|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
Sound Effects Bible
und über 1 Million weitere Bücher verfügbar für Amazon Kindle .
Erfahren Sie mehr
| |||||||||||||||
Wird oft zusammen gekauft
Produktinformation
|
Mehr über den Autor
Entdecken Sie Bücher, lesen Sie über Autoren und mehr
› Besuchen Sie die Seite von Ric Viers auf Amazon
› Besuchen Sie die Seite von Ric Viers auf Amazon
Welche anderen Artikel kaufen Kunden, nachdem sie diesen Artikel angesehen haben?
In diesem Buch
(Mehr dazu)
Ausgewählte Seiten ansehen
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Tags, die Kunden mit diesem Produkt verbinden(Was ist das?)Klicken Sie zum Suchen verwandter Artikel, Diskussionen oder Personen auf ein Tag.
|
Kundenrezensionen
Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch|Von Amazon bestätigter Kauf
In diesem Buch werden Sie sämtliche Antleitungen zum Aufzeichnen und Optimieren von gewöhnlichen bis syrrealen
Sound- und Spezialsoundeffekten finden.
Das Buch eignet sich hervorragend als Nachschlagewerk: von Foley-Bühnen und Alltagsgeräuschen mit Schwenk zur geschickten Aufnahme von Motoren und Explosionen bis hin zu synthetisch generierten Raumschiffvorbeiflügen und Lasergefechten in natürlichen und unnatürlichen Räumlichkeiten, werden sie so ziemlich alle Filmsounds, die Sie bisher gehört haben, selbst herzustellen lernen können.
Absolut überzeugend!
Sound- und Spezialsoundeffekten finden.
Das Buch eignet sich hervorragend als Nachschlagewerk: von Foley-Bühnen und Alltagsgeräuschen mit Schwenk zur geschickten Aufnahme von Motoren und Explosionen bis hin zu synthetisch generierten Raumschiffvorbeiflügen und Lasergefechten in natürlichen und unnatürlichen Räumlichkeiten, werden sie so ziemlich alle Filmsounds, die Sie bisher gehört haben, selbst herzustellen lernen können.
Absolut überzeugend!
Format:Taschenbuch
Das Buch ist spitze geschrieben und umfasst so ziemlich alle Themen, denen man sich in diesem Bereich widmen sollte (Grundlagen, Mikrofone, Dynamics, Raumakkustik, Signalketten usw.). Eigentlich müsste das Buch Sound-Recording-Bible heissen. Und die Tips im letzten Kapitel, wie man welche Art von Sounds im Hollywood-Style generiert: fantastisch.
Dieser Autor hatte richtig Bock...das merkt man!
Dieser Autor hatte richtig Bock...das merkt man!
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
25 Rezensionen
12 von 12 Kunden fanden die folgende Rezension hilfreich
A great hand book to keep nearby
9. Januar 2009
Format:Taschenbuch
[...]
Review by: Sable Jak
This is not a book to simply glance through and then put on your shelf and pull out now and then. If you're involved in sound at all, I doubt you could do that. This is a book to carry with you in the field, have next to your computer, in your editing suite and taped to your cereal box so you can read it while you have breakfast.
There is so much information in this thing I don't even know where to begin, so I'll tell you a little set-up information first:
I recorded my own audio drama serial last year (2008) and I wish I'd had this before I started. It sure would have helped stop a lot of stumbling and fumbling around. At the same time, it's more than a little nice now and then to find a piece of information in it that lets me know I did something right... on occasion.
Viers knows his business. He's worked in film, radio, television and video games for years. According to his bio he's one of the world's largest independent providers of sound effects, with over 150,000 sounds and 150 sound libraries. He's also created sound libraries for large companies.
He's taken all that experience and crammed it into 326 fully-loaded pages. He starts out by explaining what sound effects are, from natural to manufactured to designed. Why start with such a basic? Because he's all about understanding what you're doing. So, if the chapter on the science of sound may seem like it's reiterating an old science class, remember; who among us can't benefit from a refresher course?
Not being mechanically/technically inclined I appreciated his information on microphones and their accessories, and even how to put together a portable recording package. In addition to helping you build your own Foley stage (complete with pictures, yippee) he covers studio equipment, recording in the field, recording Foley and working with a database. There's so much information it's hard to absorb it all. I'd like to say it's best taken in small increments, and for someone who works best by doing, it is, but at the same time, there's so much here you want to keep reading in case the next page contains something vital to your current project. However, keep in mind the book is laid out so you can quick reference specific needs without having to wade through unrelated information.
I have to say, some of the hard core technical information is a little hard for me to understand, even though it's written very clearly. But the more I read, the more I work on projects and the more I use this book, the more I will, and do, understand. I say this because to me it seems that Viers knows that having a good reference guide at hand is always a help, no matter how much you do or don't know.
In short, I highly recommend this book.
Sable Jak
Author: Writing the Fantasy Film
Review by: Sable Jak
This is not a book to simply glance through and then put on your shelf and pull out now and then. If you're involved in sound at all, I doubt you could do that. This is a book to carry with you in the field, have next to your computer, in your editing suite and taped to your cereal box so you can read it while you have breakfast.
There is so much information in this thing I don't even know where to begin, so I'll tell you a little set-up information first:
I recorded my own audio drama serial last year (2008) and I wish I'd had this before I started. It sure would have helped stop a lot of stumbling and fumbling around. At the same time, it's more than a little nice now and then to find a piece of information in it that lets me know I did something right... on occasion.
Viers knows his business. He's worked in film, radio, television and video games for years. According to his bio he's one of the world's largest independent providers of sound effects, with over 150,000 sounds and 150 sound libraries. He's also created sound libraries for large companies.
He's taken all that experience and crammed it into 326 fully-loaded pages. He starts out by explaining what sound effects are, from natural to manufactured to designed. Why start with such a basic? Because he's all about understanding what you're doing. So, if the chapter on the science of sound may seem like it's reiterating an old science class, remember; who among us can't benefit from a refresher course?
Not being mechanically/technically inclined I appreciated his information on microphones and their accessories, and even how to put together a portable recording package. In addition to helping you build your own Foley stage (complete with pictures, yippee) he covers studio equipment, recording in the field, recording Foley and working with a database. There's so much information it's hard to absorb it all. I'd like to say it's best taken in small increments, and for someone who works best by doing, it is, but at the same time, there's so much here you want to keep reading in case the next page contains something vital to your current project. However, keep in mind the book is laid out so you can quick reference specific needs without having to wade through unrelated information.
I have to say, some of the hard core technical information is a little hard for me to understand, even though it's written very clearly. But the more I read, the more I work on projects and the more I use this book, the more I will, and do, understand. I say this because to me it seems that Viers knows that having a good reference guide at hand is always a help, no matter how much you do or don't know.
In short, I highly recommend this book.
Sable Jak
Author: Writing the Fantasy Film
5 von 5 Kunden fanden die folgende Rezension hilfreich
Effective, fun and inspiring
24. September 2008
Format:Taschenbuch
Ric has done a great job by putting into his book years of personal experience in creating and editing sound effects. It's very accessible and comprehensive, and is a real must for anyone who wants to make their own sound effects. This Bible is a wonderful companion to my own book Sound Design in ways that are extremely practical and hands on. Thank you Ric!
4 von 4 Kunden fanden die folgende Rezension hilfreich
Great book for newbies
30. Oktober 2008
Format:Taschenbuch
I know almost nothing about actually creating or recording sound effects... but after reading The Sound Effect Bible, I felt like I could grab a mic and do it. (Which is total self-delusion, but still-- I FELT like I did.) This is a terrific book for anyone about to produce their own film or go to work in a post department... a comprehensive, easy-to-read, accessible reference guide.
Waren diese Rezensionen hilfreich?
Wir wollen von Ihnen hören.
Kunden diskutieren
|
Das Forum zu diesem Produkt
Fragen stellen, Meinungen austauschen, Einblicke gewinnen Aktive Diskussionen in ähnlichen Foren
Kundendiskussionen durchsuchen
|
Ähnliche Foren
|
||||||||||||||||||||||||||||||||||
Lieblingslisten
|
|
Ähnliche Artikel finden
Anhand des Sachgebietes nach ähnlichen Produkten suchen:
Ihr Kommentar
Möchten Sie die Produktinformationen aktualisieren oder Feedback zu den Produktabbildungen geben?
|
