|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
 Gutschein erhalten
Tauschen Sie jetzt Soviet Posters: The Sergo Grigorian Collection gegen einen Amazon-Gutschein in Höhe von EUR 4,05 ein - einlösbar für Tausende von Artikeln bei Amazon.de. Entdecken Sie mehr eintauschbare Bücher im Bücher Trade-In Shop. Bitte beachten Sie die Teilnahmebedingungen.
 Jetzt für Amazon Student anmelden und um 20% erhöhten Eintauschwert sichern. |
Wird oft zusammen gekauft
Produktinformation
|
Mehr über den Autor
Entdecken Sie Bücher, lesen Sie über Autoren und mehr
› Besuchen Sie die Seite von Maria Lafont auf Amazon
› Besuchen Sie die Seite von Maria Lafont auf Amazon
Produktbeschreibungen
Pressestimmen
'Grigorian's Collection offers a rare glimpse into a lost world.'Sunday Herald, May 2007'Totalitarianism never looked so good.'Gay Times, June 2007'These posters look completely at odds with most current graphic design, and it's this that makes them so refreshing to look at. There's nothing subtle about them ... but it's their directness that makes them so charming.'Grafik, July 2007' ... this compact monograph ... contains plenty to admire.'Wallpaper*, August 2007
Kurzbeschreibung
Seit dem Ende des Kalten Krieges und dem Fall der Berliner Mauer ist die sowjetische Propaganda-Kunst als faszinierende Inspirationsquelle von Designern und Künstlern entdeckt worden.
Die umfangreiche Plakat-Sammlung des russischen Kunstsammlers Sergo Grigorian umspannt den Zeitraum von 1917 bis zum Kalten Krieg und wird nun erstmals in Buchform präsentiert. Sowohl Arbeiten berühmter Avantgarde-Künstler wie Malevitch und Rodchenko als auch grafische Arbeiten anonymer Künstler finden sich unter den 250 abgebildeten Plakaten, deren wirkungsvoller Aussagekraft man sich nicht entziehen kann. Die Themen sind mannigfaltig, sie reichen von der Warnung vor Alkoholmissbrauch und der schleichenden Bedrohung durch die Nazis bis hin zur Verherrlichung der Sowjet-Arbeiter. Ein Buch, das kultverdächtig ist! (Englische Originalausgabe mit deutscher Übersetzung der Plakattexte.)
Die umfangreiche Plakat-Sammlung des russischen Kunstsammlers Sergo Grigorian umspannt den Zeitraum von 1917 bis zum Kalten Krieg und wird nun erstmals in Buchform präsentiert. Sowohl Arbeiten berühmter Avantgarde-Künstler wie Malevitch und Rodchenko als auch grafische Arbeiten anonymer Künstler finden sich unter den 250 abgebildeten Plakaten, deren wirkungsvoller Aussagekraft man sich nicht entziehen kann. Die Themen sind mannigfaltig, sie reichen von der Warnung vor Alkoholmissbrauch und der schleichenden Bedrohung durch die Nazis bis hin zur Verherrlichung der Sowjet-Arbeiter. Ein Buch, das kultverdächtig ist! (Englische Originalausgabe mit deutscher Übersetzung der Plakattexte.)
Welche anderen Artikel kaufen Kunden, nachdem sie diesen Artikel angesehen haben?
Vorgeschlagene Tags zu ähnlichen Produkten(Was ist das?)Setzen Sie den ersten relevanten Tag hinzu (ein Schlüsselwort, das mit diesem Produkt in engem Zusammenhang steht).
|
Eine digitale Version dieses Buchs im Kindle-Shop verkaufen
Wenn Sie ein Verleger oder Autor sind und die digitalen Rechte an einem Buch haben, können Sie die digitale Version des Buchs in unserem Kindle-Shop verkaufen.
Weitere Informationen
Kundenrezensionen
Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
I was intrigued to read in the intro of this excellent book that the posters shown were printed in quantities of between five thousand and a hundred thousand and mostly had a rather short lifespan so we must be grateful to Sergo Grigorian for having the foresight and enthusiasm to create his collection.
I thought the early posters, from the 1918 onwards, are the most fascinating. There are several in the best Constructivist tradition, page fifty-four has a stunning typographic one designed by Sorbonski or page seventy-two with a movie poster showing a painting of two revolutionary peasants using a machine gun integrated into display headlines and text. However as you look through the pages the graphic style, especially after 1945, slowly morphs into safe predictable State style with plenty of happy children and contemporary versions of Stakhanovites leading the workers into the dazzling future.
The last book section with posters from 1965 to 2001 do show however a rather wide graphic style with strong abstracts, even a bit of pop art, photo montage and on page 223 a very western European style poster for a Russian shotgun (in English for Raznoexport). The last poster in the book by Vladimir and Georgy Sternberg, from 2001, celebrates past Soviet culture with ten mini posters of famous movies.
Overall I thought an excellent selection of posters presented in a well produced book (and good value for the price) but there were a couple of annoying editorial flaws. The page numbers are turned sideways and they assume a bit more importance than the average publication because the details about each poster are at the back of the book and it is rather frustrating to have to keeping turning backwards and forwards. Made perhaps more annoying because there is plenty of space on each page for the captions.
I understand that Prestel will have a similar book of North Korean posters out later this year.
I thought the early posters, from the 1918 onwards, are the most fascinating. There are several in the best Constructivist tradition, page fifty-four has a stunning typographic one designed by Sorbonski or page seventy-two with a movie poster showing a painting of two revolutionary peasants using a machine gun integrated into display headlines and text. However as you look through the pages the graphic style, especially after 1945, slowly morphs into safe predictable State style with plenty of happy children and contemporary versions of Stakhanovites leading the workers into the dazzling future.
The last book section with posters from 1965 to 2001 do show however a rather wide graphic style with strong abstracts, even a bit of pop art, photo montage and on page 223 a very western European style poster for a Russian shotgun (in English for Raznoexport). The last poster in the book by Vladimir and Georgy Sternberg, from 2001, celebrates past Soviet culture with ten mini posters of famous movies.
Overall I thought an excellent selection of posters presented in a well produced book (and good value for the price) but there were a couple of annoying editorial flaws. The page numbers are turned sideways and they assume a bit more importance than the average publication because the details about each poster are at the back of the book and it is rather frustrating to have to keeping turning backwards and forwards. Made perhaps more annoying because there is plenty of space on each page for the captions.
I understand that Prestel will have a similar book of North Korean posters out later this year.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
9 Rezensionen
16 von 17 Kunden fanden die folgende Rezension hilfreich
comprehensive retrospective of Soviet Union propaganda and art posters
29. Mai 2007
Format:Taschenbuch
With the majority of peasants illiterate when the Communists seized power in the Russian Revolution in the early 1900s, the communications system including the press primitive, posters soon took a prominent place in spreading the ideas and ideals of Communism and focusing the far-flung, heterogeneous population on central institutions such as the army. The poster never lost its prominent position in the Soviet Union. While the subject matter of the many posters was limited by government authorities to accepted propaganda themes and perspectives, considerable latitude and even considerable innovation were allowed and even encouraged. Suprematicism championed by the modernist Kasimir Malevich "created a new artistic alphabet, based on the languages of color and energy. Vladimir Mayakovsky and Alexander Rodchenko were two Russian artists who pored their skills and visions into poster art in lieu of other hospitable mediums in the totalitarian state. El Lisitzky introduced the style 'constructivism" in the 1920, followed by photomontage done by Gustav Klutsis and others in the early 1930s. Lafont, who was born in Moscow and is the author of "Pillaging Cambodia - Illicit Traffic in Khmer Art," cites such influential Soviet artists, whose influence spread outside of Russia, and follows the changing course of the Soviet poster according to changing artistic ideas, historical circumstances, and emphasis on certain propaganda in the Introduction.
In groupings of a few years to as much as a decade or more roughly defining historical periods of the Soviet Union, two hundred and fifty posters are pictured in full-page size with details of some shown on facing pages. Translations of their exhortations and in some cases longer message or text are found in the notes following the extensive gallery. But for 14, all are from the collection of Grigorian, a Russian lawyer who is working to establish a museum for Soviet posters. This collection of his plus ranging widely over styles, subjects, and periods of the statist posters of the former Soviet Union makes an outstanding retrospective.
In groupings of a few years to as much as a decade or more roughly defining historical periods of the Soviet Union, two hundred and fifty posters are pictured in full-page size with details of some shown on facing pages. Translations of their exhortations and in some cases longer message or text are found in the notes following the extensive gallery. But for 14, all are from the collection of Grigorian, a Russian lawyer who is working to establish a museum for Soviet posters. This collection of his plus ranging widely over styles, subjects, and periods of the statist posters of the former Soviet Union makes an outstanding retrospective.
4 von 4 Kunden fanden die folgende Rezension hilfreich
Soviet, not war propaganda
26. April 2009
Format:Taschenbuch|Von Amazon bestätigter Kauf
Hello:
This book shows hundreds of soviet proaganda posters, from war times to everyday life. I'm specifying this because it's not an exclusive-war-versus-Germany-posters-compilation, but a general and exhaustive view of 70 years of propaganda.
In this case, the selection is extremely complete, with a few posters of every great poster and soviet-image creators like Rodchenko, for instance.
Recommended for propaganda lovers, political passionates and graphic designers.
Greetings from Barcelona!!
This book shows hundreds of soviet proaganda posters, from war times to everyday life. I'm specifying this because it's not an exclusive-war-versus-Germany-posters-compilation, but a general and exhaustive view of 70 years of propaganda.
In this case, the selection is extremely complete, with a few posters of every great poster and soviet-image creators like Rodchenko, for instance.
Recommended for propaganda lovers, political passionates and graphic designers.
Greetings from Barcelona!!
9 von 12 Kunden fanden die folgende Rezension hilfreich
Ephemeral fervor
3. Februar 2008
Format:Taschenbuch
I was intrigued to read in the intro of this excellent book that the posters shown were printed in quantities of between five thousand and a hundred thousand and mostly had a rather short lifespan so we must be grateful to Sergo Grigorian for having the foresight and enthusiasm to create his collection.
I thought the early posters, from the 1918 onwards, are the most fascinating. There are several in the best Constructivist tradition, page fifty-four has a stunning typographic one designed by Sorbonski or page seventy-two with a movie poster showing a painting of two revolutionary peasants using a machine gun integrated into display headlines and text. However as you look through the pages the graphic style, especially after 1945, slowly morphs into safe predictable State style with plenty of happy children and contemporary versions of Stakhanovites leading the workers into the dazzling future.
The last book section with posters from 1965 to 2001 do show however a rather wide graphic style with strong abstracts, even a bit of pop art, photo montage and on page 223 a very western European style poster for a Russian shotgun (in English for Raznoexport).
Overall I thought an excellent selection of posters presented in a well produced book (and good value for the price) but there were a couple of annoying editorial flaws. The page numbers are turned sideways and they assume a bit more importance than the average publication because the details about each poster are at the back of the book and it is rather frustrating to have to keeping turning backwards and forwards. Made perhaps more annoying because there is plenty of space on each page for the captions.
I understand that Prestel will have a similar book of North Korean posters out later this year.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
I thought the early posters, from the 1918 onwards, are the most fascinating. There are several in the best Constructivist tradition, page fifty-four has a stunning typographic one designed by Sorbonski or page seventy-two with a movie poster showing a painting of two revolutionary peasants using a machine gun integrated into display headlines and text. However as you look through the pages the graphic style, especially after 1945, slowly morphs into safe predictable State style with plenty of happy children and contemporary versions of Stakhanovites leading the workers into the dazzling future.
The last book section with posters from 1965 to 2001 do show however a rather wide graphic style with strong abstracts, even a bit of pop art, photo montage and on page 223 a very western European style poster for a Russian shotgun (in English for Raznoexport).
Overall I thought an excellent selection of posters presented in a well produced book (and good value for the price) but there were a couple of annoying editorial flaws. The page numbers are turned sideways and they assume a bit more importance than the average publication because the details about each poster are at the back of the book and it is rather frustrating to have to keeping turning backwards and forwards. Made perhaps more annoying because there is plenty of space on each page for the captions.
I understand that Prestel will have a similar book of North Korean posters out later this year.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
Waren diese Rezensionen hilfreich?
Wir wollen von Ihnen hören.
Kunden diskutieren
|
Das Forum zu diesem Produkt
Fragen stellen, Meinungen austauschen, Einblicke gewinnen Aktive Diskussionen in ähnlichen Foren
Kundendiskussionen durchsuchen
|
Ähnliche Foren
|
||||||||||||||||||||||||||||||||||
Lieblingslisten
Ähnliche Artikel finden
Anhand des Sachgebietes nach ähnlichen Produkten suchen:
Ihr Kommentar
Möchten Sie die Produktinformationen aktualisieren oder Feedback zu den Produktabbildungen geben?
|
