Francisco Chronicle)

“There’s no one else like him…a fast, fun read.” (Weekly Standard)

“This is definitely one for the Christmas list.” (National Review)

“He imparts science while entertaining readers.” (Denver Post)

“STATE OF FEAR is a valuable education in the guise of entertainment. Do yourself a favor and buy it.” (Pittsburgh Post-Gazette)

“The thrills of Crichton’s latest are interspersed with fascinating facts and data. Perhaps his most serious and important book yet.” (Booklist)

“STATE OF FEAR is Michael Crichton’s best.” (

“Michael Crichton’s new book will appeal to your inner techie.” (Washington Post Book World)

“…this proves a pleasant way of learning a lot worth knowing.” (Philadelphia Inquirer)

“…he understands science and how to separate fact from fiction. Impressive documentation.” (Washington Times)

“Scary? You bet.” (People)

“Crichton has written a book that deserves to be taken seriously.” (The New Yorker)

“The king of the techno-thriller has once again given us a gripping, action-packed yarn.” (Birmingham Post)

“Crichton knows how to craft a tale, one that keeps the reader turning the pages.” (Houston Chronicle)

“STATE OF FEAR is replete with heart-pounding suspense.” (Albany Times Union)

“You have to hand it to Michael Crichton; he knows how to tell a story.” (Wisconsin State Journal)

“STATE OF FEAR is an exciting yarn.” (The Liverpool Daily Post)

“In STATE OF FEAR Crichton weaves a stunning fiction around the issue of global warming.” (Australia Gold Coast Bulletin)

“STATE OF FEAR grabs you from the start.” (The Weekend Australian)

“A deftly crafted action/adventure novel.” (Pittsburgh Tribune)

“STATE OF FEAR is the world’s first page-turner that people will want to read in one gulp.” (Montery County Herald)

“A gripping techno thriller that…spares no expense when it comes to adventure, suspense and, ultimately, satisfaction.” (Pittsburgh Post-Gazette)

“[A] snappy eco-thriller.” (Entertainment Weekly)

“One of the real pleasures of Crichton’s books is their erudite polish.” (Slate)

“For thriller fans, STATE OF FEAR is the perfect tonic for a weekend when you’re snowbound.” (The Ottowa Sun)

“Cliffhanging action sequences.” (New York Times)

“Fast-faced and a fun read. A breath of fresh air.” (The Vancouver Province)

“Terrific fun.” (Daily Telegraph (London))

“A master. A connoisseur of catastrophe.” (Los Angeles Times)

“An exciting story…in the hands of a master story-teller like Crichton, it’s good entertainment.” (Sunday Telegraph)

“Definitely page-turning.” (Detroit Free Press)

…Plenty of thrills, chills and spills. STATE OF FEAR is required reading.” (The Electricity Daily)

“[Crichton’s] expert manipulation of tension pays off in page-turning dividends. Cunningly orchestrated mayhem.” (Express)

“[Crichton’s] expert manipulation of tension pays off in page-turning dividends. Cunningly orchestrated mayhem.” (Milwaukee Journal Sentinel)

“Every bit as informative as it is entertaining. And it is very entertaining.” (Wall Street Journal)

“Very enjoyable.” (The Evening Standard (London))

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Die hilfreichsten Kundenrezensionen

16 von 17 Kunden fanden die folgende Rezension hilfreich Von Morning Light am 18. Januar 2005
Format: Gebundene Ausgabe
Obwohl Crichton mit seinem neuen Roman "State Of Fear" die These, Globale Erwärmung gäbe es nicht wirklich, substantiell und gekonnt vertritt und damit sicherlich einigen Leuten empfindlich auf den Schlips getreten ist, lässt das Buch als Thriller doch einigermassen zu wünschen übrig. Der Plot scheint für die Verfilmung an exotischen Schauplätzen optimiert und besteht aus einer losen Aneinanderreihung von Actionsequenzen mit eingestreuten Dialogen der Figuren zum Thema. Die Protagonisten sind - mehr als sonst - schablonenhaft; diejenigen, die an Globale Erwärmung glauben, sind als dumme, selbstverliebte Menschen dargestellt. Kenner hingegen ist eine Art Superagent diverser US-Regierungsbehörden, dem zwar Hubschrauber, Waffen, alle möglichen Infos etc zur Verfügung stehen, der aber trotzdem die Kastanien allein mit Hilfe einer besseren Sekretärin und eines jungen Anwaltsschnösels aus dem Feuer holen muss. Naja.
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5 von 5 Kunden fanden die folgende Rezension hilfreich Von Carl am 9. März 2005
Format: Taschenbuch
I have been a Michael Crichton fan for years. He is a writer whose stories should be taken seriously. They are very insightful. In this fascinating page turner, the author makes his readers to learn interesting things about their world, in a the subject matter whose influence nobody can avoid.
"State of Fear" revolves around environmental extremists with an agenda that threatens to destabilize the status quo and a small group dedicated to unravel a plot. The characters are succinctly drawn to give the story the credibility that it deserves. Through the person of the young protagonist, Peter Evans, Crichton presented this story of global warming perfectly.
The discussions about global warming and the pitfalls of media-geared scientific investigations are succinctly exposed. Crichton's case is strong. This is a thriller that is steeped in reason with a message for the environment. And Crichton concludes it with his by declaring his s position and a footnote to links to this issue. The book has a lot of integrity.
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4 von 4 Kunden fanden die folgende Rezension hilfreich Von Ein Kunde am 9. November 2005
Format: Taschenbuch
Nach dem letzten Crichton, von dem ich wegen der oberflächlichen Charaktere und der lieblos daher geschriebenen Geschichte sehr enttäuscht war, empfinde ich State of Fear als wesentlich besser. Es war spannend zu lesen, auch wenn die Geschichte sehr unglaubwürdig erscheint. Wenn sie fesselnd ist, stört mich sowas weniger, weil es ja eben ein Roman ist. Die Charaktere sind leider wieder extrem schlecht geraten, es fehlt einfach an Hintergrund und Tiefe. Sie erhalten überhaupt keine oder nur sehr wenig Textur, und wirken sehr künstlich und überzeichnet. Schade!!! Warum ich trotzdem vier Sterne gebe: Ich habe von diesem Buch Unterhaltung erwartet und sie auch bekommen. Schön finde ich außerdem, dass man zum Nachdenken angeregt wird. Klar hat jeder schonmal vom Treibhauseffekt gehört und weiß auch, daß das schlecht ist. Warum aber? Da gehen wirklich den meisten die Argumente aus. Schön ist, daß Crichton Referenzen angibt und somit sehr glaubwürdig erscheint. Ich werde wohl eher nicht hingehen und sie nachlesen, aber sie führen einem vor Augen, daß es wichtig ist, seine Meinung einfach auch mal zu überprüfen und die Argumente dafür, jedoch auch dagegen zu bedenken. Ich jedenfalls habe aufgrund des Buchs gründlich über die angesprochenenen Themen nachgedacht.
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6 von 7 Kunden fanden die folgende Rezension hilfreich Von Prospero am 7. März 2007
Format: Taschenbuch
In State of Fear Crichton clearly has a opinion about global warming and the methods governments and environmental institutes use to let information work best for their own cause. Crichton uses this novel to express his personal ideas about global warming and doesn't mix this in a naturally way into the plot. This results in several discussions between characters which seem to go on and on and on and don't seem to be of any value for the plotline itself. Actually the plotline is strongly disturbed by it. You'll recognize these parts at the footnote's which all of sudden appear at the bottom of the pages referring to the points made in the discussion pointing towards several scientific sources Crichton used when writing his book.

I believe that State of Fear would have been a stronger novel without the forced methods to bring across Crichton's opinion mixed in a novel. And I expect that an essay on global warming would have been stronger if it was an article for a magazine. It's now a very mixed and sometimes boring result while the ideas and statements or the main plot themselves are interesting.

Character building is weak. For instance one of the main characters (Evans) seems never to be able to say no and show's little character you can relate to. Peter Kenner represents an agent fighting crime but also figures like a no-it-all-professor telling everybody the real facts of mans influence on the enviroment (page after page). Kenner's discussion's are rhetorical weak and quite annoyable like someone going on all evening just to win a discussion and you get to the point of 'yeah, by now I now what you want, let's go on with it'.
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